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Part of whose world? The Little Mermaid, fantasy media, and casting backlashes as racial projects for social studies classrooms

Joanna Batt (Department of Curriculum and Instruction, University of Houston, Houston, Texas, USA)
Michael Lee Joseph (Department of Curriculum and Instruction, The University of Texas at Austin, Austin, Texas, USA)

Social Studies Research and Practice

ISSN: 1933-5415

Article publication date: 28 November 2023

Issue publication date: 1 July 2024

642

Abstract

Purpose

Conversations around diversity, race and science fiction and fantasy films/television have sparked in response to recent casting decisions made in the upcoming live-action The Little Mermaid, The Lord of the Rings: The Rings of Power and Star Wars' Obi-Wan Kenobi (Deggans, 2022; Romano, 2022). Backlash against casting of actors of Color in these genres highlights racial projects where a cultural memory of whiteness comes up against multicultural change. The authors of this paper feel that there is great potential in using current-day racial issues around fantasy films/television to explore these racial projects with students in social studies classes (Omi and Winant, 2014).

Design/methodology/approach

Using a qualitative textual analysis (Peräkylä, 2005), the authors examined online news media outlets addressing the casting of actors of Color in the aforementioned media pieces. After reviewing over twenty articles, the authors determined two major themes that would serve as the findings.

Findings

In this paper, themes of nostalgia for an imagined ‘way things were’ and future-based fears of how things will become emerged from the analysis, revealing a need for engaging students in the history of sci-fi and fantasy media, and the existing, diverse histories of storytelling featuring multiple races.

Originality/value

The authors argue that examining racial projects found in contemporary sci-fi and fantasy casting are chances for students to understand complex racial histories and how they blend into current-day cultural landscapes, and are opportunities to practice analysis of real-life racial histories and richly-imagined fantasy worlds, noticing how and why the two often collide when it comes to race.

Keywords

Citation

Batt, J. and Joseph, M.L. (2024), "Part of whose world? The Little Mermaid, fantasy media, and casting backlashes as racial projects for social studies classrooms", Social Studies Research and Practice, Vol. 19 No. 1, pp. 34-50. https://doi.org/10.1108/SSRP-03-2023-0024

Publisher

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Emerald Publishing Limited

Copyright © 2023, Emerald Publishing Limited

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