Index

Citation

Nash, L. (2022), "Index", The Lived Experience of Work and City Rhythms: A Rhythmanalysis of London's Square Mile, Emerald Publishing Limited, Leeds, pp. 151-154. https://doi.org/10.1108/978-1-83982-758-720221009

Publisher

:

Emerald Publishing Limited

Copyright © 2022 Emerald Publishing Limited

---

INDEX

Note: Page numbers followed by “n” indicate notes.

Abstract space

, 22–25, 119–120, 129

Ackroyd, P.

, 16, 18–19, 36, 38

Arcades Project, The (Benjamin and Tiedemann)

, 31–32

Archaeology

, 28

Architecture

, 3–4, 18, 23, 36, 122

Bank of Credit and Commerce International (BCCI)

, 22

Bank of England, The

, 23–24

Banking

, 4, 16, 22–23, 46

Baudelaire, C. P.

, 31–33

Belonging, not belonging

, 1–2, 54, 97, 114

Benjamin, Walter

, 31–33

Bleak House

, 15

Borders

, 15, 59, 74, 78, 128

Boundaries

, 13, 17, 47

British Empire

, 17

Broadgate

, 100, 118–119

Brontë, Charlotte

, 32

Canterbury Tales

, 15

Capital, capitalism

, 8, 17, 34, 127

Cheapside

, 59

City

, 6–7

brief history

, 15

crisis and

, 21–22

dress code

, 121

emotional encounters in

, 78–89

exploring social and the material in

, 19–21

Flâ.neur in

, 30–33

as palimpsest

, 27–28

as performative accomplishment

, 128–131

as performative place

, 121–126

as performative setting

, 102–108

proper

, 115, 117

as rarefied place

, 114–121

research

, 3–5

as site of precarity

, 126–127

situating performances of gender in

, 26–27

as socially produced space

, 22–26

as spectacle

, 127–128

walk

, 116

workers

, 3

as workplace

, 92–95

City of London

, 1–2, 8, 13–14

Clubs

, 68, 107

Cockney Visionaries

, 37

Coffee

, 58

Coffee Houses of London

, 16–17

Coherent space

, 126

Conceived space

, 9, 22–23, 119, 130

Conformity

, 102, 109

Corporation of London

, 13

COVID-19

, 22

Crises, financial

, 15, 71, 82, 131

Critics of the Bank

, 20

Crossrail

, 28

Cyclical rhythms

, 42

Daily working life

, 3

Dale, Karen

, 7, 21, 43, 117–118

Daniel Defoe and the Bank of England: The Dark Arts of Projectors (Hamilton and Parker)

, 20

Debord, Guy

, 33–35

Dérive

, 35–37

Dickens, C.

, 15, 37, 39–40

Disorder

, 26

Diversity

, 25, 104, 119

Dystopia

, 80, 88

Edensor, T.

, 29, 42

Elkin, L.

, 29, 31–32, 45

Emotional encounters in city

, 78–89

Exclusion

, 11, 20–21, 23, 25, 53, 95, 100, 122

Exclusive City

, 92

Femininities

, 21

Field notes

, 10, 46, 49, 54, 65, 74, 81, 115–116, 120–121, 126

Fieldwork

, 1–2, 11, 29, 45, 47–51, 53–54, 80, 119, 124

Finance

, 16, 19, 23, 25, 93, 96, 119

Finance capital

, 20–21

Flâ.nerie

, 31–33, 39, 50, 56, 62, 71, 130

Flâ.neur in city

, 30–33

Fortress City

, 92

Fragility

, 20, 110–111, 124, 126–127, 131

Freemasonry

, 19

Gender

, 5, 21, 47, 92, 102–103, 105, 124, 131

Gendered performativity

, 124

Geography

, 5, 29, 33, 46, 49, 54–55, 111

Globalisation

, 19

Glocalisation

, 14

Great Fire of London

, 87

‘Guardian Spirit’ of London

, 19

Hausmann

, 31

Heart of Empire

, 17–19

History

, 15 (see also City of London history)

Höpfl, H.

, 26, 128

Houselessness

, 39

Hyper masculinity

, 122

Hypo-masculine

, 123–124

Inclusion

, 11, 21, 130–131

Interviews

, 10, 48, 50–51, 122

Kenyon, N.

, 15, 17

King Lud

, 18

Leadenhall market

, 46, 59, 122

Lefebvre, Henri

, 5, 22–23

and rhythms of places

, 40–44

theories

, 8–11

Literary walks

, 10, 29, 37

Lived space

, 9

Liverpool Street

, 28, 53, 56–57, 75, 101, 124

Lloyds of London

, 65, 123

Logic of modernity

, 34

London

, 1, 4, 14

Bridge

, 15, 59, 74

sacred geometry

, 19

London Stone, The

, 18

Lud Heat

, 38

Lyon, Dawn

, 2, 42–43, 47, 53

Mansion House, The

, 24

Mary Poppins (film)

, 4

Masculinities

, 21, 122, 126, 129

Masonic symbolism

, 18–19

Massey, D.

, 22, 24, 44

Material

, 2, 5–6

aspects

, 9

structures of buildings

, 21

visual

, 51

Material City

, 4

Materiality

, 1, 7, 21, 126, 128

distinctive

, 131

organisational

, 14

physicality

, 9

Mayfair

, 13

McDowell, Linda

, 2, 5, 14, 123–124

Members, membership

, 5, 17, 21, 48, 98, 108, 127–128, 130–131

Memory

, 33, 39, 60, 81

Men

, 2, 5, 11, 21, 26, 48, 62, 68, 79, 111, 127–128

Methodology

immersive

, 40

limitations

, 45–46

research

, 40

rhythm-based

, 1

walking

, 37

Metronome

, 43, 49

Mobilities, Mobile methods

, 30

Monument, The

, 87–88

Monumental space

, 25, 119–120, 129–130

Motherhood

, 102, 108

Museum of London

, 4, 15, 62

Mythology

, 10, 14, 18

Nightwalks (2010)

, 39

Observing

, 47

Occupational communities

, 1n1

Oliver Twist

, 15

Organisation for Economic Co-operation and Development (OECD)

, 22

Organisational place

, 2, 11, 28, 113–114

Organisational space

forms of

, 8

importance of Henri Lefebvre theories to researching

, 8–11

Painter of Modern Life, The (Baudelaire)

, 31

Palimpsests

, 4, 27–28

Paris

, 30–33, 36, 65

Parker, M.

, 20, 26, 120, 128

Participants

, 2, 33, 48, 50, 91, 117, 124, 126, 130–131

Paternoster Square

, 64–65, 79, 125

Patina

, 4, 62

Perceived space

, 9

Perceptions

, 53–56, 62–78

Performativity

, 95–102

Phallic verticality

, 23

Phantasmagoria

, 33

Photographs

, 47, 54–55, 62, 121–122, 124

Photography

, 127

Places

, 6–7, 23–24, 116

within organisation studies

, 7

Poetry

, 33, 38

Polyrhythma, polyrhythmic orchestra

, 88

Positioning in city

, 108–112

Precarity

, 91, 111–112, 126, 130–131

Pregnancy

, 109, 127

Psychogeography

, 33–35

Qualitative research

, 3, 47–48, 50

Reclaim The Streets

, 37

Reflections

, 53–56, 62–78

Reflexivity

, 48–50

Repetitive, repetition

, 13, 41–42, 58, 114, 119, 129, 131

Representational spaces

, 9, 24

Research design

, 45

Rhythmanalysis

, 2, 10, 41–44, 62, 114, 130

Rhythms

of city

, 56–60

dérive

, 35–37

Flâ.neur in city

, 30–33

history of walking in urban settings

, 29–30

Lefebvre and rhythms of places

, 40–44

observing

, 47

participant interviews

, 48

of places

, 40–44

psychogeography and ‘spectacle’

, 33–35

research design

, 45

research reflexivity

, 48–50

seeing and sensing

, 47–48

temporal limitations

, 45–46

urban walking as london literary tradition

, 37–40

walking

, 46

Roman Empire

, 71

Royal Exchange, The

, 24

Royal Society

, 19

Sand, George

, 32

Screaming monumentality

of stone stairways

, 59

of urban spaces

, 120

Seeing

, 47–48

Sensing

, 47–48

Settings

, 1–2, 5, 7

Silicon Valley

, 8

Sinclair, I.

, 18–19, 35–36, 38, 40

Situationists

, 33–35

Skyscrapers

, 20, 68, 99

Smithfield market

, 75

Society of the spectacle

, 34–35, 128

Socio-material analysis of place

, 2

Socio-materiality of place

, 117

Soho

, 5

Songs of Innocence and Experience (Blake and Lincoln)

, 38

Sound walking

, 59

Spaces

, 6–7

within organisation studies

, 7

perceived

, 9, 31, 40

production of

, 9, 113

Spatial flows

, 3

Spatial practices

, 13, 26, 31, 36, 119

Spatial shadowing

, 30

Spectacle

, 33–35

Spectacle, the society of

, 34–35, 128

Square Mile

, 1, 3, 13, 17, 19, 21, 93

St Paul’s Cathedral

, 4, 18, 79

Statuary

, 71, 79, 115

Stock Exchange

, 21–22, 65, 82

Storytelling

, 15

Subject position

, 53, 111, 126

Symbolism

, 18–21, 99, 124, 126

classic

, 24

narrative

, 20

Thrift, Nigel

, 4, 8, 14, 19, 21, 62, 116, 122, 128

Topos

, 6

Traditions

, 19, 21, 29–30, 44, 123

Tyler, Melissa

, 1–2, 5, 7, 118, 121, 128

Uniforms

, 35, 63, 81, 123

Urban hierarchy

, 24

Urban sites of orgnaising

, 3, 35

Urban spectacle

, 34

Urban walking as London literary tradition

, 37–40

Walking

, 46

history in urban settings

, 29–30

West End of London

, 63

Wharf, Canary

, 13, 92

Whittington, Dick

, 39

Women

, 11, 16, 21, 24, 45, 63, 92, 103, 111, 128

Women’s Petition Against Coffee

, 16

Work

, 2

Workplaces

, 1

sensory aspects

, 2

Workselves

, 2

Wren, Christopher

, 18