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Many businesses are faced with liquidity problems for various reasons. This is especially true for small businesses, since most must operate with fewer sources of both short and long term financing than larger firms. Where less financing is available, more assets must be held in liquid form to meet daily transactions and emergency requirements. Larger firms, that have better access to both the money and capital markets, can afford to hold fewer current assets and meet cash requirements just as quickly and efficiently through borrowing.

Many studies have compared various characteristics of large and small business firms. For example, recent studies have documented the “small firm effect”. These articles have indicated a tendency for small companies to exhibit greater risk‐adjusted stock returns than large companies. Other research has focused on comparing the financial aspects of small and large firms. These previous studies found a positive relationship between size and liquidity as measured by the current and quick ratios. Little, however, has been written in recent years that compares the liquidity characteristics of small and large firms.

WAS IT ONLY the pure in heart (such as myself) who found the Great Christmas Holiday Shutdown the biggest bore of the year? Four days of actual Christmas lay‐off had me pining to be back at the office on the Wednesday morning, although most of Britain, including a number of academic libraries, reckoned it wasn't worth switching on the heating for only three days before the New Year holiday, and stayed in bed or sprawled in front of the telly for a grand total of 11 days.

The death of John F. Kennedy (JFK) was one of the most remarkable facts of the second half of the twentieth century. Not surprisingly, it was reflected numerous times in popular culture, including in popular music. In this chapter, I discuss songs published in the 1963–1968 period in which the image of JFK was represented as an idea, a cultural motif or a political myth created, transformed and maintained by artistic means. In song lyrics, a real person (who was a genuinely influential politician) was portrayed as a person who acquired a certain mythical status, stemming from JFK's charismatic features and augmented by his tragic death. Thus, separate from the real political career as the president, JFK serves as a kind of mythological structure used by several artists to generate meanings and mirror cultural iconography present in American culture.

YOU WILL HAVE seen, no doubt, recent announcements that my wife and I have sold our book‐publishing business of Clive Bingley Ltd to the Munich‐based firm of international reference publishers, Verlag Dokumentation.

DIFFICULT to judge whether obstinacy, optimism or mere force of habit was the prime motivation for the reintroduction in Parliament in late January of another PLR Bill— effected by prominent campaigner Lord (Ted) Willis.

What difference, if any, does it make to appeal to the ordinary and the everyday, the situated and always-already-in-relation, the emergent and the quasi-event (Povinelli, 2011), as simultaneously sites, objects and frames? The paper aims to discuss these issues.

Through a focus on epistemological and methodological reflection, this paper asks: what is the relation between the biopolitical and necropolitical terrain in and through which experience unravels and the conceptual apparatuses which hold the promise of analysis and critique? What analytics, methods and ethics do contemporary life and death formations and intersecting precarious modes of existence elicit?

In this paper, I approach these questions ethnographically, with reference to debates in social and cultural theory and drawing on long-term anthropological research in Guatemala.

This paper aims to make contribution to debates on biopolitical and necropolitical processes and dynamics, by reflecting on the implications for epistemologies, methods and infrastructures.