35)
Studies in symbolic interaction
Studies in Symbolic Interaction
ISBN: 978-0-85724-361-4, eISBN: 978-0-85724-362-1
ISSN: 0163-2396
Publication date: 30 September 2010
Citation
(2010), "Studies in symbolic interaction", Denzin, N.K. (Ed.) Studies in Symbolic Interaction (Studies in Symbolic Interaction, Vol. 35), Emerald Group Publishing Limited, Leeds, p. iii. https://doi.org/10.1108/S0163-2396(2010)0000035026
Publisher
:Emerald Group Publishing Limited
Copyright © 2010, Emerald Group Publishing Limited
- Studies in symbolic interaction
- Studies in symbolic interaction
- Copyright page
- List of contributors
- Introduction: The impact of popular music on symbolic interaction
- Introduction: Music and identity
- The group ethic in the improvising jazz ensemble: a symbolic interactionist analysis of music, identity, and social context
- Established Latino music scenes: Sense of place and the challenge of authenticity
- Authenticating identity work: Accounts of underground country musicians
- Introduction: Spaces of musical interaction: Scenes, subcultures, and communities
- Brutal belonging in Melbourne's grindcore scene
- Musical genre as a gendered process: Authenticity in extreme metal
- Digging a river downstream: Producing emergence in music
- Teaching the art of playing with career-coupling relationships in the virtuoso world
- Introduction: Music in (inter)action
- Noise in action: the sonic (de)construction of art worlds
- Driving to the beat of one's own hum: automobility and musical listening
- Music, symbolic interaction, and study abroad
- Grandmamma, what great ears you have! (Cross-generational musical interaction and the discovery of silence)
- Becoming “yellow”
- Subculture and myth: the case of Robert Johnson in the 1920s–1930s US South
- Leroy and me
- Competing with her mother-in-law: the intersection of control management and emotion management in sport families
- The futureless past
- G. H. Mead's intimations of dialogue and narrative in social becoming with others