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Your series by David F. Cheshire is most interesting and worthwhile. I am specially grateful for the kind and constructive remarks he has made over the months about exhibitions in the Barbican Art Gallery, which is part of my department in the City of London.

Aarhus Kommunes Biblioteker (Teknisk Bibliotek), Ingerslevs Plads 7, Aarhus, Denmark. Representative: V. NEDERGAARD PEDERSEN (Librarian).

THERE IS yet another film on general release with a librarian as the central figure. ‘Yet another’ as Foul play is only the most recent of a surprisingly large number of films featuring librarians not only as light relief, but also as hero or (more frequently) heroine.

States that the idea of grouping a number of cultural, commercial and industrial activities together under the banner of the “creative industries” is relatively new but it has already been the focus of considerable interest, discussion and policy making within the UK. Acknowledges that the government has been keen to promote the creative industries as a major success story and a key element in the knowledge economy. Looks at what is seen to constitute the creative industries, reviews some of the evidence about their contribution to the economy and outlines some of the management challenges and the support and promotion initiatives associated with these industries.

Considered going to IFLA 89 in Paris, but as noted in leading article in August, the fee of 2,200 francs would pay for a first class run around the Hexagon with SNCF for nine days with all sorts of extras and still leave enough for five good dinners. Expostulating thus to NLW's Favourite Overseas Librarian, Frances Salinié of the British Council in Paris, led her to make enquiry. Transpired, as they say, that belatedly and all unannounced one‐day registration at 300 francs was allowed. This possibility, the fact that I hadn't been to Paris this year, the near certainty that one day of IFLA would be an “elegant sufficiency” and a curiosity to see if “they order this matter… better in France” led me to the Gare du Nord clutching my 300 dirty oncers. Warning: lengthy chunk of political bias coming up. Don't bother to take reading matter on the London Dover/Folkestone railway. The swaying, clattering, noisome line makes reading, conversation or walkman listening virtually impossible. This chunk of Network Southeast is not a worthy descendant of the South‐Eastern and Chatham railway on which long dead father once drove beautiful locomotives. A pride in railways is one of the Victorian values not preached from the Downing Street pulpit. The new line promised for the Tunnel may sometime let you read in comfort, but that seems a rather drastic and expensive remedy.

One of the nine thought provoking essays assembled by Peter Vergo in the recently published The New Museology (Reaktan Books, ISBN 0 948 462 035 hardback, ISBN 0 948 462 043 paperback) is “The Quality of Visitors' Experiences in Art Museums” in which Philip Wright discusses the lack of awareness among museum personnel of what exactly their institutions are doing, and indeed should do, in a period when “films, television, video and pop access photography have inevitably altered, if not actually undermined the hierarchy of images that museums aim to display”. Few curators have had professional surveys of their audience undertaken, some have dismissed colleagues' changes as pandering to commercialisation, and invest in sophisticated technology and displays in such a way as to distract from the integrity of the objects in their care.

This book by Rod Cowley — ALS: A Guide for Librarians and System Managers — plunges me into some perplexity. For what is the object of this series of which we seem to have here the first volume? According to the back cover, it is to help librarians or system managers — a frightful term. I do hope that the “managers” are also librarians and not upper echelon bureaucrats with their eyes firmly fixed on the statistics produced by computers. However, the book seeks to help them choose an automated system by examining the different products now available. A good move, for librarians wishing to automate their systems often have great difficulty in making a choice in the face of commercial‐cum‐technical engineers well versed in the techniques of salesmanship. Often there is a risky choice — that of one system rather than another based on hazardous rule of thumb and word of mouth. This indicates the potential value of a series which should enable us to form an opinion of different systems by an analysis of their strengths and weaknesses. Rod Cowley is a former assistant librarian at Bromley Public Library which has an ALS system and former Secretary of the ALS Users Group. Today, he is UK Sales Manager of Automated Library Systems Ltd.

1989 was designated Museums Year to commemorate the centenary of the Museums Association, and unlike many of these PR exercises this one resulted in museums (especially national museums based in London) receiving an unusual amount of coverage in the qualities. Whether stories of protests and problems would have the desired positive effect on actual attendances has not yet been calculated. The unusually sunny weather cannot have helped much either. But the Museums Association itself produced a series of 11 regional guides which if read on the beach or in the pool would have enabled the readers almost to think that they had actually visited the collections described in considerable detail. Too many to note here but a list of all the titles is available from the MA or the Museums and Galleries Commission. Simon Olding's Exploring Museums: London (ISBN 0 11 2904653) and Arnold Wilson's Exploring Museums: The South West (ISBN 0 11 2904696) tackle their areas entertainingly, but their step‐by‐step guides to some of their subjects may soon be outdated as many existing museums are currently undergoing major rearrangements or refurbishments.

In August 1988 we invited readers to respond to a questionnaire. We'd had one in 1983 and as our August Contemporary, The Library Association Record, was doing a survey, we thought we had better have another go.