Prelims
Fake News in Digital Cultures: Technology, Populism and Digital Misinformation
ISBN: 978-1-80117-877-8, eISBN: 978-1-80117-876-1
Publication date: 8 March 2022
Citation
Cover, R., Haw, A. and Thompson, J.D. (2022), "Prelims", Fake News in Digital Cultures: Technology, Populism and Digital Misinformation, Emerald Publishing Limited, Leeds, pp. i-x. https://doi.org/10.1108/978-1-80117-876-120221011
Publisher
:Emerald Publishing Limited
Copyright © 2022 Rob Cover, Ashleigh Haw and Jay Daniel Thompson
Half Title Page
Fake News in Digital Cultures
Title Page
Fake News in Digital Cultures: Technology, Populism and Digital Misinformation
BY
ROB COVER
RMIT University, Australia
ASHLEIGH HAW
University of Melbourne, Australia
AND
JAY DANIEL THOMPSON
RMIT University, Australia
United Kingdom – North America – Japan – India – Malaysia – China
Copyright Page
Emerald Publishing Limited
Howard House, Wagon Lane, Bingley BD16 1WA, UK
First edition 2022
Copyright © 2022 Rob Cover, Ashleigh Haw and Jay Daniel Thompson. Published under an exclusive license by Emerald Publishing Limited.
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No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters’ suitability and application and disclaims any warranties, express or implied, to their use.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-1-80117-877-8 (Print)
ISBN: 978-1-80117-876-1 (Online)
ISBN: 978-1-80117-878-5 (Epub)
Dedication Page
Rob dedicates this book to the late Ashton Taylor, cousin and former student, whose journalism and blogging on health disinformation scandals played an important role in highlighting the material impact of false hope on Australians with chronic illnesses.
Ashleigh dedicates this book to her father, Rex Haw, whose tireless career in journalism and unwaivering dedication to purveying information that informs democracy has led to many fruitful discussions about the core issues of this book.
Jay dedicates this book to the late Janet Malcolm, whose elegant prose and commitment to journalistic ethics has inspired generations of media writers.
Contents
Acknowledgements | ix |
Chapter 1: Introduction: Digital Cultures and Fake News | 1 |
Chapter 2: What Is Fake News? Defining Truth | 17 |
Chapter 3: The Cultural Emergence of Fake News I: Digital Cultures, Interactive Practices and Artificial Feeds | 29 |
Chapter 4: The Cultural Emergence of Fake News II: Postmodernism, Sensationalism and the Hyperreal | 45 |
Chapter 5: The Visual in an Era of Hyperreality and Disinformation: The Deepfake Video | 63 |
Chapter 6: Fake News and Conspiracy Theories | 77 |
Chapter 7: Marginalising the Marginalised: Fake News as a Tool of Populist Power | 93 |
Chapter 8: Audiences, Trust and Polarisation in a Post-truth Media Ecology | 109 |
Chapter 9: Remedying Disinformation: Communication Practice in a World of Fake News | 125 |
Chapter 10: Ethical Practices, Digital Citizenship and Communication Futures | 139 |
References | 153 |
Index | 177 |
Acknowledgements
The thinking, research and discourse underpinning this book has benefitted from many valuable conversations with peers, students, research participants and friends in many settings around the world.
The authors wish to acknowledge the staff, students and colleagues at RMIT University and the University of Melbourne for their support and for providing time to develop this work.
Great conversations with colleagues and peers are key in forming new ideas, approaches and ways of thinking differently about an everyday topic. We owe a debt of gratitude to many people, including particularly Linda Brennan, Benedetta Brevini, Mark Davis, Karen Farquharson, Catherine Gomes, Catharine Lumby, Denis Muller, Christy Newman, Lukas Parker, Tinonee Pym, Kurt Sengul, Verity Trott, Lisa Waller, John Weldon, Scott Wright and Charlotte Young.
We also thank Rex and Fiona Haw, Peter and Trish Thompson, Dean Tunbridge and Jeff Williams.
- Prelims
- Chapter 1: Introduction: Digital Cultures and Fake News
- Chapter 2: What is Fake News? Defining Truth
- Chapter 3: The Cultural Emergence of Fake News I: Digital Cultures, Interactive Practices and Artificial Feeds
- Chapter 4: The Cultural Emergence of Fake News II: Postmodernism, Sensationalism and the Hyperreal
- Chapter 5: The Visual in an Era of Hyperreality and Disinformation: The Deepfake Video
- Chapter 6: Fake News and Conspiracy Theories
- Chapter 7: Marginalising the Marginalised: Fake News as a Tool of Populist Power
- Chapter 8: Audiences, Trust and Polarisation in a Post-truth Media Ecology
- Chapter 9: Remedying Disinformation: Communication Practice in a World of Fake News
- Chapter 10: Ethical Practices, Digital Citizenship and Communication Futures
- References
- Index