Chthonics: Travelling Through Death on Black Metal's Wings
Embodying the Music and Death Nexus
ISBN: 978-1-80117-767-2, eISBN: 978-1-80117-766-5
Publication date: 17 August 2022
Citation
(2022), "Chthonics: Travelling Through Death on Black Metal's Wings", Bennett, M.J., Shadrack, J.H. and Levy, G. (Ed.) Embodying the Music and Death Nexus (Emerald Interdisciplinary Connexions), Emerald Publishing Limited, Leeds, pp. 47-47. https://doi.org/10.1108/978-1-80117-766-520221014
Publisher
:Emerald Publishing Limited
Copyright © 2022 Marie Josephine Bennett, Jasmine Hazel Shadrack and Gary Levy. Published under exclusive licence by Emerald Publishing Limited
The second section addresses three engagements with music and death through the alternative popular music subgenre of black metal. The voices included here offer chthonic journeys into the black of black metal and the abyss of being; screams from the other side that embody death, dying and liberation are illustrated by the sonic representations of those mystical deaths. Black metal is the sound of the void and when one undertakes not only an aural odyssey into its gloomy depths but also experiences a subjective transformation by and through the music, the truths that reveal themselves are nothing short of revelations.
The three contributors offer intersectional responses to the ways in which death and dying are represented through black metal's unflinching engagement with the existential nature of death. Each voice stands head-on at the altar of black metal and offers interdisciplinary analyses and experiences of music and death.
- Prelims
- Section 1 Death and the Canon: Classical Entanglements of Death, Grief and Perspective
- Chapter 1 Permeating the Membrane: Death as Life-Fulfilment Through the Prism of Bach's Ich habe genug (BWV 82)
- Chapter 2 Mozart's Music in Film: Death and Embodied Affect
- Chapter 3 Mahler's Second Symphony: Intuitively Embodying Grief and Dying
- Section 2 Chthonics: Travelling Through Death on Black Metal's Wings
- Chapter 4 Death as Negation: Black Metal's Disturbing Apophatic Insight
- Chapter 5 ‘I Saw the End’: An Autoethnographic Exploration of Music, Cancer Treatment and Death
- Chapter 6 Abyssal Noise: Representations of Death and Dying in Extreme Metal Music
- Section 3 Death and Resurrection: Marginalised Voices
- Chapter 7 Naked History: A Musical Embodiment
- Chapter 8 Death and a Life: Renihilative Metamorphosis
- Chapter 9 Regulation, Resistance and Resurrection
- Section 4 Life Beyond Death: Mourning, Mythology and the Sound of Loss
- Chapter 10 Sounding the Architecture of Grief: Requiem, Rhetoric and Embodied Experience
- Chapter 11 Experiencing the Sound of Loss: Music and Bereavement Theory
- Chapter 12 Between a Man and a Myth: The Death of John Fitzgerald Kennedy and Popular Music
- Epilogue
- Index