Index

Multilingual Metal Music: Sociocultural, Linguistic and Literary Perspectives on Heavy Metal Lyrics

ISBN: 978-1-83909-949-6, eISBN: 978-1-83909-948-9

Publication date: 18 December 2020

This content is currently only available as a PDF

Citation

(2020), "Index", Valijärvi, R.-L., Doesburg, C. and Digioia, A. (Ed.) Multilingual Metal Music: Sociocultural, Linguistic and Literary Perspectives on Heavy Metal Lyrics (Emerald Studies in Metal Music and Culture), Emerald Publishing Limited, Leeds, pp. 283-291. https://doi.org/10.1108/978-1-83909-948-920200023

Publisher

:

Emerald Publishing Limited

Copyright © 2020 Riitta-Liisa Valijärvi, Charlotte Doesburg and Amanda Digioia


INDEX

Index

Note: Page numbers followed by “n” indicate notes.

A dream that cannot be (song)
, 52

A Farewell to Arms (song)
, 106

A mabl fun mashke (songs)
, 22

A mol iz geven a mayse(song)
, 19

A Portage to the Unknown (song)
, 84

Abadonna (band)
, 33

Abnormality
, 114

Aces High or War Ensemble (song)
, 106

Afrenta de Corpes (song)
, 66n3, 74

AlefBase (album)
, 17–21

Alkbottle
, 177–180

Alternative für Deutschland (AfD)
, 165

American Jewish culture
, 12

Ancient languages
, 12

Anglo-Germanic-Nordic
, 63, 71

Anima
, 256

Animus
, 256

Annotation periods
, 267

Anti-Fascist extreme metal bands
, 73

Anti-Semitism
, 14

Anti-war song

Desafío
, 98–99

lexis
, 105–109

plot
, 100

poetic analysis
, 99

poetics
, 100–105

Apocalypse Live (album)
, 38–39, 41

Apokalipsis (album)
, 32–33, 35

Appearance
, 225

Arashi (band)
, 205

Aria

and authenticity
, 196–197

case study
, 192–196

Ars goetia
, 256

Ashkenazic culture
, 13

‘Au Lecteur’ (song)
, 29

Austria
, 3–4, 172–173, 177–178

Austrian dialects
, 172

agents of paradox
, 177–180

Austrian nation
, 172–173

of German
, 172, 174

metal studies and sound history
, 173–177

Austrian metal community
, 173

Authenticity
, 4, 188–189

Aria and
, 196–197

Aria case study
, 192–196

of language
, 189–190

in metal music
, 33–35

in Socialist context
, 190–191

and vnye
, 191–192

Automatic text reuse detection
, 253–254

‘Automobilisation’
, 175

Avanspettacolo
, 154n2

Az a foygl un a goylem tantsn (album)
, 18–20, 22–23

‘Baba Yaga’ (band)
, 276

Babymetal
, 202–203

Sakura Gakuin and idol origins of
, 205–207

Wordplay, Idol-ness and
, 207–210

Babymetal (album)
, 206

Bahal
, 251

Bands in terms of ‘Slavic Content’
, 270–271

‘Bands’ repertoires
, 18

Barbaria-Romania
, 63

Barbie, MILF Princess of the Twilight (song)
, 160

Barón Rojo (band)
, 98

Basque radical rock
, 98

Bastuvisan (song)
, 88

Battle Hymns (song)
, 160

Battle Metal (album)
, 86

Baudelaire
, 30–31

Chernyi Obelisk
, 29–30

literature and authenticity in metal music in Soviet Union
, 33–35

metal music
, 28–29

politics, Perestroika and
, 31–33

Spleen
, 35–38

Une Gravure Fantastique
, 38–42

Baudelaire Song Project database
, 28–29

Baudelairean revolution
, 34

Bay mir bistu sheyn (songs)
, 20

Bellicose vocabulary
, 105–106

Bereavement
, 2

‘Bivni chernykh skal’
, 195–196

Black for Death: An Icelandic Odyssey, Pt. 2 (album)
, 57

Black metal music
, 3, 134

Black Sabbath (band)
, 191, 242

Black Shabbis (album)
, 14, 22

Bleeding the New Apocalypse: Cum victriciis in manibus armis (album)
, 244

Blodhemn (album)
, 56

Blood of the Kings (album)
, 157

Bokmål
, 53

Bosnia–Herzegovina
, 102, 107–109

Bosnian–Croatian–Montenegrin–Serbian (BCMS)
, 164

Browse Bands
, 264

Canzona di Bacco (poem)
, 252

Casa Vianello (song)
, 157

Celtic languages
, 234–235

Chernyi Obelisk (band)
, 29–31, 33, 38, 42

Christianisation of Nordic area
, 88

Chthonic (band)
, 127

Cicciput (band)
, 155

Cid (band)
, 65–66

‘Code’
, 189

Commercialism
, 3

Coping
, 145–146

Corpus
, 243

analysis
, 264–265

Corvus Corax
, 227

Crescent Lament
, 117, 125

Cultural

identity
, 50–51

intimacy
, 2, 135, 138, 140–143

policy
, 186

Cultural appropriation mechanisms in heavy metal
, 68–71

Cursed Be Iron (album)
, 87

Danish
, 52, 134

Danish black metal
, 136

fieldwork in
, 143

DauÐi Baldrs (album)
, 230

Dawn of Victory (album)
, 157

Dead language usage in Folk metal
, 226–228

‘Death denying’ society
, 145

Death sequestration
, 138–140

Deep Purple (band)
, 191

Denmark
, 134, 136, 138–140, 230

Depressive and suicidal black metal (DSBM)
, 138–139

Depressive black metal (DBM)
, 138

Der rebe elimelekh (songs)
, 19

Der Schwarzer Obelisk (novel)
, 32

Desafío (band)
, 2, 98–99, 102

Dibbukim
, 17–18, 21

Dibbukim (bands)
, 15

Disposable Heroes (song)
, 106

Diversification of metal music
, 4

Dö ‘To die’ (band)
, 84

Dödsrikets Kallelse (album)
, 84

Dragonharp (band)
, 69, 72

‘Eastern bloc’
, 172

Eastern European Jewish culture
, 14

El Cid (song)
, 72, 74

cultural appropriation mechanisms in heavy metal
, 68–71

heavy metal
, 62

recapitulation
, 73–74

song list
, 74

from Spanish American perspective
, 66–68

Spanish bands
, 63–64

from Spanish perspective
, 64–66

unintentional Islamophobia
, 72–73

El Cid Campeador,
, 67, 74

El Cid the Champion (song)
, 68, 72, 74

Eld (album)
, 56

Electric Messaiah (album)
, 106

Electric Messaiah (song)
, 106

Elegy for the Blossoms (album)
, 124

Elio e le Storie Tese (EelST)
, 155

Elitism
, 158–159

Eluveitie
, 233–237

Embarrassment
, 140–143

Emotions
, 52, 135

Encyclopaedia Metallum (EM)
, 67, 81, 173, 243

Encyclopaedia Metallum: The Metal Archives
, 266

Energiya (album)
, 34

English
, 83, 189, 210–214, 268

lyrics
, 266

Enslaved (band)
, 50, 54, 56–57

Enter Sandman (album)
, 20

Epigrammata
, 252

Eshhjo odin koncert dlja skripki (album)
, 38

‘Eternity’
, 257

Evocation I: The Arcane Dominion (album)
, 234

Extreme Metal in Taiwan
, 114

Fagioli (song)
, 155

Falloppio
, 156

Fältskärns berättelser (novel)
, 89

‘Fantastic neomedievalism’
, 162

Fantasy
, 159–162

Feminine
, 273n3

Finland
, 1–2, 80, 83, 86–88

Finland-Swedish minority
, 80–81

Finnish language
, 85–87

Finntroll (band)
, 82, 84

Five Hundred and One (song)
, 84

Flamenco
, 98

Foglet (band)
, 276

Folk metal music
, 224

dead language usage
, 226–228

Eluveitie
, 233–237

language
, 225–226

Viking metal and Old Norse
, 228–233

Folklore
, 3, 17–18, 22, 142, 145, 210, 215, 264, 279

Fortuna favet fortibus
, 245

Gaffa (magazine)
, 146

‘Gaulish’ language
, 228

Gaylord (band)
, 73

German
, 16, 28, 32, 39, 70, 164, 173, 189

Germany
, 63, 71, 164–165, 173, 227, 245, 247

Gevalt
, 16

Gevolt
, 15–17

Gimme Chocolate!! (song)
, 202, 207, 209–210

Giorgio Mastrota
, 162

Glasnost (openness)
, 29, 31, 34, 36, 40

Global
, 3, 165–166

‘Global scene’ concept
, 63

Glocalisation
, 4, 64, 165–166

Golden Melody Awards
, 127n10

Grand Funk Railroad (band)
, 191

Hakkapeliitat (song)
, 88

‘Heathenism’ (see Polytheism)

Heavy metal
, 1, 62

cultural appropriation mechanisms in
, 68–71

medievalism
, 62

Heimdallr
, 230

Helvetios (album)
, 234, 236

Hispanicity
, 68

H⊘gnorsk
, 53

Homo Austriacus
, 173

Humour
, 157–158

‘Hymns and crippled anthems’ (song)
, 104

Hypermasculinisation
, 62

I Dieci Metallamenti (song)
, 163

I Guerrieri del Metallo (song)
, 163

Identity
, 2, 50, 80

Idol culture
, 3, 204–205

Idol music
, 205

Idol-ness
, 207–210

Iesus Nazarenus, Servus Mei (song)
, 244

Ignis Haereticum (band)
, 253

Ijime, Dame, Zettai
, 209

In the Court of Jarisleif (song)
, 84

Insular Nordic
, 52–53

Intertextuality
, 88–89, 253

‘Intimacy’
, 138, 143–145

Into Gay Pride Ride (album)
, 157

Intolerabiliorem
, 255

Introducing the Power (song)
, 156

Ir (album)
, 3, 136–138

Iron Maiden (band)
, 106

Islamophobia, unintentional
, 72–73

Italian comedic genre
, 3

Italian comedic music genre
, 3

Italian heavy metal (see also Taiwanese metal)

elitism
, 158–159

humour
, 153–154

juggling global and local
, 165–166

localisation and language
, 162–165

medievalism, fantasy, and warfare
, 159–162

parody through lyrics
, 157–158

parody through music
, 156–157

Rock demenziale
, 154–156

Italy
, 63, 154–156, 162–165, 246, 264

Japan
, 1, 120, 123, 165, 207

Japanese
, 3, 28, 117, 124, 202–205, 208–212, 214

Jewish
, 2, 10, 12

bands
, 22

culture or traditions
, 14

Jimusho
, 205–206

Just Not Meant to Be (song)
, 117–118

music video
, 124–126

song structure
, 121

sound blocks
, 122–124

troubled past in
, 119

two-stringed instrument
, 120

Kalevala
, 86–87

Kami Band
, 206

KARATE
, 214

KAT-TUN (band)
, 205

Kawaii metal (see also Yiddish metal)

Babymetal, Wordplay, & Idol-ness
, 207–210

Metal Resistance, English, & Metal-ness
, 210–214

Sakura Gakuin and idol origins of Babymetal
, 205–207

Western perspectives on
, 202–205

Khaloymes (songs)
, 22

Khokhotshet (songs)
, 22–23

Kimo-kawaii
, 204

King (song)
, 161

Kinotto (album)
, 155

Klezmatics
, 13

Klezmer
, 11–13, 16, 18, 22–23

Köyliönjärven jäällä (song)
, 88

Kruiz
, 187

‘Kurent’ (song)
, 275

Kvlt
, 228

‘L’Invitation au voyage’ (poem)
, 29

‘La Mort des amants’ (poem)
, 29

La sangre se me subió a la cabeza
, 102

La spada del Cid (song)
, 69–70

La Terra dei Cachi (song)
, 155

Landsmaal
, 53

Language
, 12, 162–165, 174, 225–226, 245–248

authenticity of
, 189–190

of Slovenian metal lyrics
, 268–270

Larga Vida al Rock and Roll (album)
, 98

Late Show with Stephen Colbert, The (American talk show)
, 202

Latin in heavy metal
, 242–243

automatic text reuse detection
, 253–254

corpus
, 243

data analysis
, 244

esoteric and dark themes
, 241–242

lexical analysis
, 255–258

provenance and languages
, 245–248

quantifying distribution of Latin in songs
, 245

sources of reused texts
, 249–253

subgenres
, 248–249

text use and reuse
, 249

uses
, 244

Le Spleen de Paris (The Spleen of Paris)
, 30

Led Zeppelin (band)
, 191

Legendario (song)
, 65, 74

Legitimisation
, 204n4

Les Fleurs du Mal (song)
, 29, 34–35, 41

Les Illuminations (album)
, 35

Lexical analysis
, 255–258

Leyenda y realidad (song)
, 66n3, 74

Linguistic eclecticism
, 229

Litanies de Satan’m (song)
, 29

Liturgical lexis
, 106

Local
, 3, 140, 165–166

Localisation
, 162–165, 172

Locating metal
, 172

Love songs
, 20

Lullabies and children’s songs
, 19–20

Lyrics
, 275

of Babymetal
, 208

database
, 266

MA lyrics availability
, 266

Madon Laulu (song)
, 85–86

Magnitizdat
, 187

Mai Dire Gol (soccer-themed comedy show)
, 155

Malleus Maleficarum
, 250

Maniia velichiia (album)
, 192–195

Manowar (band)
, 158

Marchando una del Cid (song)
, 74

Mardraum (album)
, 49n1

Martial Law
, 114n2

Master and Margarita, The (novel)
, 33

Material culture
, 12

McDonaldisation of metal
, 4

Medievalising themes
, 62

Medievalism
, 159–162

Medina Azahara (band)
, 98

Metadata
, 243

Metal
, 27, 51

culture
, 50–51

studies in German
, 173–177

Metal Archives (MA)
, 266

lyrics availability for Slovenian metal bands
, 267–268

Metal demenziale
, 166

Metal Invaders (song)
, 160

Metal music
, 80, 264

in Soviet Russia
, 188

in Soviet Union
, 33–35

Metal Resistance (album)
, 202, 210–214

Metal-La-La-La! (song)
, 159

‘Metal-ness’
, 204, 210–214

Metallo o Morte (album)
, 163

Mezquita (band)
, 98

Minority identity
, 2

Mio Cid Campeador (song)
, 66, 74

Mio Cid mercenario (song)
, 66, 74

Mittelalter artists
, 225

Mittelaltermusik
, 224

Modern Times
, 175

Modernity
, 139

Mokoš
, 275

Morena
, 274

Morte alla Techno (song)
, 163

Motif categorisation
, 271

‘Mountains of Triglav’ (song)
, 274

Muerte en Mostar (song)
, 2, 98–101, 105–107

Multilingual metal
, 1–4

Music in Soviet Russia
, 186–188

Musical sound
, 225

Mythical creatures
, 275

Mythology
, 3, 272

Nanowar of Steel (band)
, 3

National identity
, 2, 63, 86

Nationalism
, 235, 238

Natural language processing
, 253

Nature
, 51

Nazareth (band)
, 191

Neckbeard Deatchcamp (band)
, 73

Neformaly
, 32

New Wave of British Heavy Metal (NWOBHM)
, 160n4

Non Serviam (album)
, 244

Non-English lyrics
, 4

Non-Jewish musical genres
, 15

Non-metal bands
, 191

Non-socialist music
, 186

Nordic metal scene
, 80

Nordic-ness
, 137

Norr⊘nasongen: Kosmopolis Nord
, 57

Norse themes
, 2

Norse-themed metal music
, 51–52

Norsk Språkrad
, 53

North Atlantic Treaty Organization (NATO)
, 99, 108

Norway
, 1, 28, 49, 51–57, 165, 237

Norwegian metal bands
, 50

cultural identity
, 50–51

Enslaved
, 56–57

glimpse into socio-cultural history of Norwegian languages
, 52–53

intentions and motivation
, 53–55

Norse-themed metal music
, 51–52

Solefald
, 57

Wardruna
, 55

Number of the Beast (album)
, 196

Nynorsk
, 53

Old Norse
, 226, 228–233

Ondf⊘dt(band)
, 82–83

Oppression
, 114–115, 126–128

Ordkunst
, 56

Orm (Danish band)
, 3, 134–135

black metal as disembarrassment
, 146–147

coping
, 145–146

cultural intimacy and embarrassment
, 140–143

fieldwork and intimacy
, 143–145

Ir
, 136–138

prism of intimacy
, 133–134

suicide and sequestration of death
, 138–140

Oshikura Manju (game)
, 214

Oy gevalt
, 16

Oyfn pripetshik (song)
, 17

Oyfn veg shteyt a boym (album)
, 19

Pagan metal
, 62, 82, 224

‘Paganism’ (see Polytheism)

Papirosn (songs)
, 21

Parkelj
, 276

Parody through lyrics
, 157–158

Parody through music
, 156–157

Partizaner Lid (Partisan Song)
, 21

Pennellen (song)
, 163

People’s Republic of China (PRC)
, 115n2

Perestroika (re-structuring)
, 29, 31, 34, 36, 40

Baudelaire, Politics, and
, 31–33

Persona mortuae cutis
, 253

Petits poèmes en prose (Little Prose Poems)
, 30

Pluvius Aestivus (song)
, 244

‘Pod sencami vejevja’ (song)
, 276

Poema de mio Cid (The Poem of the Cid)
, 65, 69–70, 72

Poète maudit
, 28

Poetic analysis of anti-war song

Desafío
, 98–99

lexis
, 105–109

plot
, 100

poetics
, 100–105

Poetry
, 27

Baudelaire
, 30–31

Chernyi Obelisk
, 29–30

literature and authenticity in metal music in Soviet Union
, 33–35

metal music
, 28–29

under Perestroika
, 30

politics, Perestroika and
, 31–33

Spleen
, 35–38

Une Gravure Fantastique
, 38–42

Political activism in Taiwanese metal
, 115–117

Politics
, 114

Polytheism
, 51

Pop artists
, 227

Post-traditional communities
, 50

‘Postvention’
, 146

Postvernacular Yiddish language and music
, 11–14

Postvernacularity
, 1, 12–13

Power of the Power of the Power (song)
, 156

‘Pozadi Amerika’
, 193

Princeps
, 256

Prologue for R. R. R. (song)
, 88–89

PTT
, 114n1

Pyl’naja Byl’ (album)
, 37

Raido (song)
, 55

Recapitulation
, 73–74

Red for Fire: An Icelandic Odyssey, Pt. 1 (album)
, 57

Redemption at the Puritan’s Hand (album)
, 139

Reign in Blood (song)
, 104

Religion
, 52

Rentgenizdat
, 187

Republic of China (ROC)
, 114n2

Resistance songs
, 21–22

Revenge of Tizona (song)
, 69–71, 74

Rex Regi Rebellis (song)
, 84

RIITIIR (band)
, 56

Road of Resistance (song)
, 210, 212–213

Rock demenziale
, 3

Rock demenziale (band)
, 154–156, 163

Rock music
, 188

Rockdemenziale
, 3, 154–155, 163

Romancero del Cid
, 65

Romantic nationalism
, 51

Rozhinkes mit mandlen (album)
, 19

Rúnar munt þú finna
, 228–233

Rune
, 55–56, 228n3

Russia
, 1, 3, 32, 34, 37, 186, 190, 197

Russian language
, 190, 197

Sagenlieder
, 178–179

Sahti Waari (song)
, 85–86

Se predlaga bezplatno (album)
, 22

Sedative Rain (album)
, 124

‘Self-impersonification’
, 161

Seraphim (band)
, 114

Siann
, 119

Siddur (album)
, 16

Slavenor
, 275n4

Slavic and Slovenian motif identification
, 265–266

Slavic content
, 266, 270–271

‘Slavic Content Database’
, 271–277

Slavic deities
, 273

Slavic mythology
, 264

Slovenia
, 172, 189–190, 264–265

Slovenian folklore
, 267, 276

Slovenian heavy metal, 264–265 (see also Italian heavy metal)

annotation periods
, 267

bands in terms of ‘Slavic Content’
, 270–271

determining lyrics database
, 266

hypotheses
, 267

language(s) of Slovenian metal lyrics
, 268–270

MA lyrics availability for Slovenian metal bands
, 267–268

methods
, 265

results and analyses
, 267

Slavic and Slovenian motif identification
, 265–266

‘Slavic Content Database’
, 271–277

systematic data annotation
, 266–267

Slovenian language
, 268, 271

Slovenian lyrics
, 266

Slovenian music
, 264

SMAP (band)
, 205

Socialist music
, 186

Socialist musician
, 186

Society
, 52

Solgrav ‘Sun’s grave’ (band)
, 84

Song lyrics
, 243–244

‘Sonic knowledge’
, 174

Sorg (album)
, 138

Sound blocks
, 120, 122–124

Sound history
, 173–177

Sound of Music, The (film)
, 172

Soviet Russia
, 186

Aria and authenticity
, 196–197

Aria case study
, 192–196

authenticity
, 188–189

authenticity and vnye
, 191–192

authenticity in Socialist context
, 190–191

authenticity of language
, 189–190

metal music in
, 188

music in
, 186–188

Soviet Union, metal music in
, 33–35

Spain
, 63–65, 68, 71–73, 98, 103, 107–110

Spanish

cultural identity
, 64

heavy metal bands
, 98

heavy metal lyrics
, 98

nationalism
, 64, 66, 72

Spleen (Quand le ciel bas et lourd…)’ (song)
, 29, 35

Spleen’
, 30, 35–38

Splin (band)
, 37

Stand Up and Fight (album)
, 87

Stand Up and Fight (song)
, 85

Striges (album)
, 251

Suicide
, 138–140

bereavement
, 139–140

Suicidio a Sorpresa (song)
, 155

Suomen Kansan Vanhat Runot
, 86

Swedish language in Finnish Scene
, 83–85

Swedish-speaking Finn community
, 80

bands studies
, 81–83

Christianisation of Nordic area
, 88

Finland-Swedish minority
, 80–81

in heavy metal scene
, 81

intertextuality
, 88–89

linguistic choices
, 83

particular use of Finnish language
, 85–87

presence of historical references
, 87

Swedish language in Finnish Scene
, 83–85

Viking era
, 87–88

Swiss nationalism
, 235

Switzerland
, 28, 234–235

Systematic data annotation
, 266–267

Taiwan
, 113–118, 120, 126–128

Taiwanese metal, 113–114 (see also Italian heavy metal; Yiddish metal)

culture
, 2

methodology
, 117–119

political activism in
, 115–117

politics
, 114–115

problematics of
, 126–128

troubled past in Just Not Meant to Be
, 119–126

Text use and reuse
, 249–253

Textual data
, 243

The Land of Hope and Glory (song)
, 85

The Longest Day’ (song)
, 101

The March of the Varangian Guard (song)
, 84

The Project Hate MCMXCIX (TPH)
, 244

The Varangian Way (song)
, 85

The Varanguian Way (album)
, 87, 225

Theory of ‘sonic knowledge’
, 174–177

To Holmgard and Beyond (album)
, 87

To Holmgard and Beyond (song)
, 84

Today’s Metal–Bulgaria (Bulgarian metal webzine)
, 22

Torka (band)
, 276

Torment of a Flower (song)
, 124

Torment of a Flower/Rainy Night Flower (song)
, 124

‘Toska’
, 37n8

Tourmentone Vol. I
, 163–164

Tradition
, 9–11, 13, 18, 23, 35, 39, 231, 247

‘Transgressive subcultural capital’
, 229

Trauma (band)
, 65n2

Triana (band)
, 98

Trudovaia knizhka
, 187

‘Trueness’
, 159

Tshiribim tshiribom (songs)
, 19

Tsvety Zla (album)
, 32, 35, 41

Tum Balalaika (folksong)
, 16, 20

Turisas (band)
, 82

Tutte Cagne (song)
, 157

Umorismo demenziale
, 154

Umskiptar (album)
, 230

Under the Free Sun–Legion of Morana (album)
, 273

‘Une Gravure fantastique’ (song)
, 29, 38–42

Unemployment
, 187

Unintentional Islamophobia
, 72–73

‘V spomin čarovnicam’ (song)
, 276

Varulv
, 177–180

Veles
, 274–275

Verba Bestiae (VB)
, 3, 245–248, 253, 258

Verbatim
, 254

Verdigris
, 136–138

Viking
, 52, 54

era
, 87–88

metal
, 56, 224, 228–233

Vikingligr Veldi
, 229–230

Vikings in heavy metal
, 62

Virgil
, 250

Visual imagery
, 225

Vnye
, 186

authenticity and
, 191–192

Vocal-instrumental ensemble (VIAs)
, 186, 191, 197

Voice
, 119

Vokal’no-instrumen’tal’nyi ansambl’ (see Vocal-instrumental ensemble (VIAs))

Vulcanius
, 255

Walls of Jericho (album)
, 160

War
, 2, 39

Wardruna
, 55

Warfare
, 159–162

Warriors of the World (album)
, 158

Warriors of the World United (song)
, 158

Western perspectives on Kawaii Metal
, 202–205

White Christian Middle Ages
, 73

White nationalism
, 71

White supremacy
, 73

White Terror
, 114n2

Word Cloud
, 257

Wordplay
, 207–210

‘World metal’
, 57

Yiddish lyrics
, 4

Yiddish metal, 10, 14–15 (see also Taiwanese metal)

‘bands’ repertoires
, 18

Dibbukim
, 17–18

Gevolt
, 15–17

love songs
, 20

lullabies and children’s songs
, 19–20

original compositions
, 22–23

postvernacular Yiddish language and music
, 11–14

resistance songs
, 21–22

theatre songs
, 20–21

Yiddish music
, 10–11

Yiddish-language heavy metal music
, 10

Yiddish-speaking culture
, 11, 13

Yidl mitn fidl (songs)
, 20

‘Zhizn’ zadarom’
, 194

Živa
, 274

Zog nit keynmol (song)
, 16, 21–22

Prelims
Introduction
Part I: Texts and Intertextuality
Chapter 1: Yiddish Metal as a Manifestation of Postvernacularity
Chapter 2: Baudelaire and Black Metal: Performing Poetry under Perestroika
Part II: National, Cultural and Minority Identity
Chapter 3: Større enn tid, tyngre enn natt – The Interplay of Language and Cultural Identity in the Lyrics of Norwegian Metal Bands
Chapter 4: Spanish and Non-Spanish Perspectives on El Cid in Heavy Metal: Identity Vindication, Cultural Appropriation and Islamophobia
Chapter 5: At the Crossroads of Nordic Traditions and Languages: The Representation of the Swedish-Speaking Finn Community in Finnish Heavy Metal
Part III: Processing Oppression, War, and Bereavement
Chapter 6: Poetic Analysis of the Anti-war Song Muerte en Mostar by the Spanish Heavy Metal Band Desafio
Chapter 7: Vocalizing a Troubled Past: A Case Study of Political Activism in Taiwanese Metal
Chapter 8: Til Opalsøens Dyb ‘To the Depths of Opal Lake’: On Bereavement, Locality, and Intimacy in Danish Black Metal Lyrics by Orm
Part IV: Local, Global, Authentic, and Funny
Chapter 9: I Custodi dell'Accaio Inox: Language as an Interface Between the Global and the Local in Italian ‘Heavy Metal Demenziale’
Chapter 10: The Paradoxical Usage of Austrian Dialects of German in Metal Music
Chapter 11: Delusions of Grandeur? Producing Authentic Metal Music in the Soviet Union
Chapter 12: Is kawaii Metal? Exploring aidoru/Metal Fusion Through the Lyrics of Babymetal
Part V: Ancient Languages and Mythology
Chapter 13: Nata vimpi curmi da: Dead Languages and Primordial Nationalisms in Folk Metal Music
Chapter 14: Verba Bestiae: How Latin Conquered Heavy Metal
Chapter 15: Local Folk Tales, Legends, and Slavic Mythology in Slovenian Heavy Metal Lyrics: A Quantitative Analysis
Index