Prelims
Unravelling Travelling: Uncovering Tourist Emotions through Autoethnography
ISBN: 978-1-80117-180-9, eISBN: 978-1-80117-179-3
Publication date: 20 January 2022
Citation
Beeton, S. (2022), "Prelims", Unravelling Travelling: Uncovering Tourist Emotions through Autoethnography (The Tourist Experience), Emerald Publishing Limited, Leeds, pp. i-xiii. https://doi.org/10.1108/978-1-80117-179-320211013
Publisher
:Emerald Publishing Limited
Copyright © 2022 Sue Beeton
Half Title Page
Unravelling Travelling
Series Page
THE TOURIST EXPERIENCE
Series editor: Richard Sharpley
The Tourist Experience series addresses a notable gap in the literature on Tourism Studies by foregrounding the tourist experience in a cohesive and thematically structured manner.
Taking a novel approach by presenting both short-form publications and long-form monographs exploring issues in the tourist experience, the series will seek to build a comprehensive set of texts that collectively contribute to critical discourse and understanding of the contemporary tourist experience. Short-form publications will review specific types of tourist by focusing primarily on the influences and nature and significance of their experiences within a sociocultural framework while longer titles will embrace contemporary empirical and conceptual perspectives and debates as a means of understanding experiences.
Recent volumes:
The Adventure Tourist: Being, Knowing, Becoming
Dr Jelena Farkić and Dr Maria Gebbels
Forthcoming Volumes:
The Responsible Tourist: Conceptualizations, Expectations and Dilemmas
Dirk Reiser and Volker Rundshagen
The Sport Tourist
Sean James Gammon
The Mindful Tourist: The Power of Presence in Tourism
Uglješa Stankov, Ulrike Gretzel and Viachaslau Filimonau
Title Page
Unravelling Travelling: Uncovering Tourist Emotions through Autoethnography
BY
SUE BEETON
Independent Researcher, Australia
United Kingdom – North America – Japan – India – Malaysia – China
Copyright Page
Emerald Publishing Limited
Howard House, Wagon Lane, Bingley BD16 1WA, UK
First edition 2022
Copyright © 2022 Sue Beeton. Published under exclusive license by Emerald Publishing Limited.
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No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters’ suitability and application and disclaims any warranties, express or implied, to their use.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-1-80117-180-9 (Print)
ISBN: 978-1-80117-179-3 (Online)
ISBN: 978-1-80117-181-6 (Epub)
Contents
List of Tables | x |
List of Figures | xi |
About the Author | xii |
Acknowledgements | xiii |
Introduction | 1 |
Section One: The Theory | |
Chapter One: From Experiences To Emotions | 5 |
The Tourist Experience | 6 |
The Tourist Experience as Emotional Experience | 8 |
Digression 1: On Seeing Uluru | 9 |
Digression 2: On the Chorister | 13 |
The Role of Memory and Recall in the Tourist Experience | 13 |
The Emotional Tourist | 16 |
Chapter Two: The Self As Data: Autoethnography | 21 |
Digression 3: On Flâneusing | 21 |
Development of Autoethnography as a Research Method | 23 |
Evocative, Performance or Analytical Autoethnography? | 25 |
Evocative Autoethnography | 26 |
Performance Autoethnography | 29 |
Analytical Autoethnography | 33 |
Illustrating the Power of Autoethnography | 34 |
Criticisms, Challenges and Concerns | 37 |
The Ethics of Autoethnography | 40 |
Assessing Autoethnography | 41 |
Chapter Three: Autoethnography in Travel and Tourism | 45 |
Autoethnography in Leisure | 45 |
Autoethnography in Travel and Tourism | 47 |
The Naming of Autoethnography in Travel and Tourism Research | 50 |
Analytical Autoethnography in Travel and Tourism | 53 |
Digression 4: On Literature Reviews | 56 |
Evocative Travel and Tourism Autoethnographies | 57 |
Collaborative Autoethnography | 58 |
Digression 5: On Theory | 59 |
My Early Travel and Tourism Autoethnographies | 59 |
Quality of Travel and Tourism Autoethnographies | 61 |
My Touristic Journeys Presented in This Book | 61 |
Chapter Four: The Story So Far | 65 |
Tourist Experiences and Emotions | 65 |
Memory and Recall | 66 |
Tourist Emotions | 67 |
Autoethnography and Tourism | 68 |
Evocative, Performance and Analytical Autoethnography | 68 |
Autoethnography in Leisure, Travel and Tourism | 69 |
Bringing It All Together | 70 |
Criticisms of and Assessing Autoethnography | 71 |
Section Two: The Stories | |
Chapter Five: An Unlikely Pair? | 75 |
Inside-Out: My Place, My Culture | 76 |
Why Go There? | 78 |
Why Return? | 82 |
On Solo Travelling | 83 |
The Stories | 83 |
Something’s Missing … | 84 |
Chapter Six: My Stories | 87 |
Story One: From a Crooked Angle | 89 |
India | 89 |
Japan | 90 |
Looking from a Crooked Angle | 92 |
Story Two: Beyond Tired … | 93 |
Story Three: The Guest | 94 |
Story four: Portals to the Past | 99 |
The Nakasendo Way – Treading the Path of Emperors | 99 |
The Marwari Horse – Riding the Path of the Warriors | 100 |
Story five: Sacred Travels: A Clearing in the Wilderness | 101 |
Story Six: Born and Reborn - The Child and the Traveller | 107 |
Story Seven: I Was Ready to Scream | 109 |
Story Eight: It’s All Arranged … | 113 |
Story Nine: Taking It Slow | 118 |
Story Ten: The Animals of Rajpur - Trauma and Healing in India | 122 |
Story eleven: Oblique Obsessions | 126 |
Story twelve: Frisson, Shivers and Slivers | 129 |
Story Thirteen: “They Came From the Stars” | 130 |
Story fourteen: Can it Really Be? Creating Impossible Places | 134 |
Story fifteen: Little Lies … | 137 |
Story Sixteen: Watching the Watchers Watching Me - India’s Last Lesson? | 140 |
Story Seventeen: Aloha | 143 |
Story Eighteen: Grounding My Emotions | 146 |
Section Three: What Does It Mean? | |
Chapter Seven: Analytical Autoethnographic Process | 151 |
Grounded Theory | 152 |
Text Analysis | 153 |
Content Analysis | 154 |
Thematic and Contextual Identification | 155 |
Reflective or Reflexive Analysis? | 156 |
Analytical Process | 157 |
Inferred Emotions | 158 |
Theoretical Modelling | 159 |
Chapter Eight: Analytical Autoethnography Outcomes | 161 |
Keywords and Themes | 162 |
Inferred Emotions | 164 |
Emotional Connection | 169 |
Connected to People | 169 |
Connected to a Culture | 170 |
Connected to Land | 170 |
Connected to the Past | 171 |
Emotional Disconnection | 171 |
Lonely/Alone | 172 |
Confused/Conflicted | 173 |
Connected and Disconnected | 173 |
Deep Awe/Numinousity | 174 |
Theoretical Models | 175 |
Graphic Models: The Continuum | 175 |
Graphic Model: Connectedness | 177 |
The Descriptive Model: The Seeker | 178 |
From Telling to Showing: Analytical to Evocative Autoethnography | 180 |
Chapter Nine: Evocative Autoethnography Outcomes – A Debate With Myself | 181 |
Section Four: Conclusion | |
Chapter Ten: Assessing Autoethnography | 193 |
On Becoming an Autoethnographic Researcher | 193 |
Reflexive Analysis of the Methodological Process | 197 |
Quality of My Research | 198 |
Responsibility | 198 |
Data Must Be Authentic and Trustworthy | 199 |
Ethical Approach | 199 |
Contribution to Knowledge | 199 |
Demonstrating the Power of Stories | 199 |
Valuing the Personal and Experiential | 199 |
Sociocultural Meanings Analysed | 199 |
The Case for Autoethnography in Tourism Research | 200 |
A Warning | 200 |
A Final Digression? | 201 |
Chapter Eleven: So What? | 203 |
The Analytical Models | 203 |
The Graphic Models | 204 |
The Descriptive Model | 205 |
The Emotional Tourist | 205 |
An Evocative Conclusion? | 205 |
Bringing it Home: The Role of Emotions in the Tourist Experience | 208 |
Generalisability of the Finding | 208 |
My Contribution (to Theory and Knowledge) | 209 |
Afterword | 211 |
References | 213 |
Index | 223 |
List of Tables
Table 1. Emotional Themes and Words. | 163 |
Table 2. Inferred Emotional Themes. | 168 |
Table 3. Personal Research Development. | 195 |
List of Figures
Figure 1. The Distinctive Ears of the Marwari Horse. | 79 |
Figure 2. My Jizō Protectors. | 103 |
Figure 3. The Ganga Aarti. | 105 |
Figure 4. The Bejewelled Marwari Horse and Bridegroom. | 114 |
Figure 5. My Black Sari and Dancing Horse, Chirmi. | 115 |
Figure 6. The Slowest Food in Japan: Katsuobushi. | 120 |
Figure 7. Puppy. | 123 |
Figure 8. Pony. | 125 |
Figure 9. Japanese Manhole Covers. | 127 |
Figure 10. Giving My Goat Away. | 131 |
Figure 11. Hogwarts Castle Japan. | 136 |
Figure 12. Coco Palms Legend, Larry Rivera. | 144 |
Figure 13. Travel Emotions (Stated and Inferred). | 175 |
Figure 14. The Emotional Ecosystem. | 176 |
Figure 15. Model of Connectedness. | 177 |
Figure 16. Personal Research Tree Rings. | 194 |
About the Author
Prof Beeton is a Travel and Tourism Researcher and Writer who became involved in tourism in the late 1980s through guiding horseback tours in the mountains, many of which were themed around the movie, The Man from Snowy River environments, and wrote her first book on adventure horse riding. Here she witnessed the growth of tourism and its effects on small, local communities as well as fragile alpine environments. For over a quarter of a century, she has conducted tourism-based research into community development and public land management, along with film-induced tourism and pop culture’s relationship with travel and tourism. As well as producing numerous academic papers, book chapters and reports, she has published a range of research-based books on those topics, along with developing her interest in autoethnographic research.
She is a Visiting Professor at the University of Hokkaido, and in 2019, she was awarded the TTRA Lifetime Achievement Award for her contribution to tourism research and scholarship.
Acknowledgements
I wish to acknowledge the traditional custodians of the land on which I live and have written this book, The Wathaurong and Yorta Yorta peoples of the Kulin Nation. Cover artwork is a representation of Jizō, a Japanese deity who is the guardian of ‘lost’ children and travellers. They are often found in temples and along sacred walking trails wearing red bibs and hoods, where travellers and parents leave small gifts of coin, food and toys.
- Prelims
- Introduction
- Section One: The Theory
- Chapter One: From Experiences to Emotions
- Chapter Two: The Self as Data: Autoethnography
- Chapter Three: Autoethnography in Travel and Tourism
- Chapter Four: The Story So Far
- Section Two: The Stories
- Chapter Five: An Unlikely Pair?
- Chapter Six: My Stories
- Section Three: What Does It Mean?
- Chapter Seven: Analytical Autoethnographic Process
- Chapter Eight: Analytical Autoethnography Outcomes
- Chapter Nine: Evocative Autoethnography Outcomes – A Debate with Myself
- Section Four: Conclusion
- Chapter Ten: Assessing Autoethnography
- Chapter Eleven: So What?
- Afterword
- References
- Index