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The aim of this study is to analyze how the dispositif of sexuality operates toward trans women imprisoned in a male prison in Mexico City, to understand how sexual norms that come from the heteropatriarchal model so as from the “internal law” produce transphobic violence.

The paper is based on the queer theory, Foucault’s works on sexuality and power, Segato’s theory about war against women’s bodies and on a fieldwork realized between 2015 and 2019 in Mexico City, with prisoners and former prisoners.

The sexuality dispositif works in a particular way inside prison. It is the result of the heteropatriarchal model and laws defined by both prisoners and prison workers, all involved in the Mexican war context. The effects are materialized through violence toward trans* women whose bodies serve for rape, male appropriation and exchange between powerful subjects.

This paper produces knowledge about imprisonned trans* people, a very few developped field in prison studies, especially in Latin America.

The paper demonstrates how specific violence toward trans* women imprisoned in a male prison in Mexico City deepens violent dynamics that occur out of the prison. So, it questions the meaning of a sentence in the actual Mexican prison system. It may help to think about staff’s training/education to guarantee basic human rights for imprisoned trans* people. Additionally, the theorization of “internal law” could help prison authorities to rethink classification and treatment for prisoners.

This paper provide specific knowledge on imprisonned trans* women and helps to think and act different with this people through the understanding of their special vulnerability.

There are only a few papers about imprisoned trans population throughout the world and fewer in Latin America and Mexico. Additionally, this paper aims to overcome the “internal order” as it is always theorized as proper of detainees. It wants to show that the prison order in a Mexico City prison, borns from the meeting of cultural specificities from outside and inside, and from both prisoners, organized crime and prison staff.

This chapter reviews the conceptual developments in neighbour studies, charting the shift and bringing together older work on the ‘distance-closeness’ dynamic of neighbour relations with newer ‘equality of neighbours’ approaches. It seeks to empirically extend the sociology of neighbours through an analysis of the experiential narratives of neighbours living in contexts of urban multiculture in the United Kingdom. Drawing on two previous studies of urban multicultural social life and a small street study of neighbours in London, this chapter explores the everyday ‘publicness’ of the neighbour and examines the ways in which recent work on social infrastructure can be productively applied to neighbour relations. This chapter concludes that where cultural and social difference is a very ordinary – although not necessarily easy – experience, neighbour relations offer the potential to work as radical sites of pragmatic multiculturalism.

What relation does the monster figure have to gender? It is widely accepted that monsters in television, cinema and literature commonly stand in for the Other, be that a social, political or racialised Other. To consider monsters and monstrosity through the lens of gender is to investigate the links between the monster figure and the Others that exist under the system of patriarchy – most notably women, gender-diverse people and queer folks. In this collective chapter, Francesca Lopez, Russ Martin and Chloe Olivo explore how the monster figure relates to gender via a conversation that traces the links between three individually written chapters – X-Men: The Normative System Disguised as Mutant, Dragula and the Expansive Queerness of the Drag Supermonster and Femicide on the Frontier: Analysing Motives Behind the Femicide Crisis in Ciudad Juàrez. Each of these chapters investigates social norms relating to gender and those who challenge or defy them. Ultimately, the authors argue, it is those whose gendered and sexual identities are not associated with social power that are made monstrous by the patriarchy. This conversation-based chapter considers both real-life situations in which real people are made monstrous and monsters from fiction films and reality television. Ultimately, the authors suggest that the monster figure can be powerful and transformative for those who exist on the margins of the patriarchy – though, as this chapter documents, such is not always the case.

This chapter expands our understanding of daughters’ inclusion in family business succession, analyzing why and how it can and does take place. Our work reveals that things are much more complex and diverse than research tells us in terms of daughters, their families, and their businesses.

Daughters are not only “in” or “out” of the family business. They can be included in a variety of ways, at different moments, following different paths, in a diversity of contexts. Based on 10 years of qualitative research data on family business succession, we explain and discuss how gender dynamics in the family and the business systems affect succession practices and outcomes, beyond the individual level analysis.

We used six selected and contrasted cases to illustrate the influence that gender, birth order, family inherited culture, business hierarchies and history, interpersonal relationships (parents-heirs-other stakeholders), as well as ownership transfers, governance rules and management procedures have on intergenerational succession, and particularly in daughters’ family business inclusion. From our findings, readers can draw practical recommendations for family business owners, managers and successors.

The purpose of this paper is to synthesize a body of research addressing changes in academic identity brought on by neo-liberal university management while proposing a new interpretation based on the institutional work theory and a relational approach to agency.

The authors analyzed 19 qualitative empirical studies regarding the impact of new public management policies on academic identity within universities from different countries to support a qualitative meta-synthesis.

The meta-synthesis established a classification of work identity and self-identity that reflects variable but globally difficult experiences with the universities’ neo-liberal management. The results also indicate that, paradoxically, academics contribute to the perpetuation of managerialism through protection strategies and institutional maintenance work while acknowledging their painful effects on their identity. Despite the control and monitoring measures put in place by university administrations, academics have assumed a pragmatic approach to identity by using the prevailing spaces of autonomy and engaging in constant self-questioning. Those involved could make better use of these free spaces by adopting projective agency, that is by expanding the areas of support, collaboration and creativity that, by their own admission, make up the academic profession.

This meta-synthesis sheds light on the limits of current academic identity research while advancing studies conducted on institutional work, primarily by highlighting the type of agency used by actors during institutional change; at a practical level, this research promotes discussion on the manner in which academics could use their agency and reflexive skills by pushing their institutional work surrounding identity recreation further.

Using oceanographer Rachel Carson's study The Edge of the Sea (1955) to contextualise tidal spaces, this chapter discusses how constantly shifting and eroding coastlines act as a site for writing, re-writing and performing acts of cultural and personal memory. It also considers the ecological impact of human activity on tidal spaces and their more-than-human inhabitants.

14-18 NOW's Pages of the Sea, directed by Danny Boyle, invited communities around the United Kingdom to meet on their local beach to commemorate those who were lost in World War I by marking portraits in the tidal sands. Choreographer Chloë Smith's Tidal, performed in Berwick-upon-Tweed in 2015, was commissioned as a commemorative work but became an act of personal memorialising when Smith's brother drowned prior to the event. Performance company Curious's Out of Water (2012–2014), invites participants on a dawn-walk to the shoreline exploring memory, time, genealogy and water through song and movement. My own collaborative site-responsive work, Tide Times (2018), created with electroacoustic composer Tim Cooper for the tidal island of Cramond, explores the multiple identities of place over time. Tide Times encouraged audiences to create their own tidal poems and artworks through a series of invitations in treasure chests hidden around the island.

In explicating these aforementioned artworks, which explore ideas of remembrance using tidal spaces, this chapter will also acknowledge the forgetting that is implicit in performing these actions. What can the legacy of commemorations traced in such a transient and precarious space as a tidal zone be? This chapter argues that while shorelines provide sites for large and small scale acts of public remembering, they are simultaneously acts of forgetting as the twice daily tides cause inevitable erasure.

This research explores the subjective health experiences of women incarcerated in a provincial detention center in Ottawa, Canada.

Narrative interviews conducted with 16 previously incarcerated women were analyzed to explore how health issues shaped their experiences in detention.

Women identified a set of practices and conditions that negatively impacted health, including the denial of medication, medical treatment, and healthcare, limited prenatal healthcare, and damaged health caused by poor living conditions.

Findings suggest that structural health problems emerge in penal environments where healthcare is provided by the same agency responsible for incarceration. The incompatibility between the mandates of incarceration and healthcare suggests that responsibility for institutional healthcare should be transferred to provincial healthcare bodies.

This research responds to the lack of research on carceral health experiences within both penal scholarship and medical sociology, particularly in relation to women and those confined in jails.