To read this content please select one of the options below:

Metamodern Vigilante Narratives: Masculinity and Trauma in Blue Ruin (2013) and You Were Never Really Here (2017)

Cain Miller (University of Washington, USA)

Gender and Action Films 2000 and Beyond

ISBN: 978-1-80117-519-7, eISBN: 978-1-80117-518-0

Publication date: 24 November 2022

Abstract

The vigilante subgenre represents one of the more problematic trends in American action cinema, as it inherently boasts reactionary sentiments through the promotion of violence as an adequate means of asserting one's masculinity. As will be argued in this chapter, American vigilante films can be categorised into three distinct historical waves: the 1970s, the 2000s and the 2010s. The products of each wave present themes of masculinity relevant to their respective cultural period, specifically, anti-counterculture sentiments, post-9/11 anxieties and a growing cultural awareness of toxic masculinity. The third wave of vigilante films is particularly noteworthy in that it correlates with the prospective emergence of metamodernism, a cultural movement that, in contrast to postmodernism's use of apathy as response to trauma, opts for a cautiously optimistic return to metanarratives. Consequently, third wave vigilante films provide more deconstructive portrayals of vigilante figures through metamodernism's oscillation between irony and optimism. This chapter will outline the history of these three waves of vigilante cinema and provide textual analysis of Blue Ruin (2013) and You Were Never Really Here (2017), two third wave films that demonstrate self-reflexive portrayals of vigilante violence in correlation with metamodern masculinity. The results of these analyses indicate that vigilante films, and perhaps American action cinema in its entirety, are moving towards narratives that seek to challenge the more reactionary sentiments of films from years prior.

Keywords

Citation

Miller, C. (2022), "Metamodern Vigilante Narratives: Masculinity and Trauma in Blue Ruin (2013) and You Were Never Really Here (2017)", Gerrard, S. and Middlemost, R. (Ed.) Gender and Action Films 2000 and Beyond (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 121-133. https://doi.org/10.1108/978-1-80117-518-020221014

Publisher

:

Emerald Publishing Limited

Copyright © 2023 by Emerald Publishing Limited