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The purpose of this paper is to outline the work of a service provider, service user and carer group created to develop a strategy for service user and carer co-production.

A reflective narrative account is given of the process through which the group formed and began to develop a working model aimed at shaping a cultural shift towards more co-produced services. The paper has been co-produced and includes the collaborative voices of service users, carers, multi-disciplinary staff, third-sector representatives, managers and colleagues from associated services.

The model developed outlines three stages for services to work through in order to achieve meaningful and sustainable co-produced services. The importance of developing associated policies related to such areas as recruitment, payment, support and training is also outlined. Challenges to co-production are noted along with suggested approaches to overcoming these.

The ethos of co-production is relatively new in the UK and so knowledge of the process and model may help guide others undertaking similar work.

This paper explores four works of contemporary fiction to illuminate formal and informal regulation of sex. The paper’s co-authors frame analysis with the story of their creation of a transdisciplinary course, entitled “Regulating Sex: Historical and Cultural Encounters,” in which students mined literature for social critique, became immersed in the study of law and its limits, and developed increased sensitivity to power, its uses, and abuses. The paper demonstrates the value theoretically and pedagogically of third-wave feminisms, wild zones, and contact zones as analytic constructs and contends that including sex and sexualities in conversations transforms personal experience, education, society, and culture, including law.

The other day someone sent me a pin that reads: “So many books…so little time.” Hardly a new idea, but it's a gentle reminder of a couple of things. First, not even the most fastidious or resolute librarian can hope to keep up with the 50,000‐plus American books published every year. Second, there's always the suspicion that in a new book one will find answers to such bother‐some conundrums as the meaning of life, how to keep off weight, or deliverance from interchangeably dull people.

“Being second” refers to a state of mind, an acceptance of circumstance, being content knowing that you are living your life, and not relying on others to dictate what your “best life” should look like. Sometimes, it takes a lifetime to make this journey. This chapter recounts Battalion Chief Jodi Gabelmann’s journey to peace and pride in a well-lived career in the male-dominated, family-centric world of fire and emergency medical services. Dr Judith Glick-Smith ties Chief Gabelmann’s story to the theoretical underpinnings of her story.

Purpose – This chapter examines the complexity and contextuality of storying curriculum making in a collaborative landscape of teaching and research, as it moves from telling stories of collaborative curriculum making toward exploring curriculum within a collaborative landscape. This work is based on our lived experience of 9 years of collaborating as a team of teacher educators.

Methodology and Findings – Three stories are at the focus of our study – the unfolding story of the collaborative writing of this chapter and two stories that relate to our curriculum planning in the more traditional sense, illustrating almost opposing sides of a collaboration continuum: A story of creating and preserving contrasted with a story of creating and changing. Together, these examples present a picture of the way we experience the making of curriculum in a collaborative landscape: building and teaching a program of learning for our students in tandem with team learning of our own.

Value of paper – The collaborative landscape revealed in this chapter, with its tensions and opportunities, serves as basis for discussing the issue of territory as an overarching concept for the redefinition of questions regarding ownership, authorship and identities. These issues become crucial in a collaborative situation, in which one has to compromise on definition of clear cut working space.

Young women who entered the Dominican Sisters in the years before the Second Vatican Council3 lived in semi‐enclosure and took vows of poverty, chastity and obedience. As women religious they engaged in a life of teaching and prayer that was underpinned by notions of sacrifice and self‐effacement. In order to understand the teaching experiences of these women it is necessary to first understand something about the history of Catholic education in New Zealand and the context in which the New Zealand Dominican Sisters lived and worked.

This chapter offers a reading of the inclusion of Susan Glaspell's short story, A Jury of Her Peers, in the casebook, Procedure. What does it mean that the editors turn to a secular, literary narrative to ground a consideration of “The Problem of Judgment?” How should we read the irony of the reading instructions they provide, which reproduce the blindness to form – to the significance of “trifles” – that the text describes? How do we read literature in the context of law? More specifically, what does attention to the form of the story yield for an understanding of legal judgment?