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Craft representation network and innovative heritage: the Forbidden City’s cultural and creative products in a complex perspective

Xin Feng (School of Management, Shijiazhuang Tiedao University, Shijiazhuang, China)
Lei Yu (School of Arts and Design, Yanshan University, Qinhuangdao, China)
Weilong Tu (School of Arts and Design, Yanshan University, Qinhuangdao, China)
Guoqiang Chen (School of Arts and Design, Yanshan University, Qinhuangdao, China)

Library Hi Tech

ISSN: 0737-8831

Article publication date: 21 February 2024

282

Abstract

Purpose

With the development of science and technology, more creators are trying to use new crafts to represent the cultural trends of the social media era, which makes cultural heritage innovative and new genres emerge. This compels the academic community to examine craft from a new perspective. It is very helpful to understand the hidden representational structure of craft more deeply and improve the craft innovation system of cultural and creative products that we deconstruct the craft based on Complex Network and discover its intrinsic connections.

Design/methodology/approach

The research crawled and cleaned the craft information of the top 20% products on the Forbidden City’s cultural and creative products online and then performed Complex Network modeling, constructed three craft representation networks among function, material and technique, quantified and analyzed the inner connections and network structure of the craft elements, and then analyzed the cultural inheritance and innovation embedded in the craft representation networks.

Findings

The three dichotomous craft representation networks constructed by combining function, material and technique: (1) the network density is low and none of them has small-world characteristics, indicating that the innovative heritage of the craft elements in the Forbidden City’s cultural and creative products is at the stage of continuous exploration and development, and multiple coupling innovation is still insufficient; (2) all have scale-free characteristics and there is still a certain degree of community structure within each network, indicating that the coupling innovation of craft elements of the Forbidden City’s cultural and creative products is seriously uneven, with some specific “grammatical combinations” and an Island Effect in the network structure; (3) the craft elements with high network centrality emphasize the characteristics of decorative culture and design for the masses, as well as the pursuit of production efficiency and economic benefits, which represent the aesthetic purport of contemporary Chinese society and the ideological trend of production and life.

Originality/value

The Forbidden City’s cultural and creative products should continue to develop and enrich the multi-coupling innovation of craft elements, clarify and continue their own brand unique craft genes, and make full use of the network important nodes role.

Keywords

Acknowledgements

The authors acknowledge the financial support from Hebei Province Social Science Fund Project (No. HB20YS016).

Citation

Feng, X., Yu, L., Tu, W. and Chen, G. (2024), "Craft representation network and innovative heritage: the Forbidden City’s cultural and creative products in a complex perspective", Library Hi Tech, Vol. ahead-of-print No. ahead-of-print. https://doi.org/10.1108/LHT-06-2023-0228

Publisher

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Emerald Publishing Limited

Copyright © 2024, Emerald Publishing Limited

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