Index
Emma Beckett
(University of Warwick, UK)
ISBN: 978-1-80262-302-4, eISBN: 978-1-80262-301-7
Publication date: 19 October 2023
This content is currently only available as a PDF
Citation
Beckett, E. (2023), "Index", Tattooing and the Gender Turn (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 129-132. https://doi.org/10.1108/978-1-80262-301-720231008
Publisher
:Emerald Publishing Limited
Copyright © 2023 Emma Beckett. Published under exclusive licence by Emerald Publishing Limited
INDEX
Abusive artists
, 115–116
Activism, resistance through
, 97–104
Aesthetic capital
, 73–74
Aesthetic labour
, 72, 74–76, 78, 114
All-women tattoo project
, 93–94
Alternative subcultures
, 1, 17, 23–24, 36, 110–111
Ambivalence and mainstream
, 113–114
Anglo-American tattooing
, 28
Apprentice system
, 28–29
Artification
, 28
Artistic process
, 41–42
Authentic capital
, 65–66
Authentic consumers
, 56
Authenticity
, 23–24
Bios
, 84
Black Lives Matter
, 88–89
movement
, 88
Black Women
, 7–8
Bloggers
, 40
Blogs
, 19–20
Body modifications
, 20
Body project
, 20
Body work
, 67
Body workers
, 71
and body worked
, 67–71
Bourdieu’s concept of cultural capital
, 59
Capital
, 38–40, 56
aesthetic capital
, 73–74
female capital
, 63
feminine capital
, 62–63
gendered capital
, 16
and hierarchies
, 24–26
mainstreaming
, 26–28
queer capital
, 86
sub-cultural capital
, 14
subcultural capital
, 38–40
Caring industry
, 60
Class
, 30
shifting class dynamics
, 28–30
Clients
, 62
Community
, 13–15, 40
Compromise
, 21–22
Convention entertainment
, 90–91
Cover Ups Against Abuse
, 107
COVID-19 pandemic
, 29–30
Creative process
, 69
Cultural capital
, 40
Culture
, 23, 109
DBS
, 106
Digital feminist movements
, 103
Digital media
, 103–104
Discursive activism
, 106, 108
Do-it-Yourself (DIY)
, 18–19
Dominant norms of femininity
, 67
Domination
, 4
eBay
, 28–29
Economic capital
, 113–114
Emails
, 9
interview
, 10
interviewing
, 9–10
Embodied subcultural capital
, 47
Emotional labour
, 67–71, 80–81, 114
Entitlement syndrome
, 43
Face-to-face interviewing
, 9–10
Fellow artists
, 40
Female
artists
, 66
capital
, 60–61, 63, 112–113
capitalising
, 59–62
tattooers
, 65–66
tattooists
, 63
Feminine
, 60, 110, 113
capital
, 60–64, 111–113
capitalising
, 62–67
masquerade
, 54–55
symbolic indicators
, 64–65
traits
, 63, 65
Femininity
, 16, 50–51, 59, 64–65, 111, 115
negotiation
, 20–23
Feminism
, 93–94
feminist methodologies
, 5–6
industry, community and sub-cultural field
, 13–15
ladies tattoo
, 2–16
methods
, 8–11
power relations in research process
, 11–13
reflexivity and theorised subjectivity
, 6–8
women tattoo
, 4–5
Feminist
, 93
activism
, 107
discourses
, 92
interview process
, 13
methodologies
, 5–6, 13
research practice
, 4
research project
, 7
tattoo studio
, 84
Fieldwork
, 11
Flashing femininity
, 22, 112–113
Fluid movement
, 116
Gender
, 23–24
capital
, 60–61
labour
, 112–113
manoeuvring concept
, 54
turn
, 116–118
Gendered authenticity
, 47–53
Gendered capital
, 16, 59, 118
Hairdressing
, 68–69
Hashtag feminism
, 103
Hegemonic femininity
, 66–67
Hegemonic masculinity
, 49, 51–53, 97
of culture
, 56
Hierarchical sub-cultural industry
, 109–110
Hierarchy
, 17, 29, 46–47, 84
High Voltage Tattoo
, 40–41
Industry
, 13, 15, 77
hierarchies
, 38–40
Initiatives
, 107
Instagram
, 9, 40, 74–75, 84, 88, 99, 105–106
Inter-sub-cultural resistance
, 115–116
Internet
, 103–104
Intra-sub-cultural resistance
, 107
Invisible femininity
, 111–112
Kat von D (KVD)
, 40–41, 114
effect
, 40–45
Knowledge
, 37–38
LA Ink
, 27, 40–41
Labour
aesthetic
, 72, 76, 78
emotional
, 80–81
gendered
, 112–113
Ladies tattoo
, 2–16
LBGTQIA+ clients
, 85
LC
, 7–8
LGBTQ+ clients
, 86–87
Macho tattoo culture
, 62, 86–87
Magazine editors
, 40
Mainstreamed sub-culture
, 113
Male artists attitude
, 98
Male bias
, 109
Male gatekeepers
, 109
Male knowledge
, 23–24
Male-dominated subcultures
, 23
Masculinised subcultures
, 23
Masculinity
, 50–51
Meaningful tattoos
, 21
Men
, 23–24
Methodology, feminist
, 13
#Metoo movement
, 98–99, 108
Miami Ink (TLC television series)
, 27, 40–41
Motherhood
, 21
National lockdowns
, 29–30
Non-binary
, 108
artists
, 118
Non-hierarchical relationship
, 12
Objective capital
, 73–74
Other’ artist
, 45–47
Paradox
, 26–28
Pink machines
, 64–65
Power imbalance
, 70
Power relations in research process
, 11–13
Queer artists
, 108, 110
Queer capital
, 86, 112–113
Queer tattoo artists
, 118
Queer-friendly studios
, 84, 86
Recuperative strategy
, 22
Reflexivity
, 7
subjectivity
, 6–8
Reminiscent of activism
, 105–106
Research
, 30, 67–68
power relations in
, 11–13
process
, 6–7, 11, 41
Resistance
, 18–19, 114, 116
in action
, 84–89
through activism
, 97–104
through thought
, 91–95
Resistant women
, 18–20
Riot Grrrl movement
, 17–20, 67, 105–106
Rock star
, 49
Roller derby
, 17
Safe spaces
, 85–86
Scratcher
, 29, 47
Seriousness
, 23–24
Sexism
, 109
Shades Tattoo Initiative
, 88–89
Skateboarding
, 17
Social media
, 1–2, 102–105
platforms
, 40, 74–75
Society
, 102
Spaces, changing
, 84–89
Spiritualist tattooing
, 93–95
Sub-cultural capital
, 14, 16, 25, 38, 40, 47–48, 54–56, 102, 113, 118
Sub-cultural field
, 13–15
Sub-cultural paradoxes
, 109–110
Sub-cultural professional
boys
, 53–55
from consumer to producer
, 33–38
gendered authenticity
, 47–53
other artist
, 45–47
subcultural capital and industry hierarchies
, 38–40
television and Kat Von D Effect
, 40–45
Sub-cultural sexism
, 104–105
Sub–cultural author
, 40
Subcultural participants
, 27–28
Sub–cultural producer
, 33, 46
Subcultural relationships
, 31
Subcultural sport
, 17
Subcultural women
, 18–20
Subcultures
, 13–14, 17, 26–27, 38, 116
Subversion
, 18–19, 92
of societal norms
, 34–35
Survivors, tattoos for
, 95–97
Survivors Ink
, 95
Symbolic rebellion
, 34–35
Tattoo imagery
, 7–8, 14, 26–27, 29–31, 61–62, 104–105
resistance in action
, 84–89
resistance through activism
, 97–104
resistance through thought
, 91–95
talking action
, 104–107
tattoo conventions
, 89–91
tattoos for survivors
, 95–97
#TattooMeToo
, 97–104
hashtag
, 98
movement
, 16, 19–20, 102–105
survivors
, 101–102
Tattoo Sexual Assault Survivor Support (TSASS)
, 99–100
Tattooed body
, 73
Tattooed community
, 13–14
Tattooed people
, 46
Tattooed women
, 20, 23, 78
Tattooees
, 1–2
to tattooer
, 33–38
Tattooer
, 33–38
Tattooing
, 3–5, 42–43, 60–61, 68–69, 75–76, 83, 117
and gender turn
, 116–118
kits
, 28–29
process
, 70, 92–93, 101
Tattooists
, 56, 72, 84, 100
Tattoos
, 20, 30, 83, 90–91, 95–96, 117
art
, 29–30
artists
, 14, 29–30, 101
community
, 5, 31, 36
conventions
, 26, 89, 91
culture
, 108
reality shows
, 27
research
, 117
space
, 85–86
studios
, 85–86, 104
sub-culture
, 52–53, 102–103
for survivors
, 95–97
Television
, 40, 43–45
Terminology
, 13–15
Theorised subjectivity
, 6–8
Trans-sub-cultural practitioners
, 116
Transcription process
, 10
TSASS
, 105
Twitter (digital-snow-balling tool)
, 9, 99
Voyeurism
, 91
Western countries
, 113–114
Western society
, 10
#whyIdidntreport (hashtag)
, 101
Woman’ work
body worker and body worked
, 67–71
capitalising female
, 59–62
capitalising feminine
, 62–67
commodifying self
, 71–76
managing self
, 76–79
Women
, 2–3, 16, 20–21, 48, 80, 108, 110, 118
credibility
, 101–102
tattoo
, 4–5
tattooists
, 3
women-dominated subcultures
, 23
women-led subcultures
, 17
Word of mouth snowballing method
, 9
Work
, 87–88
Workplace
, 11, 59, 72, 76
World-wide campaigns
, 88–89
Youth subcultures
, 18
Zero-tolerance approach
, 105
Zoom
, 10
- Prelims
- Chapter 1 From Freak Shows to Feminism
- Chapter 2 Gender, Subcultures and Tattooing: Bringing Women to the Front
- Chapter 3 Being a Sub-cultural Professional
- Chapter 4 Making ‘Woman’ Work
- Chapter 5 Resisting, Reframing and Rethinking the Tattoo Industry
- Chapter 6 Conclusion: Deconstructing Binaries, Exposing Paradoxes
- Bibliography
- Index