Index

Gender and the Male Character in 21st Century Fairy Tale Narratives

ISBN: 978-1-83753-789-1, eISBN: 978-1-83753-788-4

Publication date: 16 September 2024

This content is currently only available as a PDF

Citation

(2024), "Index", Le Clue, N. (Ed.) Gender and the Male Character in 21st Century Fairy Tale Narratives (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 233-238. https://doi.org/10.1108/978-1-83753-788-420241020

Publisher

:

Emerald Publishing Limited

Copyright © 2024 Natalie Le Clue. Published under exclusive licence by Emerald Publishing Limited


INDEX

A Dozen Big Brothers
, 195

A&E Network
, 21

Aarne-Thompson system
, 111

Actual play (AP)
, 140–142

Adaptation
, 125–126

Adventuring Party
, 142, 146

Age masculinity
, 11–12

Ageism
, 124, 126–127

Aladdin (1992)
, 13, 20–22, 64

Aladdin (1999)
, 124

Alice (2009)
, 124, 129, 131

Alice in Wonderland (1951)
, 124, 129, 131

Alice in Wonderland (2010)
, 26, 156–157, 163, 231–232

Alice’s Adventures in Wonderland (1865)
, 125–128, 204–205

Ambiguity
, 111

American Broadcasting Company (ABC)
, 21

American Horror Story
, 112, 114, 116

Ang Kuya Kong Zombie (My Big Brother Zombie)
, 192

Ang Misteryo ng Patong-Patong na Damit ni Hulyan
, 192

Angel (1999–2004)
, 78

Art Deco
, 52–53

Art Nouveau
, 52–53

Autonomy
, 40

Avengers, The
, 20–21

Baran bo Odar
, 102, 202

Bardic Inspiration ability
, 149

Beauty and the Beast (1991)
, 64

Beauty and the Beast (1997)
, 93, 124

Big brother
, 188

Binary gender
, 52

Black masculinity
, 11–12

Blood and Wine DLC
, 95–96

Blue Beard
, 111

analysis and findings
, 114–119

behaviour
, 113, 117

character traits
, 112, 115–116

cultural and societal context
, 113–114, 118–119

methodology and framework
, 112–114

motivations
, 112–113, 117

Paul Spector and Kain Anderson
, 114–115

thematic elements
, 113, 118

Brave
, 88

Buffy the Vampire Slayer (1997–2003)
, 78

Camp Rock
, 20–21

Captain Hook
, 217

Carnival Row
, 166

traditional gender and racial stereotypes in fairy tales
, 167–173

Cars (2006–2017)
, 22–23, 64

Character evolution
, 113–114

Chi-square test
, 28

Children’s stories
, 9

Cinderella (2015)
, 20–21, 65, 92, 166, 177–178

Classical echoes
, 206–210

Classical mythology
, 202

Clothing
, 56

Codebook
, 26

Coded language
, 56

Codes
, 56

Company of Wolves, The
, 77–78

Contemporary American ageism
, 126–127

Contemporary Character Transformation Theory
, 113–114

application
, 114

Contemporary characters
, 112

Contemporary storytelling
, 114

Content analysis
, 24–26

Cult
, 112

Cultural allusions
, 204–205

Cultural heritage
, 217

Cultural organisation
, 105–106

Dark
, 100, 202

as German Wundermärchen
, 100–104

protagonist as hero and villain
, 104–105

reflecting contemporary German masculinity and western cultural thinking
, 105–108

Dead Man’s Chest (2006)
, 160–162

Decadence
, 52–53

Dimension 20
, 139–140, 142

Discourse
, 223

Disney
, 20, 24, 64, 88

21st Century ‘Prince’
, 69–72

culture industry
, 65–66

filmography
, 64

films
, 9

films analysed with frequency of male characters
, 24–26

findings
, 27–32

frequency of characteristics
, 33

Hero Word Cloud
, 34

method
, 24–27

Not-So-Charming Prince
, 66–68

princesses
, 35–36

research questions
, 24

Sidekick Word Cloud
, 36

Villain Word Cloud
, 35

Disney Channel
, 21

Disney Princess Party
, 182

Disney+ streaming service
, 21

Dungeons and Dragons (D&D)
, 140

Ego
, 102–103

Ella Enchanted (2004)
, 177–178

Embodiment of non-hegemonic feminine standards
, 41

Emma Swan
, 224

Emotional restraint
, 40

Encanto
, 88

Escapism
, 217

ESPN Inc.
, 21

Ever After
, 182

Evil witch identity
, 10

Fabulous godmother
, 180–182

Fairies
, 178–180

Fairy god-figures and apprentice
, 182–183

Fairy godmother
, 177–178

Fairy Tale, The
, 110–111

Fairy tales
, 20, 52, 64, 76, 88, 96–97, 110, 166, 178, 216

analysis
, 52–61

characters
, 1–2, 111

narratives
, 42

traditional gender and racial stereotypes in
, 167–173

Fall, The
, 112, 114, 119

Fashion
, 157

Fathering
, 178–180

Female characters
, 40–41

Female witch
, 8, 11

Feminine traits
, 34

Femininity
, 31–32, 34, 76

Feminised masculinity
, 55

Feminist identity
, 80

Feminist Quest Heroine

contemporary fairy tale narratives and deconstruction of gender through
, 42–48

traditional fairy tale narrative and construction of gender through heroism
, 40–41

Fiction
, 8

portrayals of witch identity in
, 8–10

Film
, 8

portrayals of witch identity in
, 8–10

Fixer Upper
, 44

Folklore
, 76, 110–111

Folklorists
, 76

Folktales
, 76

Forensic fandom
, 204–205

Frame analysis
, 141

Frog Prince, The
, 57–58

Frozen (2013)
, 42, 65–66, 88, 216, 231–232

Frozen II
, 65–66

Futurity
, 96–97

Game master (GM)
, 140

Gay masculinity
, 11–12

Gender
, 8, 20, 76, 189

construction through heroism
, 40–41

politics
, 65–66

Gender ambiguity
, 53

Gender and Female Villains in 21st Century Fairy Tale Narratives: From Evil Queens to Wicked Witches
, 231

Germany
, 103–104

Gesture
, 56

Girl Meets World
, 20–21

Gothic masculinity
, 202–204

Grimm (2011–2017)
, 76, 78–79, 81–82, 84

Grimm brothers
, 20

Handsome Heroes and Vile Villains
, 64

Hansel and Gretel
, 92

Harry Potter book series
, 13–14

Hatter
, 156

Hegemonic masculinity
, 11, 40

Hegemony
, 107–108

Heimat (1984–2013)
, 103

Hercules (1997)
, 64

Hercules
, 22

Hero as archetype
, 80–81

Heroic acts
, 162

Heroism
, 40–41, 43

Hetero-normative identity
, 54

Heteronormative temporality
, 41

modification in Frozen and Maleficent
, 44–46

Heteronormativity
, 40

Himbo
, 125

Histoires ou Contes du Temps Passe
, 147

History Channel
, 21

Homosexuality
, 53

Honest Woodcutter and Hermes
, 89–90

Horror
, 9

Hunchback of Notre Dame, The (1996)
, 64

Huntsman
, 88–90

Hybrid masculinity
, 12, 23

Identification
, 126–127

Illustration
, 52

Image
, 53

Inclusive masculinity
, 12

Incredibles, The (2004)
, 23, 64, 2018

Independence
, 40

Intercoder reliability
, 26–27

Jack Sparrow
, 156, 157

Jantje Friese
, 100–101, 202

Jenkin’s media theory
, 140–141

Kaleidoscopic effect
, 106

Kinder-und Hausmärchen (KHM)
, 166–167

Kuya
, 188

child’s values, intentions and skills vis-à-vis
, 192–195

intentions, ambitions and aspirations
, 193–194

knowledge and skills
, 194–195

male figure as genesis
, 195–198

in selected Filipino storybooks
, 191–192

siblinghood in storybooks and subordinate storylines
, 189–191

Last Wish, The
, 91–94

Le Petit Chaperon Rouge (1697)
, 77

Leadership qualities
, 40

Lewis Carroll
, 125–126

LGBT+ people
, 179

Liberal minds
, 53

Lifetime Entertainment
, 21

Lilo
, 28–30

Lion King, The (1994)
, 31–32, 64

Little Klaus
, 60

Little Mermaid, The
, 65, 88, 92

Little Red Cap
, 77

Little Red Riding Hood
, 76, 88

morality(ies)
, 76

Little Red’s Band
, 95

Looking Glass Masculinity Matrix
, 217, 221–222

encounter with male characters
, 225–226

findings
, 223–227

methodology
, 220–223

redemption
, 227

romance with Emma Swan
, 226–227

Mad Hatter
, 127–128

Alice (2009)
, 129–131

Alice in Wonderland (1951)
, 129–131

Carroll to Disney
, 127–129

contemporary American ageism
, 126–127

Once Upon a Time (2011–2018)
, 131–132

Madness
, 156

Magic
, 100–101

Magician
, 13

Making Things Perfectly Queer
, 56

Male archetype
, 225

Male characters
, 64, 76, 189, 231–232

Male figure as genesis
, 195–198

Male identity tags
, 8

Male witch
, 8

in Disney films and fan fiction
, 12–14

Maleficent (2014)
, 42, 46, 48

Manhood
, 156

Marketing
, 20–21

Mary Poppins
, 20–21

Masculine identity
, 52

Masculine qualities
, 162

Masculine superiority
, 40

Masculinity
, 2, 23, 30, 64, 76, 100, 119, 181, 223

stereotyping
, 10–11

Merlin (BBC series)
, 8

Methodology
, 112–114

Misogyny
, 11

Modern folklore scholarship
, 77

Modern Prometheus, The
, 206

Mosaic masculinity
, 12

Mother Goose
, 148–150

Mothering
, 179

Mulan (1998)
, 64

My Big Brother Zombie
, 195

Narratives
, 20–22, 189

Nautical Gothic
, 203

Negative ageism
, 124

Neighbourhood witch
, 10

Netflix
, 88, 100, 202

classical echoes
, 206–210

cultural allusions and forensic fandom
, 204–205

Gothic masculinity
, 202–204

Neverafter
, 139–140, 142, 145

Book of Mother Goose
, 148–150

Mother Timothy Goose
, 145–148

Nevermoor book series
, 13

Nicht-zu-hause-sein
, 203

Nobility
, 43

Non-hegemonic femininity
, 41

Non-player characters (NPCs)
, 140

Nowhere Boys (Australian teen TV drama)
, 8

Objectification
, 126–127

theory
, 59, 126

Occulture
, 100–101

Oliver and Company
, 30

Once Upon a Time (OUAT)
, 131–132, 183, 217, 223–224

Parenting
, 179

Paternal figure
, 81–83

Paul Spector
, 112

Philippine children’s literature
, 189

Pilot Episode: Little Red Riding Hood (Buckland)
, 76, 2011

Pirates of the Caribbean (2003)
, 163

Pirates of the Caribbean (2003)
, 231–232

Pixar
, 22–24, 26

Player characters (PCs)
, 140

Popular culture
, 10

POSE (2018–2021)
, 179, 181

Positive ageism
, 124

Post-feminist masculinity
, 42

in Frozen
, 42–44

Post-feminist narratives
, 43

Power dynamics
, 119

Prejudicial age stereotyping
, 10

Prejudicial ageism
, 9

Prince Charming
, 65–67

Princess and the Frog, The (Director)
, 13, 2009

Progressive masculinity
, 11

Prometheus
, 208

Protagonist
, 118

Protective instincts
, 40

Psychoanalytic interpretations
, 77

Public humiliation
, 43

Queer
, 53

fairy tale
, 53

identity
, 54

male identity
, 58

representation and terminology
, 54

‘Queer British Art from 1861–1967’
, 60

Queer Eye
, 179

Racial Othering
, 169–170

Racism
, 169

Ratatouille
, 22

Red Fairy Book of 1890s, The
, 90

Red Riding Hood (Hardwicke)
, 76, 2011

Feeding Wolf Trope
, 83–84

hero as archetype
, 80–81

narrative
, 79

paternal figure
, 81–83

representing male in
, 79–80

texts
, 78–79

Reimagining
, 146

Retelling
, 205–206

Rottkäppchen (1812)
, 77

Royal Navy Ships
, 160–161

Rulebooks
, 140

RuPaul’s Drag Race (2009–present)
, 179

Russian folktales
, 76

Sandosenang Kuya (A Dozen Big Brothers)
, 191–192

Science fiction
, 206

Seven Dwarfs
, 65

Sexism
, 11

Shrek 2 (2004)
, 177–178

Sibling relationships
, 188–189

Siblinghood in storybooks
, 189–191

Signifiers
, 56

Sisterhood and dethronement of patriarchal power in Maleficent
, 46–48

Sleeping Beauty (1959)
, 42, 45–46, 65–67, 166

Snow Queen, The
, 58

Snow White (1937)
, 66–67

Snow White and the Huntsman
, 88, 90

Snow White and the Seven Dwarfs (1937)
, 26, 30, 88–90, 166, 217

Social temporality
, 56

Sorcerer
, 13

Speciesism
, 169

Spies in Disguise (2019)
, 31

Spiritual masculinity
, 11

Star Wars
, 20–21, 64

Stereotypes
, 8, 124–125

of witch
, 10

Stereotypical portrayals
, 23

Stereotyping masculinity
, 10–11

Sticky masculinity
, 12

Stitch
, 28–30

Stories
, 88

Storybooks
, 189–190

Storytelling
, 22

Strange World (2022)
, 26, 30–31

Stranger Things (2016–2024)
, 100

Subordinate storylines
, 189–191

Sword in the Stone (1963)
, 14

Symbolic violence
, 8

Symbolism
, 56

Tabletop ‘pen and paper’ role-play games (TTRPGs)
, 139–140

and actual play
, 140–142

Tabletop role-playing games
, 231

Tangled
, 22

Tarrant Hightopp
, 156

Tarzan (1999)
, 64

Third sex
, 54

Time-travel
, 100

Tool
, 166

Toxic masculinity
, 10–11

alternatives to
, 11–12

Toxic masculinity
, 35–36

Toy Story (1995–2019)
, 23, 64

Traditional fairy tale narrative
, 40–41

Transformation
, 160

Transmasc
, 145–146

Trauma
, 100

Trickster
, 128

Tropes
, 91–92

fairy tales and futurity
, 96–97

Grin and Grimace
, 89–91

Mayhem, Madness, and Maniacs
, 92–94

Vexing Vixens and video games
, 94–96

True love
, 45

Twilight film series
, 79, 83–84

Untraditional behaviour
, 163

Up (2009)
, 22, 124

Victorian fictional characters
, 77–78

Video Games
, 94–96

Village witch
, 10

Villain
, 41

Villainy
, 218

Violence
, 8

Violence
, 11

Visual codes
, 57

Vladimir Propp
, 217

Voodoo Witchdoctor
, 13

Wall-E
, 22

Ways of Being Male
, 64

Western fairy tales
, 166–167

White masculinity
, 2

Widows Son, The
, 59

Witch
, 8

alternatives to toxic masculinity
, 11–12

male witch in Disney films and fan fiction
, 12–14

portrayals of witch identity in film and fiction
, 8–10

stereotype of
, 10

stereotyping masculinity
, 10–11

third way of performing witch-masculinities
, 15

Witch identity
, 8

portrayals of witch identity in film and fiction
, 8–10

Witcher
, 88

Witcher, The series
, 3

Witcher 3: Wild Hunt, The
, 90, 95

Wizard
, 13

Wizards of Waverly Place
, 20–21

Woodcutter (see Huntsman)

Wundersmith
, 13

Young American and Marine Tales, The
, 93

Prelims
Introduction
Section 1 Gender Representation in Fairy Tales and Media
Chapter 1 Gendered Stereotypes of the Male Witch in Selected Children's Film and Fiction
Chapter 2 How Manly Is the Mouse? The View of Masculinity Across the Years Through Disney
Chapter 3 Feminist Quest Heroine: Deconstruction of Male Heroism in the 21st Century Fairy Tale Narrative
Chapter 4 Masculine Image and Identity in Fairy Tales c1900–1940
Chapter 5 Letting Prince Charming Go: Male Characters and Masculinities in Disney's Frozen
Chapter 6 Transformative Masculinities: Re-Examining the Role of the Male in Red Riding Hood
Chapter 7 Geralt the Huntsman: The Witcher's Upending of the Classic ‘Hero’ Trope
Chapter 8 The Impossible Cartography of Masculine Trauma and Ego in Netflix's Dark
Chapter 9 Blue Beard's Descendants: The Resonance of Toxic Masculinity in Modern Storytelling
Chapter 10 The Erasure of the Elderly Hatter: 21st Century American Remakes of the Mad Hatter
Section 2 Reinterpretation and Deconstruction of Fairy Tale Tropes
Chapter 11 Gender Subversion in Horror Fairy-Tale Dimension 20: Neverafter
Chapter 12 ‘It's Remarkable How Often [Madness and Brilliance] Coincide’: An Analysis of the Characters, Captain Jack Sparrow and Tarrant Hightopp, as Alternate Depictions of Masculinity
Chapter 13 Subverting Traditional Representations of White Masculinity in Fairy-Tale Narratives: The Case of Carnival Row (2019–2023)
Chapter 14 Fabulous Godmothers and Fairy-Godfairies: Reimagining the Fairy Godmother as Gender-Inclusive
Chapter 15 The Kuya in Selected Filipino Storybooks: ‘Subordinate Storylines’ of Male Characters in Narratives of Adversities
Chapter 16 ‘The Modern Prometheus’: Gothic Masculinity, Classical Mythology and Forensic Reception in Netflix's 1899
Chapter 17 The Looking Glass Paradigm: An Inductive Evaluation of Once Upon a Time's Captain Hook
Conclusion
Index