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An emergency shelter design as an immediate response to assist people in disaster situations was evaluated in this study. The design experiment concerns the use of recyclable paper tubes and simple construction techniques so that unskilled labor can quickly and readily assemble the shelter where required. The design exercise is a result of a joint effort of a group of architecture students at Inha University with the help of an architect, Shigeru Ban, who is renowned for his innovative work with paper tubes. In the first phase, five different design alternatives for a short term recovery option are proposed and in the second phase, a design was selected and developed on the full scale to demonstrate its design and assembly technique.

This study examines spatial layouts and sustainable features of vernacular houses in southern Vietnam to apply the lessons learned to the development of a contemporary housing design. This study proposes hypothetical low-rise street-house models popular in contemporary urban Vietnam by applying the spatial and ecological lessons learned from the analysis.

In total, 23 well-preserved vernacular houses in Dong Hoa Hiep – an 18th century village in the Tien Giang Province – were chosen for a 2-month, on-site investigation. During the field survey, the houses were measured to fabricate scale drawings for detailed analysis, and photographs were taken.

An in-depth evaluation highlighted unique characteristics of spatial compositions, sustainable features, and architectural components that contribute to climate adaptive strategies.

Although numerous potential arrangements of the models are possible, a few examples are illustrated to validate that the assembly could help achieve a dynamic streetscape for street houses.

From this perspective, vernacular houses in Vietnam are a rich architectural resource and a significant cultural heritage, because these houses have adopted sustainable design strategies suitable for the local climate and culture to ensure comfort and well-being for a long time. Perhaps, sustainable lessons drawn from Vietnam's indigenous houses are a prerequisite to developing contemporary housing in the country.

Employing the lessons learned from vernacular houses, this study developed three sustainable prototypical designs for the development of contemporary street houses in densely populated cities in Vietnam.

Among others in South Vietnam, the Temple of Literature in Vinh Long is the only one that has preserved its original form and layout. As such in 1991, the temple was recognized by the Ministry of Culture as a national-level historical and cultural relic. Nevertheless, the temple has been neither studied nor documented to any great depth. Only a few historical descriptions for local tour guidebooks and photo catalogs exist. Therefore this paper aims to initially record heritage values, spatial characteristics and the process of major changes, while documenting the current state of the temple structure and carrying out on-site inspections to survey the buildings.

This paper outlines the collection of survey data through field survey and provides an overview of the existing significant heritage factors of the Temple of Literature in Vinh Long by comparative examination in relation to other surviving temples and analyzing its unique spatial characteristics and indigenous cultural decorations in detail.

Although the layout of the temples was influenced by the Chinese Confucius's principles and the notion of Feng Shui, it is evident from the study that the design of the temple has many architectural elements that reveal Vietnam's unique culture and local features. In particular, the Temple of Literature in Vinh Long was a symbol of feudal education, symbolizing sacred traditional values in the field of education for the people of Vinh Long province. Stone steles recorded names of all contributors related to the construction and restoration of the temple with sincere gratitude. Moreover, many of the decorative motifs contain many indigenous cultural and artistic values of Vietnam, reflecting traditional Vietnamese beliefs and ethnographic features.

By comparatively analyzing the temple with others, it reveals the unique spatial features, layouts, changes and evolutions of the temple. Unlike the oldest and the largest Temple of Literature in Hanoi, the temples in the South are much smaller in terms of complex sizes and the number of buildings. They are mostly composed of a singular structure, the Attained Talent House, with some basic gates and water features interwoven within the landscape of the site. Based on the elementary layout, some subsidiary buildings were added according to the needs and site conditions, and in accordance with the bilateral axis.

The awareness and preservation of the architectural features of the local temple are needed to protect heritage monuments and to enhance cultural resources as part of securing Vietnamese ideology for a longer period of time. While the interest in historic preservation and conservation activities of heritage buildings in Vietnam has slowly grown in attention over the last decade, it is evident that many opportunities remain. It is hoped that this research is a small step toward further research, education and advocacy in the preservation of historic buildings in Vietnam.

The introduction of Chinese Confucian thought to Vietnam was one of the most substantial influences in Vietnamese intellectual history. Despite being an important part of the nation's architectural, cultural and intellectual heritage sites, the study and documentation of the Temples of Literature have been relatively neglected or marginalized. Accordingly, this study is significant to reveal not only the values and unique heritage characteristics of the temple, but also to prioritize resources for continued study and preservation.

This paper focuses on the evolution of and changes in French colonial architectural designs over time in terms of the use of vernacular architectural features of Vietnam.

It first examines the underlying principles of spatial compositions behind traditional vernacular architecture, thus revealing vernacular architectural values that have survived from the past. Styles of vernacular houses differ by region; thus, their unique spatial characteristics are analyzed by selecting the typical houses in each region. The study also illuminates ecological features and technical norms tailored to the local climate and Vietnamese traditional architecture. It examines how local and regional characters of vernacular houses affect the developments and changes in the French colonial public buildings in Vietnam, forming an identity that represents an eclectic Indochina style with the adaptation of local discourses on climate.

The Vietnamese have developed unique architectural styles that are inextricably linked to their identities, cultures, climates and livelihoods – for example, vernacular houses. Although at the beginning of the colonial period, the French imported their styles, decorations and details, which were foreign to the Vietnamese, later, they perhaps realized that such direct import was no longer suitable for the natural and socio-cultural situation of the colony. Toward the end of the colonial period, it is noticeable that French colonial architects gradually started using local design principles.

Although many existing buildings can be further added for the discussion, we limit a few cases, due to the length of the paper.

This paper proves that toward the end of the colonial period, colonial architecture in Vietnam became increasingly localized, adapting to the local environment and climate. The buildings during the period were gradually associated with Vietnamese culture and sentiment.

Although few papers deal with the vernacular architecture in Vietnam with regard to local climate and regional characteristics, there are no paper that related the vernacular Vietnamese houses to influence the French colonial designs in Vietnam. Therefore the paper has value and significance.

Architecture is considered to be a mirror of societies that reflect the natural environment and social values of its people. The vocabularies oftraditional architecture are used for specific functions to respond to various issues. Mashrabiya, as a wooden window screen in old times, was introduced to cover openings and windows for social and climatic reasonsthat reflectparticular eras in Middle Eastern areas. With modern technology, Mashrabiya has been reintroduced with changes in its design, mechanism, and materials.

This study examined the use of Mashrabiya inhistorical and environmental aspects of architecture in Middle Eastern areas. First, this paper discusses the historical and cultural background, and comparesthe different typologies of Mashrabiya indifferent areas because its shapes differslightly from country to country. The techniques of Mashrabiya in contemporary architectureare then investigated in terms of how it has been adapted in contemporary buildings. Finally, its potential optionsin contemporary buildings are discussed.

This paper presents the design exploration of a studio conducted at the University of Hawaii at Manoa. The study began with the premise that high-rise housing in Honolulu is not a viable solution within such a unique natural and urban setting. Students have challenged the issue by testing and experimenting on a variety of distinct housing alternatives within the studio. The studio then introduced some pedagogical agenda of housing to students and required an analytical project that focused on the dwelling and its collective form to elucidate fundamentals of housing design. This study laid the groundwork of each student's design development throughout the project, upon completion a variety of different designs and solutions were proposed responded to distinct themes and problems. In this article, different types of housing prototypes and their distinctive clustering as a unique urban village as a whole are shown, and the final model of the studio as a collective form is presented. In conclusion, the pedagogical value of the design studio is discussed.

This paper focuses on the potential applications of eco-features in Vietnamese traditional folk houses to contemporary high-rise housing. One of the main characteristics of traditional folk houses is that they are designed with a deep understanding of and respect for nature. This type of housing also expresses the way of life of its users, having evolved over generations while adapting to their needs, culture, and environment. Whereas the traditional Vietnamese houses can be an important source in the creation of a Vietnamese architectural identity, the design-with-nature approach and its unique characteristics are, however, scarcely found in the contemporary high-rise housing in Vietnam.

The objective of this research is to investigate the potential applications of eco-features in Vietnamese traditional folk houses to contemporary high-rise urban housing. Initially, this study examines the unique spatial characteristics of the traditional folk houses typical in northern Vietnam. In particular, four houses at the Duong Lam Village in northern Vietnam are reviewed. Some of the ecological design elements are extracted from the spatial composition of the typical Vietnamese folk houses in relation to the local climate conditions and the Vietnamese lifestyle (vernacular culture). Finally, this paper attempts to develop new housing models in urban Vietnam, employing the ecological elements learned from the preceding assessment.

Accounting for seventy five percent of urban housing in Vietnam, street houses refer to a mixed-use housing typology that emerged in the 17th century. Such housing has evolved in response to Vietnam's unique culture and environmental conditions. Residential and commercial functions are integrated in a flexible and expandable manner, creating a variety of compositional possibilities in spatial layouts. In addition, transitional spaces such as courtyards, balconies, loggia, and terraces provide shading, cooling, and ventilation effects throughout the building. As one of the most adaptive and popular urban dwellings, the street house has promoted daily domestic activities and the identities of Vietnamese urban areas. However, such valuable aspects have received less attention in many recent urban developments in Vietnam. As such, the goal of this study is to identify and analyze the unparalleled ingenuity of the street house, particularly focusing on its spatial flexibility and environmental responsiveness. Furthermore, this study is intended to apply analytical investigations to the design of contemporary high-rise housing in Vietnam.

With such purposes, this paper is structured in two sequences. In the first phase, typological characteristics of the street house are studied; a field survey is performed to address the evolutionary transformation of the street house. By studying several precedents in Vietnam, our study focused on understanding the ways in which spaces are manipulated and in which diverse indoor and outdoor spaces are created. In addition, passive environmental systems are studied, meaning systems that are integrated with the spaces in order to control the microclimatic conditions of the house. Next, the morphology of the forms and space components are carefully examined through the contemporary examples of street house models in Vietnam. Especially, the flexible nature of the street house, in terms of spatial composition and expansion, is identified. In the second phase, a transition from the street house to high-rise housing is explored based on the previous analytical studies; compositional logic for arranging internal and external spaces are outlined to generate typological unit plans of street houses. Out of diverse design possibilities, an exemplary high-rise building is proposed to address the notions of spatial flexibility and integrated passive systems that are found in the street house. Ultimately, the proposed design aims to enrich dwelling environments for new high-rise urban communities.

This paper presents a pop-up technique based on origamic architecture as a technological design solution for post-disaster temporary shelter systems. First of all, the concepts of disaster and post-disaster are briefly introduced, and the roles and needs of post-disaster temporary shelter systems, particularly in emergency periods, are reviewed. Second, pop-up techniques based on origamic architecture are briefly discussed. Third, a formal language for opening the cards of origamic architecture is introduced, out of which a geometric elasticity has been developed. With the language, a variety of flexible and expandable designs for shelter structures can be generated by incorporating different pop-up techniques. Finally, a prototype shelter has been constructed to demonstrate the adaptability and sustainability of the shelter within the local environment and the affected society, considering portability, low-cost, and easy in assembling by any unskilled person.