A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes

Abstract

The iconic vigilante Paul Kersey (Charles Bronson) returned to cinema screens via Death Wish 2 (Michael Winner) in 1982 and vigilantism would remain a key theme in American urban action films throughout the 1980s. Susan Jeffords subsequently argued that Hollywood's ‘hard bodied’ male action heroes of the period were reflective of the social and political thematics that distinguished Ronald Reagan's tenure as America's President (1994, p. 22). But while Jeffords' arguments are convincing, they overlook contemporaneous films featuring female and ‘soft’ bodied urban action heroes.

The Angel trilogy (Angel, 1984; Avenging Angel, 1985; and Angel III: The Final Chapter, 1988) features three such understudied examples. Indeed, the films' diverse and atypical range of action heroes demand that they are interrogated in terms of their protagonists' gender, sexual orientation, lifestyle choices and age. Featuring narratives about the prostitutes and street folk who frequent Los Angeles' Hollywood Boulevard, the films' key characters are a teenage prostitute and her guardians: a transvestite prostitute, a lesbian hotelier and an elderly cowboy. All three films feature narratives that revolve around acts of vengeance and vigilantism.

This chapter will critically discuss the striking ways in which the films' ‘soft’ bodied and atypical protagonists are presented as convincing action heroes who subvert contemporaneous ‘hard’ bodied norms. It will also consider to what extent their subversive rewriting of typical urban action film narratives and character relations might be understood to critique and deconstruct the themes and concerns that usually characterized such films during the Reagan era.

Citation

Broughton, L. (2022), "A Rainbow-Coloured Riot on Hollywood Boulevard: Even an Avenging Angel Needs a Little Help From Her Elderly and LGBTQ Friends Sometimes", Gerrard, S. and Middlemost, R. (Ed.) Gender and Action Films 1980-2000 (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 169-181. https://doi.org/10.1108/978-1-80117-506-720221012