Permeating the Membrane: Death as Life-Fulfilment Through the Prism of Bach's Ich habe genug (BWV 82)
Embodying the Music and Death Nexus
ISBN: 978-1-80117-767-2, eISBN: 978-1-80117-766-5
Publication date: 17 August 2022
Abstract
Ich habe genug (I have enough) BWV 82 is one of the best known, most regularly performed and consistently recorded of J.S. Bach's approximately 200 extant sacred cantatas. 1 In the text, by an anonymous author, the narrator repeatedly expresses their readiness to die, in faith that they will be received by their saviour in eternal life. The whole cantata expresses a fearless ‘longing for death’ (Schweitzer, 1911/1966, p. 114), coupled with a serene contentment. Bach's setting of this text for religious purposes not only supports the sentiments expressed by the narrator but colours, illuminates, vitalises and elevates it in ways that startle the ear, quicken the spirit and stir the imagination. In the third and final aria of the cantata, Bach employs an almost-jaunty dance rhythm to accompany the narrator's anticipatory delight in their own death, liberated from worldly and bodily suffering. After identifying some of the ingenious ways Bach animates the text, I offer some speculations and elaborations as to how and why this work has had such an enduring presence in the Western musical canon, for believers and non-believers alike.
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Acknowledgements
Acknowledgments
I would like to offer my sincere thanks to Bettina Varwig for her generous reading and thoughtful comments on an earlier draft of this work; to Jonathan Grieves-Smith for his infectious enthusiasm and insights; and to my co-editors Marie Josephine Bennett and Jasmine Hazel Shadrack for their solid support and constructive suggestions.
Citation
Levy, G. (2022), "Permeating the Membrane: Death as Life-Fulfilment Through the Prism of Bach's
Publisher
:Emerald Publishing Limited
Copyright © 2022 Gary Levy. Published under exclusive licence by Emerald Publishing Limited