Index

Citation

Madichie, N.O. and Hinson, R.E. (2022), "Index", The Creative Industries and International Business Development in Africa, Emerald Publishing Limited, Leeds, pp. 163-169. https://doi.org/10.1108/978-1-80071-302-420211017

Publisher

:

Emerald Publishing Limited

Copyright © 2022 Emerald Publishing Limited

---

INDEX

Note: Page numbers followed by “n” indicate notes.

Addis Fine Art

, 145

Advertising

, 59–61

Africa

, 3

advertising and digitisation

, 59–61

in age of digitalisation

, 57

brand and rebranding of creative economy

, 63–64

creative industries and digitisation in Africa

, 59

creative industries and global value chain

, 64–67

forced digitisation of creative industries

, 61–63

Jacon Osinachi Crypto Artist

, 66–67

performing arts

, 58–59

UNCTAD

, 57–58

Africa Regional Integration Index (ARII 2019)

, 34–35

Africa Technology and Creative Group (ATCG)

, 138

Africa’s creative hubs

, 92–93

African Literature Sub-sector

, 100–101

African Tech Hubs building budding culture of innovation

, 93–100

art galleries and cultural centres

, 104–106

design spaces

, 103–104

Fashion Sub-sector

, 102–103

music sub-sector

, 101–102

sectoral journey

, 100

Africa’s creative industries

, 13, 29, 51, 144–145

AfCFTA Lockdown Webinars

, 36–38

AfCTA and Nigerian Creative Industries

, 38–40

challenges in creative industries

, 13–18, 29–30

changing landscape of creative economy

, 136–140

confronting ‘wicked’ problems through WikiAfrica

, 146–147

creative economy outlook and country profiles

, 21–24

creative industries and SDG

, 140–144

creative industries in AfCFTA

, 30–35

future of

, 135

opportunities for

, 18–21

playing to gallery

, 145–146

sectoral mapping of

, 109–117

video-conferencing giants

, 135

African art

, 145

investments and challenges

, 43–46

African Business Environment

, 30

African Continental Free Trade Area (AfCFTA)

, 3, 29

and 4th Industrial Revolution

, 34

Africa Regional Integration Index

, 34–35

Business Forum

, 33

creative industries in

, 30

Lockdown Webinars

, 36–38

and Nigerian Creative Industries

, 38–40

response

, 31–32

African Development Bank (AfDB)

, 33, 52, 102

African Literature Sub-sector

, 100–101

African Photography Encounters

, 112

African Tech Hubs

, 91

animation research

, 94

building budding culture of innovation

, 93

CcHub Nigeria

, 95–96

Playable City Lagos

, 99–100

South African Cultural Observatory

, 97–98

Starplace Hub

, 98–99

African Textile, Apparel & Accessories (TA&A)

, 52, 102

African TV series

, 62

African Union (AU)

, 31

Africanness

, 50

Agorkoli

, 125

All-hands-on-deck approach

, 15–16

Amazon Prime

, 29, 123

and African animation projects

, 124–125

Animation

in Africa

, 117–118

research

, 94

AnimaxFYB

, 124–125

Apple Music

, 62

Art Fairs, Galleries and Museums (AGMs)

, 110–111

Art galleries

, 104–106

Arterial Network

, 73

Artificial intelligence

, 57

Artistic work

, 77

Audio-visual media

, 58

Audiovisual Rights Society of Ghana

, 76

Augmented reality

, 57

Blood and Water

, 62

BOF, Lagos, Nigeria

, 105–106

Boomplay

, 140

Botswana, IPRs in

, 80–82

Botswana Institute for Development Policy Analysis (BIDPA)

, 80

Brand of creative economy

, 63–64

Brazil, Russia, India, China and South Africa (BRICS)

, 7

Brexit

, 5, 29

Bruce Onobrakpeya Foundation (BOF)

, 91

Business and Arts South Africa (BASA)

, 20

Business Registration and Licensing Agency (BRELA)

, 77

BusyInternet

, 92

Canal+ and MultiChoice

, 21

Cape Performing Arts Board (CAPAB)

, 104

Central Bank of Nigeria

, 58

China

, 22

Cinema advertising

, 60

Co-Creation Hub (CcHub)

, 91–92, 99

Nigeria

, 95–96

Collaborative cultural governance

, 136–137

Collection Management Organisations (CMOs)

, 73–74

Commercial business sectors

, 4

Commonwealth

, 5–6

advantage

, 46

CBWN

, 47

creative industries and

, 46

and diasporic engagement

, 47–48

Secretariat

, 36

UMG

, 48–51

Commonwealth Businesswomen’s Network (CBWN), 46–47, 93n1

Commonwealth Heads of State and Government Meeting (CHOGM)

, 106

Consumer-oriented market

, 60

Consumption

, 65

Content industries

, 82

Copyright

, 76, 82

copyright-based industries

, 71

Copyright Act (2005)

, 76–77

Copyright Office, Collective Management Organization (CMO)

, 77

Copyright Organizations; Copyright Society of Tanzania (COSOTA)

, 77

Corporate recolonization

, 101

Countries of origin (COO)

, 47

Countries of residence (COR)

, 47

Country level case studies

animation in Africa

, 117–118

on creative sub-sectors

, 109

digital publishing

, 128–129

forging partnerships in Africa

, 118–122

mobile/video games in Africa

, 129

sectoral mapping of African creative industries

, 109–117

streaming services

, 123–128

COVID-19 pandemic

, 13–14, 29, 32, 46, 60, 123, 135

Creation

, 65

Creative Business Cup

, 47

Creative economy

, 46, 93

brand and rebranding of

, 63–64

changing focus from urban to rural

, 137

changing landscape of

, 136

collaborative cultural governance

, 136–137

MyAfCFTA nodes

, 138–140

outlook and country profiles

, 21–24

Creative hubs

, 91

Creative industries

, 4–5, 57–58, 71, 82, 135–137

in AfCFTA

, 30–35

in Africa

, 3–4, 13, 59

challenges of

, 14–18

and commonwealth advantage

, 46–51

forced digitisation of

, 61–63

international business

, 5–6

organisation

, 8–9

and SDG

, 140–144

synopsis of competing books

, 6–8

Creative market

, 63

Creative value chain

, 65

Creativity

, 4, 7

Cultural and creative industries (CCI)

, 97

Cultural centres

, 104–106

Cultural industries

, 64, 82

Cultural policy

, 6

Cultural significance of Nollywood

, 82

Cultural sites

, 58

Dak’Art Biennial, Dakar, Senegal

, 106

Deezer

, 62

Democratic Republic of Congo (DRC)

, 17

Design

, 58

Design Indaba South Africa

, 103–104

Development Fund for West Africa

, 73

Diaspora

entrepreneurs

, 50

entrepreneurship

, 47

Diaspora Dialogues

, 20

Digital

, 98

marketing

, 59

new economy sectors

, 4

publishing

, 128–129

revolution

, 135

technologies

, 46

Digital, Culture, Media and Sport (DCMS)

, 7

Digital Kenya

, 92

Digitalisation

, 46

impact on creative industries

, 71

Digitisation, 59–61 (see also Forced digitisation)

in Africa

, 59

Distribution

, 65

Diversification of Nigerian economy

, 15

Djibouti, animation in

, 118

Domestic Tourism Development Strategy

, 9, 109

DTH pay-TV

, 21

East Africa Bill

, 58

Economic powerhouses in Africa

, 4

Education

, 135

Electronic Transactions Act

, 77

Entrepreneurship

, 4

Enwonwu, Ben (father of Nigerian modernism)

, 44

Everything Digital

, 57

Facebook

, 60

Fardowsa Hussein

, 115–116

Fashion

, 50

Sub-sector

, 102–103

Fashionomics Africa (Webinar Series), 36n4

, 102

and AfDB

, 52

Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO)

, 109–110

Film and Television value chain

, 65

Film Festival in Burkina Faso

, 109–110

Financial losses

, 17

Firm ‘born global’

, 50

5G network

, 60

Focus Group

, 92

Forced digitisation

case of Ghana

, 63

case of Nigeria

, 61–63

of creative industries

, 61

Fourth Industrial Revolution

, 34, 46, 93

4th Industrial Revolution (4IR). See Fourth Industrial Revolution

Free Trade Agreements

, 37

Gallery 1957

, 145

Ghana

animation in

, 117

IPRs in

, 75–77

Ghana Music Rights Organization

, 76

Globalisation

, 50

Goodman Gallery

, 145

Google

, 29

Gross domestic product (GDP)

, 58, 71, 97

Hana Mire

, 116–117

High Court Civil Procedure Rules

, 77

Hip-hop music and culture

, 101

i-HQ project

, 99

IdeaHub

, 92

Ikorodu Bois

, 129

In-home advertising media

, 60–61

Independent Online (IOL)

, 128

Innovation

, 4, 135

city

, 99

Instagram

, 60

Institute of Commonwealth Studies (ICwS)

, 36

Intellectual property (IP)

, 58, 72, 76

in Africa

, 72

system

, 72–73

Intellectual property rights (IPR)

, 32, 38, 72–73, 135

AfCFTA and

, 38–40

in Botswana

, 80–82

in Ghana

, 75–77

in Kenya

, 73–74

in Nigeria

, 82–85

in Rwanda

, 74–75

in Tanzania

, 77–80

International business

, 5–6

International iPappi (see Prince Fosu)

International trade in creative industries

, 22

International Trade Policy Section, Trade, Oceans and Natural Resources Directorate

, 36

Internationalisation, 8, 29 (see also Digitalisation)

Internet

, 4

Investment

, 37

iROKO

, 62

Ivorian Joana Choumali

, 45

Jack Dorsey, Twitter and

, 127–128

JamesMurua. com

, 128

Javett Art Centre at University of Pretoria (Javett–UP)

, 113

Jobs for Youth Strategy (2016–2025)

, 52

Johannesburg Stock Exchange (JSE)

, 21

Kenya

IPRs in

, 73–74

Kenya-based Mdundo

, 127

Kenya, Ivory Coast, Nigeria, Ghana and South Africa (KINGS)

, 92

Kenya Association of Music Producers (KAMP)

, 74

Kenya Copyright Board (KECOBO)

, 74

Kids’ Choice Awards (KCAs)

, 129

Knowledge-based industries

, 135

Kó Art Space, Lagos, Nigeria

, 106

Korea Customs Service (KCS)

, 33

Kwani Trust, The

, 73

Lady Buckit & The Motley Mopsters (LBMM), 117, 144n1

Leadpath

, 92

Legal landscape and challenges in Africa

intellectual property in Africa

, 72–85

WIPO

, 71–72

Lion heart

, 5

Literary work

, 77

Localising creative business support in Africa

, 138–140

Lockdowns

, 17, 31

M-PESA

, 92

Mali, photography in

, 111–115

Mama K’s Team 4, 144n1

Media

, 58

Mexico, Indonesia, Nigeria and Turkey (MINT)

, 7

Micro-, small-and medium-sized enterprises (MSME)

, 46, 93

Ministry of Education and Culture (MEC)

, 119

Mobile/video games in Africa

, 129

Mobility

, 100

Moloko

, 62

Mozambique, partnerships in

, 119–120

Mozarte

, 120

Museums Association of Namibia (MAN)

, 111

Music Copyright Society of Kenya (MCSK)

, 74

Music sub-sector

, 101–102

MyAfCFTA nodes

, 138–140

Nairobi Plan of Action on Cultural Industries

, 73

National Bureau of Statistics (NBS)

, 77

National Endowment for Science, Technology and the Arts (NESTA)

, 5

Netflix

, 29, 123

Network for Creative Enterprise (NfCE), 7n2

Nigeria

animation in

, 117

Boomplay

, 127

film industry

, 58

IPRs in

, 82–85

Nigerian Copyright Commission (NCC)

, 72, 83

Nigerian Creative Industries, AfCTA and

, 38–40

Nike Center for Art and Culture, Osogbo, Nigeria

, 91, 104–105

Nollywood

cultural significance of

, 82

film and music industries

, 61–62

model

, 49

Office of the Registrar General (ORG)

, 74

Ololo

, 101, 127

Onobrakpeya

, 106

Ouagadougou

, 110

Out-of-home advertising

, 60

Overseas Development Institute (ODI)

, 36

Partnerships in Africa

, 118

Mozambique

, 119–120

Zambia

, 120–122

Zimbabwe

, 118–119

Passion Incubator

, 92

Performers Rights Society of Kenya (PRISK)

, 74

Performing arts

, 17, 58–59

Phiona Okum

, 126

Photography in Mali

, 111–115

Playable City

initiative

, 6

Lagos

, 99–100

Post-Apartheid Labour Market Series (PALMS)

, 97

Post-Brexit Era

African creative industries

, 51

creative industries and Commonwealth advantage

, 46–51

Europe and West

, 43–46

Fashionomics Africa and AfDB

, 52

re-engaging externally with Europe in

, 43

Prince Fosu

, 101, 127

Print advertising

, 60

Prix Pictet photography

, 45

Production

, 65

Provisional National Defence Council Law (PNDC Law)

, 76

Publishing and printed media

, 58

Queen Sono

, 62

Rebranding of creative economy

, 63–64

Remote Pan-African Model

, 139

Resilience

, 16–18

Retail

, 65

Rwanda, IPRs in

, 74–75

Sagal Ali

, 115

Sectoral mapping

of African creative industries

, 109

AGMs

, 110–111

Film Festival in Burkina Faso

, 109–110

photography in Mali

, 111–115

Somalia photography

, 115–117

Shutdowns

, 17

Simuka Futi project

, 119

Sixth National Development Plan (2011–2015)

, 122

Smartphone

, 60

SMEs

, 128

Snapchat

, 60

Social media

, 4

marketing in SMEs

, 128

Social sites

, 60

SocialSpot

, 92

Software programming

, 72

Somalia photography

, 115–117

South African Cultural Observatory (SACO)

, 97–98

South–South trade

, 22

Spotify

, 29, 62, 123

in Africa

, 126–127

Stakeholders

, 99

Starplace Hub

, 98–99

Starplace Laboratory

, 20–21

Streaming platforms

, 62

Streaming services

, 123, 135

Amazon Prime and African animation projects

, 124–125

Netflix in Africa

, 123–124

Spotify in Africa

, 126–127

Twitter and Jack Dorsey

, 127–128

Sub-regional creative hubs

, 91

Tanzania, IPRs in

, 77–80

Tanzania Revenue Authority (TRA)

, 77

Task Force approach

, 5

Tech hubs

, 94

Technology-centered industries

, 72

Telecommunications

, 47

Tourism

, 121

Trade

, 37

of goods/services

, 39

TradeMark East Africa

, 36

Traditional cultural expressions

, 57

Triggerfish, 144n1

Tutu

, 45

TV

, 47

Twitter

, 29, 60, 123

and Jack Dorsey

, 127–128

UN Economic Commission for Africa (UNECA)

, 34

UN Sustainable Development Goals (SDG)

, 9, 135

creative industries and

, 140–144

SDG 4

, 142

SDG 16

, 142

SDG 17

, 142

United Nations Conference on Trade and Development (UNCTAD)

, 16, 57–58, 136

United Nations Education, Science and Culture Organisation (UNESCO)

, 57

Futures Literacy High Level Summit

, 36

Universal Music Group (UMG)

, 29, 48–51, 101

Value chain

, 51

model

, 65

Value realisation process

, 65

Video games

, 72

Video-conferencing giants

, 135

Virtual Museum of Namibian Fashion

, 111

Virtual reality

, 57

Visual arts

, 18, 58

Vulnerability

, 16–18

Watershed, 7n2

Wi-Fi mesh hotspot network

, 92

WikiAfrica, confronting ‘wicked’ problems through

, 146–147

WIPO Copyright Treaty (WCT)

, 76

WIPO Performances and Phonograms Treaty (WPPT)

, 76

World Economic Forum

, 58

World Intellectual Property Organisation (WIPO)

, 9, 71

World Trade Organization

, 30

Year of Return

brand

, 64

initiative

, 20, 109

Youmani Jérôme Lankoandé (CEO of YULCOM Technologies)

, 98

YouTube

, 62

YULCOM Technologies

, 98–99

Zambia, partnerships in

, 120–122

Zimbabwe, partnerships in

, 118–119

Zoom

, 135