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This study aims to explore the relationship between contemporary cities and traditional urban forms. The central focus lies in identifying the key factors that facilitate the harmonious coexistence of these contrasting sides of the city.

This study takes Iranian bazaars as exemplars of traditional urban forms. To assess their current status, a comprehensive examination of their general evolution is conducted, tracing the transition of these urban complexes up to the present day. Subsequently, morphological analysis and exploration of spatial arrangements across numerous cases are employed to unveil the factors contributing to their disappearance or adaptation within the framework of Iran’s contemporary urban era.

The evolution process of the Iranian bazaar shows that the encounter between traditional bazaars and modernity occurred swiftly and blindly, resulting in adverse effects on traditional urban forms, notably bazaars. In recent years, contemporary urban planning has undertaken corrective measures, adopting a more nuanced approach. This shift significantly strides in restoring the symbiotic relationship between cities and their traditional bazaars. Morphologically, certain bazaars have preserved their vitality in contemporary cities through their natural development patterns, adept integration with new urban textures and the implementation of ingenious adaptive strategies.

This study employs a comprehensive and equitable approach to examining a distinct category of traditional urban forms. It initiates the inquiry by meticulously considering historical continuity in conjunction with detailed contemporary circumstances, subsequently scrutinising their losses, damages and developmental aspects. An extensive collection of cases is assembled and subjected to a consistent analytical framework for comparative evaluation to obtain the most accurate result. Consequently, the outcomes of this research may help the present urban planners engaged in projects concerning the restoration, preservation, revitalisation and development of traditional urban forms.

Baudelaire (1863) and Benjamin (1983) used the term flaneur to denote a modern man who could evocatively describe social life in urban areas. A flaneur was poetically to describe the ephemeral nature of modern urban life, but without acting as a consumer. Here I approach Las Vegas from the perspective of a flaneur, and discuss the possibilities in that city for flanerie today. I introduce the concept pseudo-flanerie, and apply it to postmodern tourism. In Las Vegas, pseudo-flaneurs wander from one impersonation of a city/culture/era to another, stroll from one game to another, and move from one presentation of self to another. However, surveillance, social control, and the organizing principles of capitalism structure each. I also discuss pseudo-flanerie in Las Vegas in terms of temporality, morality, and consumption practices. I find that the flaneur’s traditionally anti-consumer stance has been endangered in tourist cities like Las Vegas, where mock cities have commodified city-like experiences to tourists who ultimately pay to engage in practices traditionally associated with flaneurs. A postmodern tourist environment like Las Vegas, therefore, creates the conditions for the pseudo-flaneur to emerge.

The paper discusses current trends and future developments in the study of people-urban environment relations, with an emphasis on the concept of diversity within the Gulf cities. This is explored in relation to: theoretical approaches, urban public spaces, people's lifestyles, social groups and inclusive urban environments. Contemporary Gulf cities are providing unique examples for research on urban diversity. Its demographic structure is distinctive for a minimum of 50% expatriates in overall population. Gulf cities are obliged to cope with such a compelling fact. The challenge is to move away from indifference and bring about better acceptance of others. On the relationship; city spaces and culture, the paper argues that traditional markets must be envisioned as spaces for cultural expressions. Traditional markets are a rich display of products and talents and a great opportunity to share and meet with people from same culture and others. Using comparative analysis approach juxtapositioning the selected cases, the paper confronts questions like what does Gulf urban diversity mean in the present. In addition, is diversity in urban spaces only a challenge to be dealt with or is there also economic potential that can be taken advantage of? How do we ensure that Gulf cities are indeed spaces of tolerance? How to give visibility to the spaces of marginalized groups, as these spaces are often ignored or worse, eliminated? How to preserve or regain spaces in the city for the expression of traditional cultures of those migrating from other regions or countries? The paper explores the socioeconomic and cultural mechanisms that can encourage inclusive pluralism in the Gulf cities' open spaces.

This study aims to demonstrate how women's involvement in urban planning and design in Gulf cities improves urban space's inclusivity and strengthens identity through cultural heritage revitalisation. It also promotes the participation of women in architecture and city-making by showcasing how shaping urban spaces offers local communities opportunities for social interaction and a more inclusive environment.

The paper critically compares two case studies in the Gulf region—one in the United Arab Emirates and the other in Bahrain—according to four inclusion criteria: context connection, cultural sensitivity, community engagement and choices of amenities. These inclusion criteria are also applied to an experimental project by women architects' students in Saudi Arabia to inspire the future female architects of the Gulf region. From urban to architectural scales, the project offers a glance into the heritage design by women architects.

In light of this critical analysis, this study highlights the sensitivity to issues related to the revitalisation of urban areas by women architects. The case studies identified show the role of the female architect in making architecture and linking cultural heritage with contemporary themes. These projects stitch the past with the present and link cultural identity with aspects related to sustainable architecture. Therefore, valorising women's architectural experience is necessary to contribute to sustainable urban development in the Gulf region and beyond.

The present study addresses the importance of the role of women architects in the Gulf region. The research promotes the full and equal participation of women in the architecture and construction of the city to recognise their achievements by increasing their involvement in the work in a more integrated and balanced way.

Cities are the place where people spend the great majority of their daily time. Many cities face a variety of social issues such as: high unemployment, increasing crime rate, migration flows, shifts in types of social interactions and lifestyle. These examples represent only a few of the issues encountered. Increasing the number of cultural offerings of a city may help improve the population's general sense of well-being as well as to increase its attractiveness for investments. However, the topic is delicate, and culture is an asset that must be treated carefully. Hence, enhancing culture as a positive asset to be cultivated may seem to be the perfect solution to overcome these issues. Often, a city's government will assume that enhancing and supporting cultural and creative industries will provide a solution to urban socio-economic crises and the stress of the urban fabric without effectively considering their own particular historical-geographical and socio-political conditions. Sometimes cultural heritage is exploited without giving due consideration to the creative sources of value generation in the city. Thus, this may lead to side effects such as the general risk of attracting socially and economically unsustainable mass tourism; the risk related to the possibility of being trapped by city's own cultural heritage and history acting as obstacles against any possible innovations; the risk of gentrification with a consequential loss of important traditions and social relationships characterising the urban areas.

The landscape of European cities is by no means homogeneous. Nonetheless, the same type of conflict has repeatedly occurred in different places in the last few years: From Seville to Vienna, from Cologne to St. Petersburg, planned high-rise buildings for inner city districts have provoked fervent arguments and debates. Whether and how European cities should integrate more high-rise buildings is a highly controversial question. This chapter focuses on strategies of vertical construction and related debates about the cityscape in both Paris and Vienna. By studying the urban constellations of Paris and Vienna, it can be shown that what may look comparable at first glance is the outcome of highly different strategies and histories.

Although both cities define themselves to a wide degree with reference to historic structures, the image of tall buildings varies drastically in these cities, which correlates with these cities’ diverse histories and hence experiences with high-rise buildings. Path dependencies and the ways individual cities receive international trends are crucial to understanding processes of urbanization. Based on in-depth interviews with various urban actors and other relevant qualitative data, this chapter aims to demonstrate that a city’s high-rise strategy cannot be attributed to any single factor; rather, it is the result of a complex interplay between various aspects and actors, which crucially includes present and past struggles over cityscapes and therefore over urban spaces.

This paper explores image-making efforts in the city of Doha. A multi-layered critical discussion is employed and articulated in a number of procedures that include conceptualizing theoretical underpinnings for understanding image making in terms of contextual and critical approaches, identifying the types of efforts that took place and that are currently taking place towards image making, mapping the contextual and critical approaches on actual examples from the city, and examining the printed media by conducting a content analysis study of two widely acknowledged magazines in an attempt to answer the question of how the country wants to portray its capital city through image-making to the global community. The results of this exploration convey a commitment toward image making, presenting an image of Doha as an emerging international hub. The paper concludes by arguing for the need of critical consciousness in response to that fact that image making practices in Doha continue to subdue the profession to client aspirations through oversimplified imaging while ignoring the professional discourse that scrutinizes the quality of those images and the meanings they convey.

This paper aims to discuss the prevalent trends of exploiting cultural capital such as gastronomic legacy to ignite redevelopment of contemporary cities as illustrated in the city of George Town, Penang, Malaysia. In the twenty-first century, cities are transforming to be creative cities as they compete globally on the basis of their respective city branding, image and identity, as well as cultural capital assets. The emerging importance of cultural capital complements the realms of politics, economics and built environment in creating sustainable urban structure and ecosystem.

In line with UNESCO’s creative cities network flagship, this paper showcases George Town’s potentials in propagating its gastronomic appeals as a strategic urban asset to regenerate the urban economy.

This paper postulates branding George Town World Heritage Site as a creative city under the theme of “City of Gastronomy” would successfully capture the city’s gastronomic prowess, image and identity at the global scene.

Given that research in “culture and urban planning” is still at its infancy and largely absent in the Malaysian context, this study aims to fill that research gap and contributes towards existing scholarship. The findings from this test bed study will benefit key stakeholders, especially urban policymakers (i.e. Local Council, State Government and Federal Government) towards reforming and revolutionising contemporary urban policies towards sustainable development.

This chapter discusses the findings of a research project rooted in the unique context of a former Victorian square in South London squatted in the 1980s and 1990s. Over three decades, squatters (later homeowners and tenants) mended derelict houses, created two community gardens and green streets, and set up a vegetarian café locally. The square, an oasis in the middle of London, is now a fashionable neighborhood to live and visit because of its enduring artistic flair and alternative cultural “feel.” Through ethnographic methods, our research focused on how residents transformed derelict buildings and neglected spaces and on the evolving dynamics of this neighborhood undergoing progressive gentrification, reflecting similar trends in many other neighborhoods in London. This chapter analyses these informal practices as examples of creative placemaking. Framed by the intricate interplay between the community's initiatives and the challenges posed by contemporary processes of regeneration and gentrification, we explore how such practices shaped both the material fabric of the place as well as its immaterial character: its sense of community and identity and the feelings and memories associated with its built environment. Informed by Lefebvre's theories on the social production of space and the right to the city, our analysis emphasizes the importance of informality, everyday practice, spontaneity, and self-management in shaping and sustaining a vibrant urban culture. By exploring how these elements intersect with forces of regeneration and gentrification, this chapter aims to contribute to a nuanced understanding of creative placemaking, the complex dynamics at play in the ongoing transformation of urban spaces, and the resilience of bottom-up, community-driven placemaking initiatives in the face of external pressures.