Gema Dari Menara (1968): Amar Ma’ruf Nahi Mungkar as Islamic Da’wahism in Bruneian Film

Najib Noorashid (Universiti Brunei Darussalam)
Nur Raihan Mohamad (Universiti Brunei Darussalam)
Ririn Kurnia Trisnawati (Universiti Brunei Darussalam)

Southeast Asia: A Multidisciplinary Journal

ISSN: 1819-5091

Article publication date: 15 December 2020

Issue publication date: 15 December 2020

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Abstract

Gema Dari Menara (1968) was intended as a mode of da’wah (the propagation of Islamic teachings) in response to the situation faced by the local community in Brunei at that time. Following its status as a medium of disseminating the Islamic values, the film embodies Islamic teachings that guide Bruneian Muslims to fully embrace Islam. This current study aims to unravel the meaning of the Islamic value of Amar Ma’ruf Nahi Mungkar (enjoining good and forbidding wrong) that is strongly depicted in the film and perceived as the enlightening Islamic value from the film. Therefore, this study examines the extent of the manifestation of Amar Ma’ruf Nahi Mungkar in the film. It is found that the portrayal of da’wahism using Amar Ma’ruf Nahi Mungkar is imbued in education, social interaction, clothing, and one’s upbringing which is the most influential factor. By applying the Islamic requisites, the scenario and sentiments in the film also encourage the audience to ponder upon the cause and effect of the characters’ actions and deeds.

Citation

Noorashid, N., Mohamad, N.R. and Trisnawati, R.K. (2020), "Gema Dari Menara (1968): Amar Ma’ruf Nahi Mungkar as Islamic Da’wahism in Bruneian Film", Southeast Asia: A Multidisciplinary Journal, Vol. 20 No. 2, pp. 66-79. https://doi.org/10.1108/SEAMJ-02-2020-B1007

Publisher

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Emerald Publishing Limited

Copyright © 2020, 1999-2022 Southeast Asia: A Multidisciplinary Journal

License

This is an Open-Access article distributed under the terms of the Creative Commons Attribution Non-Commercial License (http://creativecommons.org/licenses/by-nc/4.0/) which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited


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