Selected References
Gender and Action Films 2000 and Beyond
ISBN: 978-1-80117-519-7, eISBN: 978-1-80117-518-0
Publication date: 24 November 2022
Citation
(2022), "Selected References", Gerrard, S. and Middlemost, R. (Ed.) Gender and Action Films 2000 and Beyond (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 163-167. https://doi.org/10.1108/978-1-80117-518-020221019
Publisher
:Emerald Publishing Limited
Copyright © 2023 Steven Gerrard and Renée Middlemost. Published under exclusive licence by Emerald Publishing Limited
Select Bibliography
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Selected Journals and Other Printed or Online Sources
Barbour, 1999 Bambout, D. H. (1999). Heroism and redemption in the Mad Max trilogy. Journal of Popular Film and Television, 27(3), 28–34. doi:10.1080/01956059909602806
Bordun, 2021 Bordun, T. M. (2021). ‘We live in the past with Kari’: Memory, fandom and online porn histories. Celebrity Studies, 12(1), 132–147.
Boyle and Brayton, 2012 Boyle, E. , & Brayton, S. (2012). Ageing masculinities and ‘muscle work’ in Hollywood action film: An analysis of the expendables. Men and Masculinities, 15(5), 468–485.
Briggs and Kelber-Kaye, 2000 Briggs, L. , & Kelber-Kaye, J. I. (2000). There is no unauthorized breeding in Jurassic Park: Gender and the uses of genetics. NWSA Journal, 12(3), 92–113.
Brown, 1993 Brown, J. A. (1993). Gender and the action heroine: Hardbodies and the point of no return. Cinema Journal, 35(3), 52–72.
Caldwell, 2010 Caldwell, T. (2010). Aliens: Mothers, monsters and marines. Screen Education, 59, 125–130.
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Engelbrecht, 2020 Engelbrecht, J. (2020). Ellen Ripley, Sarah Connor, and Kathryn Janeway: The subversive politics of action heroines in 1980s and 1990s film and television. Image & Text, 34, 1–19. doi:10.17159/2617-3255/2020/n34a6
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Gates, 2004 Gates, P. (2004). Always a partner in crime: Black masculinity in the Hollywood detective film. Journal of Popular Film and Television, 32(1), 20–29.
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Hills, 1999 Hills, E. (1999). From ‘figurative males’ to action heroines: Further thoughts on active women in the cinema. Screen, 40(1), 38–50.
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Select Filmography
3 Days to Kill (McG, 2014).
Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn (Cathy Yan, 2020).
Black Widow (Cate Shortland, 2021).
Blue Ruin (Jeremy Saulnier, 2013).
Captain Marvel (Anna Boden and Ryan Fleck, 2019).
Charlie's Angels (Elizabeth Banks, 2019).
Cold Pursuit (Hans Petter Moland, 2019).
Death Wish (Michael Winner, 1974).
D.E.B.S. (Angela Robinson, 2004).
First Blood (Ted Kotcheff, 1982).
Friday the 13th (Sean S. Cunningham, 1980).
Friday the 13th, Part II (Steve Miner, 1981).
From Paris With Love (Pierre Morel, 2010).
Halloween (John Carpenter, 1978).
Halloween(David Gordon Green, 2018).
Halloween II (Rick Rosenthal, 1981).
Halloween H20: Twenty Years Later (Steve Miner, 1998).
Halloween: Resurrection (Rick Rosenthal, 2002).
Logan (James Mangold, 2017).
Mission: Impossible (Brian De Palma, 1996).
Mission: Impossible – Ghost Protocol (Brad Bird, 2011).
Non-Stop (Jaume Collet-Serra, 2014).
Rambo: Last Blood (Adrian Grunberg, 2019).
Salt (Phillip Noyce, 2010).
Taken (Pierre Morel, 2008).
Taken 2 (Olivier Megaton, 2012).
Taken 3 (Olivier Megaton, 2014).
The Brave One (Neil Jordan, 2007).
The Commuter (Jaume Collet-Serra, 2018).
The Gunman (Pierre Morel, 2015).
The Spy Who Dumped Me (Susanna Fogel, 2018).
Wonder Woman (Patty Jenkins, 2017).
You Were Never Really Here (Lynne Ramsay, 2017).
- Prelims
- Introduction
- Part 1 Ageing
- Chapter 1 Tom Cruise as Ethan Hunt: Virtuous Masculinity and Ageing Heroes in Geriaction Cinema
- Chapter 2 The Art of Making Do: Ageing Recent-to-Action Stars in Hollywood-Style French Action Cinema
- Chapter 3 ‘Nothing Is Over. Nothing! You Just Don't Switch It Off!’ – From First to Last – An Analysis of Rambo
- Part 2 Evolution
- Chapter 4 The Charlie's Angels Franchise: An Analysis of Six Female Action/Crime Characters From a Feminist Perspective
- Chapter 5 Artificial Feminism: Fan Reaction to the Representation of Captain Marvel
- Chapter 6 ‘I've Waited for Him’: Laurie Strode's Evolution From Final Girl to Neoliberal Militant in Halloween (2018)
- Chapter 7 Is the Future Feminist? A Reading of Mad Max: Fury Road (2015) and Logan (2017)
- Part 3 Gender, Genre, and Narrative Transformation
- Chapter 8 Metamodern Vigilante Narratives: Masculinity and Trauma in Blue Ruin (2013) and You Were Never Really Here (2017)
- Chapter 9 Sartorial Femininity and the Upset of Female Masculinity in Cathy Yan's Birds of Prey (2020)
- Chapter 10 The Queer Female Action Spy Hero in Post-millennial American Cinema
- Conclusion
- Selected References
- Index