Index
Data Excess in Digital Media Research
ISBN: 978-1-80455-945-1, eISBN: 978-1-80455-944-4
Publication date: 8 November 2024
This content is currently only available as a PDF
Citation
(2024), "Index", Hendry, N.A. and Richardson, I. (Ed.) Data Excess in Digital Media Research, Emerald Publishing Limited, Leeds, pp. 155-161. https://doi.org/10.1108/978-1-80455-944-420241011
Publisher
:Emerald Publishing Limited
Copyright © 2025 Natalie Ann Hendry and Ingrid Richardson. Published under exclusive licence by Emerald Publishing Limited
INDEX
Academic publishing
, 110–111
Actual practice
, 90
Affective atmosphere
, 40–41
of offcuts
, 44–49
Affects
, 89
African Australian youth on social media
, 30–33
Algorithmic mediation on YouTube
, 71–73
Algorithmic societies of control, microblogging in
, 115–116
Algorithms
, 70–71, 116–117
Ambient touch
, 90
‘App culture’
, 128–129
Application Programming Interfaces (APIs)
, 61, 77, 127
Assemblages
, 6
Augmented reality (AR)
, 127–128
Barbie social media
, 45
Big data
, 5, 16–17, 124
data impacts
, 131–134
data republics
, 129–131
data resources
, 126–129
#BlackLivesMatter (BLM)
, 26, 30
Blogging
, 112
Boundaries of field
, 6–7, 41, 43
‘Bricolage’
, 107
‘Burrell’s approach
, 64
‘By-products’ of research
, 3–4
Care
, 29
case-based methods
, 146–147
ethics of
, 27
Complexity
, 148–151
Computational research techniques
, 71
Confession
, 106
Confessional cultural object, reading
, 111–113
Confessional poetry
, 112–113
Contemporary cities
, 126
Contemporary media culture
, 2
Contextual integrity
, 29–30
Corporeal feminism
, 92
COVID-19
in Australia
, 45
health information
, 48
pandemic
, 26, 30–31, 40
‘Crafting method’
, 21
Crafting phenomenological research
, 95
Creative data
, 8
Creative writers
, 111
Crisis, wellness discourses in
, 48–49
Criticisms
, 113–114
Cultural chronology
, 91
‘Cultural Economy of Locative Media’
, 17
Curiosity
, 108
Data
, 15, 106, 130, 140, 148, 151
analysis
, 28–29, 133
assemblage
, 77
collection
, 17, 19, 43–44, 61, 76–78, 126
ecology
, 130, 133–134
ghosts
, 9–10
holds memories
, 58–59
impacts
, 126, 131, 134
management
, 124
republics
, 126, 129, 131
resources
, 126
saturation
, 6–7, 15
sets
, 76–78, 142–143
volume and quantity
, 63
Data excess
, 3, 6, 17–18, 56, 88, 125
collecting data, generating excess data
, 17–19
inevitability of data excess in research
, 59–63
method assemblage
, 21–22
parergon
, 19–21
qualitative data
, 14–16
reframing
, 19–22
Data minimalism, epistemic culture of
algorithmic mediation on YouTube
, 71–73
classifying tourism destinations on YouTube
, 78–83
locating place images on YouTube
, 76–78
observing production of place images
, 73–76
Datafication of museums
, 124
Dataism
, 125
Derrida, Jacques
, 14
Digital ‘confessional’ reader
, 113
Digital age, self-fashioning and poetry in
, 113–115
Digital archives
, 60–62
Digital artworks
, 108
Digital atmospheres
, 40–41
Digital context
, 58
Digital cultures
, 3, 64, 111
digital ethnography, relations as fields and ethnographic sensibility
, 63–66
hoarding possessions and personal digital archiving
, 57–59
inevitability of data excess and digital hoarding in research
, 59–63
Digital data
, 2–4, 57–59, 63, 71, 140–141, 145–146, 148–150
collection tools
, 78
excess
, 56–57, 127–128
processing systems
, 125
produce
, 4
Digital disorganisation and excess
, 65
Digital ethnographers
, 26, 60–61
Digital ethnographic field site
, 30–31
Digital ethnography
, 3–4, 40, 42, 56, 63–66, 70–71
affective atmospheres of offcuts
, 44–49
messy boundaries of field
, 41–43
remixed methods for pandemic atmospheres
, 43–44
of travel influencers
, 70–71
Digital Ethnography Research Centre
, 2
Digital excess
, 2, 9
Digital fieldwork
, 56–57, 60
Digital formats
, 4
Digital health interventions
, 150–151
Digital hoarder
, 58
Digital hoarding
, 58–59, 65–66
inevitability of digital hoarding in research
, 59–63
Digital intermediation processes and actors
, 116
Digital interventions
, 148–151
Digital media
, 27
affect, haunting and unexpected discovery
, 8–10
ethics, visibility and waste
, 5–8
towards excessive thinking and writing
, 10
head of
, 128
methodologies of excess in
, 3–5
research
, 2, 56
Digital museum resources
, 127
“Digital pack-rattery”
, 59
Digital platforms
, 64, 70–71, 140–141
Digital politics
, 3
Digital practices
, 3
Digital research(ers)
, 5, 8, 26, 64–65, 149–150
Digital scholars
, 60–61
Digital self-tracking
, 9
Digital spaces
, 107
Digital technologies
, 7, 64
in health
, 140
Digital touch communication
, 90
Digital tourism system
, 129–130
Digital tracking practices, traces of self in
, 33–35
Digital Transformation Lead at Queensland Art
, 127
Digital turn
, 140
Digitalisation of museums
, 124
Digitally mediated interactions
, 40
Discovery Early Career Researcher Award (DECRA)
, 17, 20–21
Doctoral research projects
, 9
‘Doomscrolling’
, 48
Edinburgh Cultural Map (ECM)
, 131
Embodiment
, 45, 92
Ergon
, 19–20
Ethics
, 5–8
of care
, 27
Ethnographic collection of data
, 92–93
Ethnographic data
, 99–100
Ethnographic research into vlogging
, 70–71
Ethnographic sensibility
, 63–66
Ethnographic tactics
, 75
Ethnography
, 63–64, 75–76, 88, 91, 94
Evaluation of health interventions
, 141–144
Evaluative research
, 144
Evidence-based medicine
, 144
Excess data
, 2, 5–9, 14, 16–19, 59–60, 117, 143–147
generation
, 17–19
microblogging in algorithmic societies of control
, 115–116
reading confessional cultural object
, 111–113
research
, 109–111
reserve data
, 117–118
self-fashioning and poetry in digital age
, 113–115
temporality and research event
, 106–109
Excess digital data
, 106
Exercise
, 47–48
Fabrication
, 98–101
Facebook
, 18, 27, 31, 40, 71–72, 108, 117
#femalerage
, 112–113
Feminist phenomenology
, 88
Fields, relations as
, 63–66
Fieldwork
, 40, 42, 63–64
‘Fitspo’
, 26
fitness inspiration
, 26
on Instagram, young women’s relations with
, 27–30
Foucault, Michel
, 112
Galleries
, 8
Global tourism
, 70–71
Grounded theory
, 14, 19
Haptic(s)
, 89
fabrication and partial translation
, 98–101
haptic experiments
, 96–98
haptic methods
, 94–98
haptic turn
, 89–91
interviews and observations in situ
, 94–95
media
, 95
methods
, 88, 94, 98
mobile media
, 89–91
phenomenology, post-phenomenology and ethnography
, 91–94
turn
, 89–91
Hashtag practices
, 62–63
Health
diet
, 47–48
digital interventions, data and complexity
, 148–151
digital technologies in
, 140
evaluation and programme logics
, 141–144
evidence
, 144–148
interventions
, 140
research
, 56
researcher
, 144
workers
, 3–4
Heritage
institutions
, 125
integration
, 125
sites
, 129–130
Hoarding
, 57
possessions
, 57–59
Images
, 56, 108
Individual practice
, 90
‘Industry stakeholder’ group
, 7
Information centres
, 124
Information saturation
, 46–48
Instagram
, 4, 18, 26–27, 31, 40, 70–71, 78–79
story post
, 45
young women’s relations with ‘fitspo’ on
, 27–30
Instagrammable moments
, 21–22
‘Instapoetry’
, 114
Intercorporeality
, 91–92
Interdisciplinary insights for digital touch communication
, 90
Internet
, 2–3, 149–150
ethnography
, 65
internet-mediated social contexts
, 99–100
Internet of Things (IoT)
, 129
Interventions
, 140
acceptability
, 142–143
Interviews
, 94–95
Intimacy
, 89, 91, 96
Key performance indicators (KPIs)
, 9
Law, John
, 14
Law proposes method
, 21
Law’s response
, 21
Literary studies, drawing on research in
, 106
Locative media industries
, 17
Logic model
, 142–143
Lyall draws
, 26–27
Malaysian travel influencer
, 70
Market research firm
, 18
Markham, Annette
, 4
Media
, 2–3
drawing on research media studies in
, 106
ethnography
, 97–98
produce
, 7
researchers
, 80–83
studies
, 106
Mediated social touch
, 90
Memories
, 9, 58–59
Mental health
, 60
programmes
, 140
services
, 145–146
#mentalhealthmatters
, 112–113
Messaging, instant
, 40
Messiness
, 40–41, 61
Meta (company)
, 40
Metadata
, 61
Method assemblage
, 21–22
Metrics
, 140–141
Microblogging in algorithmic societies of control
, 115–116
Mobile apps
, 97
Mobile device
, 88
Mobile media
, 88–89, 91
research
, 91
usage
, 88
Mobile phone
, 89, 97, 101
Mobile touchscreens
, 89, 91
Moran reflects
, 26
MRT station
, 70
Multistability
, 91–92
Museum of Contemporary Art Australia (MCA)
, 133
Museums
, 124, 129–130
data impacts
, 131–134
data republics
, 129–131
data resources
, 126–129
datafication processes
, 125
Netflix’s recommender system
, 71–72
Network(s)
, 64
analysis
, 78–79
data
, 78
nodes
, 78–79
visualisation software
, 78–79
NodeXL Pro
, 78
Non-linear methods of data collection
, 78
Observations in situ
, 94–95
Offcuts, affective atmospheres of
, 44–49
information saturation and responsibilisation
, 46–48
unprecedented times
, 45
wellness discourses in crisis
, 48–49
Opaque production processes
, 77
Open-ended methods of data collection
, 78
‘Orthosomnia’
, 35
Overtourism
, 129–130
Pandemic atmospheres, remixed methods for
, 43–44
Parergon
, 19–21
Partial translation
, 98–101
Participant observation
, 27–28
PayPal (company)
, 72
‘Perish’ culture
, 110–111
Personal digital archiving
, 57–59
Phenomenology
, 88, 91, 94
Photo elicitation techniques
, 17–18
Physical hoarding
, 58–59
Place images, observing production of
, 73–76
Place images on YouTube
, 76–78
Place-bound fieldwork
, 76
Place-making
, 126–127
Platform content
, 75–76
Plath, Sylvia
, 10, 106
created complex
, 107
poetry
, 106
Plath’s poetry
, 113–114
Poetry
in digital age
, 113–115
reading practices
, 117
#poetryislife
, 112–113
Popular culture
, 113
Post-phenomenological approach
, 95
Post-phenomenology
, 88, 91, 94
Postgraduate research
, 110–111
Printing visual data
, 61–62
Productive data
, 8
Programme logics of health interventions
, 141–144
Project combined phenomenology
, 88
Pseudonymity
, 108, 114
Publish culture
, 110–111
Published data
, 16–17
Qualitative data
, 14, 16, 141, 145
published and unpublished data
, 16–17
Qualitative digital researchers
, 40
Qualitative methods
, 94
Qualitative research
, 15
in digital spaces
, 41
methods
, 14
methods
, 16
Qualitative researchers
, 41
Qualitative techniques
, 143–144
Query design
, 76–77
Racism
, 32
Random control trials
, 146
Reade draws
, 26
Reading confessional cultural object
, 111–113
Reddit
, 110
‘Reflexive turn’
, 107
Relational ethnography
, 63–64
Remix method
, 43
Research
, 109–111
data
, 14
event
, 106–109
inevitability of data excess and digital hoarding in
, 59–63
management software
, 3
practice
, 59–60
process
, 2, 25–26
questions
, 6, 15–16, 63
‘Reserve’ data
, 117–118
Responsibilisation
, 46–48
Retelling insights from studies
, 58–59
‘Saturation’
, 15
Science Museum Group (SMG)
, 128
‘Scientific reasoning’ required methods
, 144–145
Screen recording
, 28–29
Screenshots
, 28–29, 44–47
Search-as-research approach
, 76–77
Self-fashioning in digital age
, 113–115
Self-reflexivity
, 93
Self–tracking
, 33–35
“Sensorium”
, 91
Sensory ethnography
, 89–90
Sensory perception
, 91–92
Sexual health programmes
, 140
‘Show-and-tell’ approach
, 33
‘Silosociality’
, 114
Single videos
, 80
Situatedness
, 92
Sleepy tourist
, 70
Smart cities
, 8, 125, 131
data impacts
, 131–134
data republics
, 129–131
data resources
, 126–129
technologies
, 129
Smart maps
, 129
Smart reputation
, 131–134
Smart technologies
, 129
Smart tourism
, 125
Smart urban experiences
, 129–131
‘Smart’ place-making
, 126–129
Snapchat
, 31
Social media
, 56, 64, 132
African Australian youth on
, 30–33
platforms
, 40–41, 116
research
, 60
websites
, 115–116
Social networking sites
, 114
Social networking websites
, 106
Social practices
, 147–148
Social proprioception
, 100–101
Social science methods
, 21
Social space
, 90
‘Sort-of’ friendship
, 31–32
Specificity
, 92
Spotify
, 73–74
Stakeholders
, 127
Storying
approach
, 117
data
, 106–107
Success measures
, 143
‘Surplus’ screenshots
, 41
Tactile digital ethnography
, 90
Technologies
, 89
researchers
, 2–3
Temporality
, 106–109
Thematic coding
, 65
Theory of change
, 142
Three-dimensional framework
, 8
TikTok
, 3–4, 40, 43–44, 60, 116
TMI
, 2–3
Touch
experience of
, 91
figures of
, 90
senses of
, 89
Tourism
, 80
destinations on YouTube
, 78–83
development
, 129
Touristic content
, 70–71
Travel vloggers
, 76
Travel vlogs
, 73–75
Tumblr
culture
, 109, 117
demonstrates
, 115
facilitation of pseudonymity
, 114
meant creative expression
, 108
TV series
, 71–72
Twitter
, 5, 18, 48, 108, 117, 132
Unanticipated excess
African Australian youth on social media
, 30–33
anticipating excess
, 27
contextualising our excess
, 26–27
traces of self in digital tracking practices
, 33–35
young women’s relations with ‘fitspo’ on Instagram
, 27–30
Uncertainty
, 29, 64–65
Unpublished data
, 16–17
Urban areas
, 70–71
Urban locations
, 76–77
Victoria and Albert East
, 132
Victoria and Albert Museum (VAM)
, 128
Video calling
, 40
Video clusters
, 80
Video footage
, 18
Videomaking
, 76
Vignettes
, 26, 99–101
Virtual ethnography
, 65
Visibility
, 5–8
Vlog
, 80
portraying tourist places
, 70–71
Vloggers
, 72
Waste
, 5–8
Wellness discourses in crisis
, 48–49
WhatsApp
, 40
Work on Zoom
, 40
World Health Organization (WHO)
, 47
Writing
, 5, 58, 65–66, 113
Yelp
, 18
Your Feelings Welcome project
, 133
YouTube
, 4, 70–74, 77–79, 150–151
algorithmic mediation on
, 71–73
classifying tourism destinations on
, 78–83
locating place images on
, 76–78
techno-social recommender system
, 80–83
Zoom
drinks
, 40
work on
, 40
- Prelims
- Chapter 1 Introduction: Digital Data, Research Ethos and Haunting
- Chapter 2 Reframing Data Excess
- Chapter 3 Unanticipated Excess: Inescapable Moments and Uneasy Feelings
- Chapter 4 The Digital Mess of a Digital Ethnography
- Chapter 5 ‘Digital Hoarding’ and Embracing Data Excess in Digital Cultures Research
- Chapter 6 The Epistemic Culture of Data Minimalism: Conducting an Ethnography of Travel Influencers
- Chapter 7 Embodied Excess: Interpreting Haptic Mobile Media Practices
- Chapter 8 Re-engaging With Excess Data: Newbie Researchers, Tumblr and the Evolving Research Event
- Chapter 9 Museums, Smart Cities and Big Data: How Can We Transform Data Excess Into Data Intelligence?
- Chapter 10 Evaluation, Digital Data and Excess(es) in Health Interventions
- Index