Prelims
ISBN: 978-1-83867-338-3, eISBN: 978-1-83867-337-6
ISSN: 2046-6072
Publication date: 24 April 2020
Citation
(2020), "Prelims", Pullen, A., Helin, J. and Harding, N. (Ed.) Writing Differently (Dialogues in Critical Management Studies, Vol. 4), Emerald Publishing Limited, Leeds, pp. i-vii. https://doi.org/10.1108/S2046-607220200000004016
Publisher
:Emerald Publishing Limited
Copyright © 2020 Emerald Publishing Limited
Half Title Page
Writing Differently
Series Page
DIALOGUES IN CRITICAL MANAGEMENT STUDIES
Series Editor: Sarah Gilmore
Previous volumes:
Volume 1: The Third Sector, edited by Richard Hull, Jane Gibbon, Oana Branzei and Helen Haugh
Volume 2: Getting Things Done, edited by Jonathan Murphy, Virpi Malin, Marjo Siltaoja
Volume 3: Feminists and Queer Theorists Debate the Future of Critical Management Studies, edited by Alison Pullen, Nancy Harding and Mary Phillips
Title Page
DIALOGUES IN CRITICAL MANAGEMENT STUDIES VOLUME 4
WRITING DIFFERENTLY
EDITED BY
ALISON PULLEN
Macquarie University, Australia
JENNY HELIN
Uppsala University, Sweden
NANCY HARDING
University of Bath, UK
United Kingdom – North America – Japan – India – Malaysia – China
Copyright Page
Emerald Publishing Limited
Howard House, Wagon Lane, Bingley BD16 1WA, UK
First edition 2020
Copyright © 2020 Emerald Publishing Limited
Reprints and permissions service
Contact: permissions@emeraldinsight.com
No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters’ suitability and application and disclaims any warranties, express or implied, to their use.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-1-83867-338-3 (Print)
ISBN: 978-1-83867-337-6 (Online)
ISBN: 978-1-83867-339-0 (Epub)
ISSN: 2046-6072 (Series)
Contents
List of Contributors | vii |
Chapter 1 Introducing Alison Pullen, Jenny Helin and Nancy Harding |
1 |
Chapter 2 Feminist Writing in a Gendered Transnational World: Women on the Move? Banu Özkazanç-Pan |
13 |
Chapter 3 On the Fringe/At the Fringe: Fleshing Out Research Caroline Clarke, Sandra Corlett and Charlotte Gilmore |
25 |
Chapter 4 Tractor Dad: From Story to a Scientific Text, and Back Cecilia Bjursell |
53 |
Chapter 5 Annotation Deborah N Brewis and Sarah Taylor Silverwood |
67 |
Chapter 6 Breaking with the Masculine Reckoning: An Open Letter to the Critical Management Studies Academy Katie Beavan |
91 |
Chapter 7 When Fiction Meets Theory: Writing with Voice, Resonance, and an Open End Maria Grafström and Anna Jonsson |
113 |
Chapter 8 Writing Past and Present Classed and Gendered Selves Marjana Johansson and Sally Jones |
131 |
Chapter 9 From Ethnography to Critical Management Studies: Facing the Street Performers’ Dilemmas Marta Połeć |
145 |
Chapter 10 The Political Poetics of Mycelium Mycelium |
159 |
Chapter 11 On Silence and Speaking Out about Sexual Violence: An Exploration through Poetry Noortje van Amsterdam |
185 |
Chapter 12 (Re)imagining the Activist Academy Ozan Alakavuklar |
193 |
Chapter 13 Researching through Experiencing Aesthetic Moments: ‘Sensory Slowness’ as My Methodological Strength Suvi Satama |
209 |
About the Contributors | 231 |
Index | 237 |
List of Contributors
Ozan Alakavuklar | Utrecht University, The Netherlands |
Katie Beavan | Emerson College, Boston, USA |
Cecilia Bjursell | Jönköping University, Sweden |
Deborah N. Brewis | University of Bath, UK |
Caroline Clarke | The Open University, UK |
Sandra Corlett | Newcastle University, UK |
Charlotte Gilmore | University of Edinburgh, UK |
Maria Grafström | Stockholm University, Sweden |
Nancy Harding | University of Bath, UK |
Jenny Helin | Uppsala University, Sweden |
Marjana Johansson | University of Glasgow, UK |
Sally Jones | Manchester Metropolitan University, UK |
Anna Jonsson | Lund University, Sweden |
Mycelium | |
Banu Özkazanç-Pan | Brown University, USA |
Marta Połeć | Jagiellonian University in Cracow, Poland |
Alison Pullen | Macquarie University, Australia |
Suvi Satama | University of Turku, Finland |
Sarah Taylor Silverwood | Visual Artist, UK |
Noortje van Amsterdam | Utrecht University, The Netherlands |
- Prelims
- Chapter 1: Introducing
- Chapter 2: Feminist Writing in a Gendered Transnational World: Women on the Move?
- Chapter 3: On the Fringe/At the Fringe: Fleshing out Research
- Chapter 4: Tractor Dad: From Story to a Scientific Text, and Back
- Chapter 5: Annotation
- Chapter 6: Breaking with the Masculine Reckoning: An Open Letter to the Critical Management Studies Academy
- Chapter 7: When Fiction Meets Theory: Writing with Voice, Resonance, and an Open End
- Chapter 8: Writing Past and Present Classed and Gendered Selves
- Chapter 9: From Ethnography to Critical Management Studies: Facing the Street Performers’ Dilemmas
- Chapter 10: The Political Poetics of Mycelium
- Chapter 11: On Silence and Speaking Out About Sexual Violence: An Exploration Through Poetry
- Chapter 12: (Re)imagining the Activist Academy
- Chapter 13: Researching Through Experiencing Aesthetic Moments: ‘Sensory Slowness’ As My Methodological Strength
- About the Contributors
- Index