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Stretch fabrics are employed to create compression in garments for medical, sports, and fitness applications. Although potential correlations between wearing compression garments and physiological or performance metrics have been studied, such correlations require knowledge of the actual compression caused by garments. The purpose of this paper is to demonstrate, compare, and contrast different methods for measuring compression delivered by an exemplar compression garment.

The exemplar compression garment is a plain jersey knit maternity band. The compression delivered by this garment was determined via three different methods – Tekscan pressure mapping system, Hohenstein Measurement System (HOSY), and a fabric-based analytical model employing uniaxial fabric tensile data.

HOSY and the fabric-based model, assuming a circular cross section for the garment, provided comparable results for compression versus garment height. However, these methods did not capture the varying compression delivered at different transverse locations when the subject was noncircular in cross section. Assuming an elliptical cross section, the fabric-based model predicted results that were comparable to those measured by the Tekscan system: for example, compressions were approximately 130-160 percent greater at the hip, and approximately 60-100 percent lower at the posterior, than HOSY revealed. Further, the Tekscan system allows the effect of movement on compression to be captured.

This paper compares and contrasts three compression measurement methods and demonstrates the importance of angular position and height dependencies. Further, the fabric-based model is presented as a tool to assist design of compression garments.

The figure of the femme fatale is attached to a range of contested meanings around femininity, sexuality and violence. Despite its ambiguity and its origins in art, myth and fiction, the term has proven popular in giving a name to violent articulations of female power in non-fictional settings by journalists. In this chapter, I outline the figure of the femme fatale as an archetype of women's violence that appears throughout Western popular culture, and provide an overview of the term's definitions and cultural meanings. In doing so, I trace the figure's movement across different forms and genres of popular culture. I identify a number of themes in the existing scholarship around the figure: feminist criticism of the figure; the value that feminist film scholars have found in the figure as a symbol of power and sexual transgression; the relationship between the femme fatale, race and the colonial imagination; and the way the idea of the femme fatale has been used in reporting of real-life women's violence.