Index
The Creative Industries and International Business Development in Africa
ISBN: 978-1-80071-303-1, eISBN: 978-1-80071-302-4
Publication date: 21 January 2022
This content is currently only available as a PDF
Citation
Madichie, N.O. and Hinson, R.E. (2022), "Index", The Creative Industries and International Business Development in Africa, Emerald Publishing Limited, Leeds, pp. 163-169. https://doi.org/10.1108/978-1-80071-302-420211017
Publisher
:Emerald Publishing Limited
Copyright © 2022 Emerald Publishing Limited
INDEX
Note: Page numbers followed by “n” indicate notes.
Addis Fine Art
, 145
Advertising
, 59–61
Africa
, 3
advertising and digitisation
, 59–61
in age of digitalisation
, 57
brand and rebranding of creative economy
, 63–64
creative industries and digitisation in Africa
, 59
creative industries and global value chain
, 64–67
forced digitisation of creative industries
, 61–63
Jacon Osinachi Crypto Artist
, 66–67
performing arts
, 58–59
UNCTAD
, 57–58
Africa Regional Integration Index (ARII 2019)
, 34–35
Africa Technology and Creative Group (ATCG)
, 138
Africa’s creative hubs
, 92–93
African Literature Sub-sector
, 100–101
African Tech Hubs building budding culture of innovation
, 93–100
art galleries and cultural centres
, 104–106
design spaces
, 103–104
Fashion Sub-sector
, 102–103
music sub-sector
, 101–102
sectoral journey
, 100
Africa’s creative industries
, 13, 29, 51, 144–145
AfCFTA Lockdown Webinars
, 36–38
AfCTA and Nigerian Creative Industries
, 38–40
challenges in creative industries
, 13–18, 29–30
changing landscape of creative economy
, 136–140
confronting ‘wicked’ problems through WikiAfrica
, 146–147
creative economy outlook and country profiles
, 21–24
creative industries and SDG
, 140–144
creative industries in AfCFTA
, 30–35
future of
, 135
opportunities for
, 18–21
playing to gallery
, 145–146
sectoral mapping of
, 109–117
video-conferencing giants
, 135
African art
, 145
investments and challenges
, 43–46
African Business Environment
, 30
African Continental Free Trade Area (AfCFTA)
, 3, 29
and 4th Industrial Revolution
, 34
Africa Regional Integration Index
, 34–35
Business Forum
, 33
creative industries in
, 30
Lockdown Webinars
, 36–38
and Nigerian Creative Industries
, 38–40
response
, 31–32
African Development Bank (AfDB)
, 33, 52, 102
African Literature Sub-sector
, 100–101
African Photography Encounters
, 112
African Tech Hubs
, 91
animation research
, 94
building budding culture of innovation
, 93
CcHub Nigeria
, 95–96
Playable City Lagos
, 99–100
South African Cultural Observatory
, 97–98
Starplace Hub
, 98–99
African Textile, Apparel & Accessories (TA&A)
, 52, 102
African TV series
, 62
African Union (AU)
, 31
Africanness
, 50
Agorkoli
, 125
All-hands-on-deck approach
, 15–16
Amazon Prime
, 29, 123
and African animation projects
, 124–125
Animation
in Africa
, 117–118
research
, 94
AnimaxFYB
, 124–125
Apple Music
, 62
Art Fairs, Galleries and Museums (AGMs)
, 110–111
Art galleries
, 104–106
Arterial Network
, 73
Artificial intelligence
, 57
Artistic work
, 77
Audio-visual media
, 58
Audiovisual Rights Society of Ghana
, 76
Augmented reality
, 57
Blood and Water
, 62
BOF, Lagos, Nigeria
, 105–106
Boomplay
, 140
Botswana, IPRs in
, 80–82
Botswana Institute for Development Policy Analysis (BIDPA)
, 80
Brand of creative economy
, 63–64
Brazil, Russia, India, China and South Africa (BRICS)
, 7
Brexit
, 5, 29
Bruce Onobrakpeya Foundation (BOF)
, 91
Business and Arts South Africa (BASA)
, 20
Business Registration and Licensing Agency (BRELA)
, 77
BusyInternet
, 92
Canal+ and MultiChoice
, 21
Cape Performing Arts Board (CAPAB)
, 104
Central Bank of Nigeria
, 58
China
, 22
Cinema advertising
, 60
Co-Creation Hub (CcHub)
, 91–92, 99
Nigeria
, 95–96
Collaborative cultural governance
, 136–137
Collection Management Organisations (CMOs)
, 73–74
Commercial business sectors
, 4
Commonwealth
, 5–6
advantage
, 46
CBWN
, 47
creative industries and
, 46
and diasporic engagement
, 47–48
Secretariat
, 36
UMG
, 48–51
Commonwealth Businesswomen’s Network (CBWN), 46–47, 93n1
Commonwealth Heads of State and Government Meeting (CHOGM)
, 106
Consumer-oriented market
, 60
Consumption
, 65
Content industries
, 82
Copyright
, 76, 82
copyright-based industries
, 71
Copyright Act (2005)
, 76–77
Copyright Office, Collective Management Organization (CMO)
, 77
Copyright Organizations; Copyright Society of Tanzania (COSOTA)
, 77
Corporate recolonization
, 101
Countries of origin (COO)
, 47
Countries of residence (COR)
, 47
Country level case studies
animation in Africa
, 117–118
on creative sub-sectors
, 109
digital publishing
, 128–129
forging partnerships in Africa
, 118–122
mobile/video games in Africa
, 129
sectoral mapping of African creative industries
, 109–117
streaming services
, 123–128
COVID-19 pandemic
, 13–14, 29, 32, 46, 60, 123, 135
Creation
, 65
Creative Business Cup
, 47
Creative economy
, 46, 93
brand and rebranding of
, 63–64
changing focus from urban to rural
, 137
changing landscape of
, 136
collaborative cultural governance
, 136–137
MyAfCFTA nodes
, 138–140
outlook and country profiles
, 21–24
Creative hubs
, 91
Creative industries
, 4–5, 57–58, 71, 82, 135–137
in AfCFTA
, 30–35
in Africa
, 3–4, 13, 59
challenges of
, 14–18
and commonwealth advantage
, 46–51
forced digitisation of
, 61–63
international business
, 5–6
organisation
, 8–9
and SDG
, 140–144
synopsis of competing books
, 6–8
Creative market
, 63
Creative value chain
, 65
Creativity
, 4, 7
Cultural and creative industries (CCI)
, 97
Cultural centres
, 104–106
Cultural industries
, 64, 82
Cultural policy
, 6
Cultural significance of Nollywood
, 82
Cultural sites
, 58
Dak’Art Biennial, Dakar, Senegal
, 106
Deezer
, 62
Democratic Republic of Congo (DRC)
, 17
Design
, 58
Design Indaba South Africa
, 103–104
Development Fund for West Africa
, 73
Diaspora
entrepreneurs
, 50
entrepreneurship
, 47
Diaspora Dialogues
, 20
Digital
, 98
marketing
, 59
new economy sectors
, 4
publishing
, 128–129
revolution
, 135
technologies
, 46
Digital, Culture, Media and Sport (DCMS)
, 7
Digital Kenya
, 92
Digitalisation
, 46
impact on creative industries
, 71
Digitisation, 59–61 (see also Forced digitisation)
in Africa
, 59
Distribution
, 65
Diversification of Nigerian economy
, 15
Djibouti, animation in
, 118
Domestic Tourism Development Strategy
, 9, 109
DTH pay-TV
, 21
East Africa Bill
, 58
Economic powerhouses in Africa
, 4
Education
, 135
Electronic Transactions Act
, 77
Entrepreneurship
, 4
Enwonwu, Ben (father of Nigerian modernism)
, 44
Everything Digital
, 57
Facebook
, 60
Fardowsa Hussein
, 115–116
Fashion
, 50
Sub-sector
, 102–103
Fashionomics Africa (Webinar Series), 36n4
, 102
and AfDB
, 52
Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO)
, 109–110
Film and Television value chain
, 65
Film Festival in Burkina Faso
, 109–110
Financial losses
, 17
Firm ‘born global’
, 50
5G network
, 60
Focus Group
, 92
Forced digitisation
case of Ghana
, 63
case of Nigeria
, 61–63
of creative industries
, 61
Fourth Industrial Revolution
, 34, 46, 93
4th Industrial Revolution (4IR). See Fourth Industrial Revolution
Free Trade Agreements
, 37
Gallery 1957
, 145
Ghana
animation in
, 117
IPRs in
, 75–77
Ghana Music Rights Organization
, 76
Globalisation
, 50
Goodman Gallery
, 145
Google
, 29
Gross domestic product (GDP)
, 58, 71, 97
Hana Mire
, 116–117
High Court Civil Procedure Rules
, 77
Hip-hop music and culture
, 101
i-HQ project
, 99
IdeaHub
, 92
Ikorodu Bois
, 129
In-home advertising media
, 60–61
Independent Online (IOL)
, 128
Innovation
, 4, 135
city
, 99
Instagram
, 60
Institute of Commonwealth Studies (ICwS)
, 36
Intellectual property (IP)
, 58, 72, 76
in Africa
, 72
system
, 72–73
Intellectual property rights (IPR)
, 32, 38, 72–73, 135
AfCFTA and
, 38–40
in Botswana
, 80–82
in Ghana
, 75–77
in Kenya
, 73–74
in Nigeria
, 82–85
in Rwanda
, 74–75
in Tanzania
, 77–80
International business
, 5–6
International iPappi (see Prince Fosu)
International trade in creative industries
, 22
International Trade Policy Section, Trade, Oceans and Natural Resources Directorate
, 36
Internationalisation, 8, 29 (see also Digitalisation)
Internet
, 4
Investment
, 37
iROKO
, 62
Ivorian Joana Choumali
, 45
Jack Dorsey, Twitter and
, 127–128
JamesMurua. com
, 128
Javett Art Centre at University of Pretoria (Javett–UP)
, 113
Jobs for Youth Strategy (2016–2025)
, 52
Johannesburg Stock Exchange (JSE)
, 21
Kenya
IPRs in
, 73–74
Kenya-based Mdundo
, 127
Kenya, Ivory Coast, Nigeria, Ghana and South Africa (KINGS)
, 92
Kenya Association of Music Producers (KAMP)
, 74
Kenya Copyright Board (KECOBO)
, 74
Kids’ Choice Awards (KCAs)
, 129
Knowledge-based industries
, 135
Kó Art Space, Lagos, Nigeria
, 106
Korea Customs Service (KCS)
, 33
Kwani Trust, The
, 73
Lady Buckit & The Motley Mopsters (LBMM), 117, 144n1
Leadpath
, 92
Legal landscape and challenges in Africa
intellectual property in Africa
, 72–85
WIPO
, 71–72
Lion heart
, 5
Literary work
, 77
Localising creative business support in Africa
, 138–140
Lockdowns
, 17, 31
M-PESA
, 92
Mali, photography in
, 111–115
Mama K’s Team 4, 144n1
Media
, 58
Mexico, Indonesia, Nigeria and Turkey (MINT)
, 7
Micro-, small-and medium-sized enterprises (MSME)
, 46, 93
Ministry of Education and Culture (MEC)
, 119
Mobile/video games in Africa
, 129
Mobility
, 100
Moloko
, 62
Mozambique, partnerships in
, 119–120
Mozarte
, 120
Museums Association of Namibia (MAN)
, 111
Music Copyright Society of Kenya (MCSK)
, 74
Music sub-sector
, 101–102
MyAfCFTA nodes
, 138–140
Nairobi Plan of Action on Cultural Industries
, 73
National Bureau of Statistics (NBS)
, 77
National Endowment for Science, Technology and the Arts (NESTA)
, 5
Netflix
, 29, 123
Network for Creative Enterprise (NfCE), 7n2
Nigeria
animation in
, 117
Boomplay
, 127
film industry
, 58
IPRs in
, 82–85
Nigerian Copyright Commission (NCC)
, 72, 83
Nigerian Creative Industries, AfCTA and
, 38–40
Nike Center for Art and Culture, Osogbo, Nigeria
, 91, 104–105
Nollywood
cultural significance of
, 82
film and music industries
, 61–62
model
, 49
Office of the Registrar General (ORG)
, 74
Ololo
, 101, 127
Onobrakpeya
, 106
Ouagadougou
, 110
Out-of-home advertising
, 60
Overseas Development Institute (ODI)
, 36
Partnerships in Africa
, 118
Mozambique
, 119–120
Zambia
, 120–122
Zimbabwe
, 118–119
Passion Incubator
, 92
Performers Rights Society of Kenya (PRISK)
, 74
Performing arts
, 17, 58–59
Phiona Okum
, 126
Photography in Mali
, 111–115
Playable City
initiative
, 6
Lagos
, 99–100
Post-Apartheid Labour Market Series (PALMS)
, 97
Post-Brexit Era
African creative industries
, 51
creative industries and Commonwealth advantage
, 46–51
Europe and West
, 43–46
Fashionomics Africa and AfDB
, 52
re-engaging externally with Europe in
, 43
Prince Fosu
, 101, 127
Print advertising
, 60
Prix Pictet photography
, 45
Production
, 65
Provisional National Defence Council Law (PNDC Law)
, 76
Publishing and printed media
, 58
Queen Sono
, 62
Rebranding of creative economy
, 63–64
Remote Pan-African Model
, 139
Resilience
, 16–18
Retail
, 65
Rwanda, IPRs in
, 74–75
Sagal Ali
, 115
Sectoral mapping
of African creative industries
, 109
AGMs
, 110–111
Film Festival in Burkina Faso
, 109–110
photography in Mali
, 111–115
Somalia photography
, 115–117
Shutdowns
, 17
Simuka Futi project
, 119
Sixth National Development Plan (2011–2015)
, 122
Smartphone
, 60
SMEs
, 128
Snapchat
, 60
Social media
, 4
marketing in SMEs
, 128
Social sites
, 60
SocialSpot
, 92
Software programming
, 72
Somalia photography
, 115–117
South African Cultural Observatory (SACO)
, 97–98
South–South trade
, 22
Spotify
, 29, 62, 123
in Africa
, 126–127
Stakeholders
, 99
Starplace Hub
, 98–99
Starplace Laboratory
, 20–21
Streaming platforms
, 62
Streaming services
, 123, 135
Amazon Prime and African animation projects
, 124–125
Netflix in Africa
, 123–124
Spotify in Africa
, 126–127
Twitter and Jack Dorsey
, 127–128
Sub-regional creative hubs
, 91
Tanzania, IPRs in
, 77–80
Tanzania Revenue Authority (TRA)
, 77
Task Force approach
, 5
Tech hubs
, 94
Technology-centered industries
, 72
Telecommunications
, 47
Tourism
, 121
Trade
, 37
of goods/services
, 39
TradeMark East Africa
, 36
Traditional cultural expressions
, 57
Triggerfish, 144n1
Tutu
, 45
TV
, 47
Twitter
, 29, 60, 123
and Jack Dorsey
, 127–128
UN Economic Commission for Africa (UNECA)
, 34
UN Sustainable Development Goals (SDG)
, 9, 135
creative industries and
, 140–144
SDG 4
, 142
SDG 16
, 142
SDG 17
, 142
United Nations Conference on Trade and Development (UNCTAD)
, 16, 57–58, 136
United Nations Education, Science and Culture Organisation (UNESCO)
, 57
Futures Literacy High Level Summit
, 36
Universal Music Group (UMG)
, 29, 48–51, 101
Value chain
, 51
model
, 65
Value realisation process
, 65
Video games
, 72
Video-conferencing giants
, 135
Virtual Museum of Namibian Fashion
, 111
Virtual reality
, 57
Visual arts
, 18, 58
Vulnerability
, 16–18
Watershed, 7n2
Wi-Fi mesh hotspot network
, 92
WikiAfrica, confronting ‘wicked’ problems through
, 146–147
WIPO Copyright Treaty (WCT)
, 76
WIPO Performances and Phonograms Treaty (WPPT)
, 76
World Economic Forum
, 58
World Intellectual Property Organisation (WIPO)
, 9, 71
World Trade Organization
, 30
Year of Return
brand
, 64
initiative
, 20, 109
Youmani Jérôme Lankoandé (CEO of YULCOM Technologies)
, 98
YouTube
, 62
YULCOM Technologies
, 98–99
Zambia, partnerships in
, 120–122
Zimbabwe, partnerships in
, 118–119
Zoom
, 135
- Prelims
- Part I. The Landscape of Creative Industries in Africa
- Chapter 1: Introduction to the Landscape of Creative Industries in Africa
- Chapter 2: Challenges and Opportunities of Africa’s Creative Industries
- Part II. Strategies for Developing Africa’s Creative Industries
- Chapter 3: The African Creative Industry in a Free Trade Area
- Chapter 4: Re-engaging with Europe and the Commonwealth in a Post-Brexit Era
- Part III. Digitalisation and African Creative industries
- Chapter 5: Africa in the Age of Digitalisation
- Chapter 6: The Legal Landscape and Challenges
- Part IV. Best Practice Case Studies
- Chapter 7: Value Co-creation of Places and Spaces in Africa’s Creative Hubs
- Chapter 8: Country Level Case Studies
- Part V. Back to the Future
- Chapter 9: The Future of Africa’s Creative Industries
- Appendix
- Index