Accessibility dimensions

, 200–201

‘Activities and events’

, 162

Aesthetic

dimension

, 47

value

, 128–129

Ai Weiwei (contemporary artist)

, 44–45

American Marketing Association (AMA)

, 90

Ancient Present project

, 207–209

Anthropological account

, 80–81

Art and Life Together: Bridge Project

, 96–97

Art market

, 11–12

authenticity as discursive spatial practice in artworld

, 13–16

unpacking space of authentication

, 16–19

Art(s)

, 28, 87–88, 92

art-entrepreneur

, 121

benefits

, 52–53

in business frame

, 96–97

impact

, 53–56

marketing

, 90–91

matter

, 54

in nature frame

, 93–94

in science frame

, 94–96

and society

, 88–90

value

, 56–57

Artist

, 51, 91–92

Artistic identity

, 124–129

external factors informing

, 124–125

tensions emerging

, 125–126

value in fine arts careers

, 127–129

Artistic values

, 107–110

Artists

, 120

approach to analysis

, 123

careers and entrepreneurship

, 120–121

cultural value and careers of fine artists

, 121–122

methodology

, 122–123

research sample group

, 123

results and findings

, 123

Artrepreneur, emergence of

, 135–137

Arts and culture

, 122

as development tool

, 153–154

Arts and Humanities Research Council (AHRC)

, 70, 151–152

Cultural Value Project

, 70–73, 73–74, 216

Arts Council of England

, 121–122

Artworks

, 128–129

Artworld

, 11–13

Assets

, 157–159

Athens City Resilience Strategy 2030 project

, 177

Audience development

, 199–200, 203

Australian curriculum, mobilising three dimensions of

, 111–113

Australian War Memorial (AWM)

, 59

Authenticity

, 3, 11–12

as discursive spatial practice in artworld

, 13–16

Axial coding

, 123

Banksy (artist)

, 46–47

Break down

, 45

British Educational Research Association (BERA)

, 112–113

Business

, 92–93

‘Capital of Culture’ project

, 173–174

Careers of artists

, 120–121

24 Carrot Gardens Project

, 101–102, 103–105

artistic and creative values

, 107–110

capturing cultural value in complexity

, 106–107

debates in cultural value and measurement

, 102–105

economic and industrial values

, 110–111

education and environmental values

, 111–114

working in context of Hobart, Tasmania

, 105–106

Carter-Adam story

, 34

Chinese orchestral music

, 137–138

City of Venice

, 175

City’s resilience

, 176–178

Clusterisation of actions

, 176–177

Co-creation

, 87–88

acts investigated in art industry

, 92–97

art and society

, 88–90

arts marketing and

, 90–91

case study research

, 93–97

of cultural value

, 91–92

Coca-Cola Urn

, 44–45

Cognitive accessibility

, 201

Community gardening

, 105

Conflict, life-cycle of cultural value in

, 57–61

Consumer orientation (CO)

, 90

Consumer society

, 12–13

Consumption

, 40–41

Contemporary art

, 44

Contemporary drama

, 26

Convention on the Rights of Persons with Disabilities (CRPD)

, 194

Country Arts South Australia (CASA)

, 26–27

Creative assets

, 158–159

Creative business

, 121–122

Creative class strategies

, 153

Creative destruction

accessing art object through OOO

, 42–43

Ai Weiwei

, 44–45

Banksy

, 46–47

failing measures of cultural value

, 41–42

Michael Landy

, 45–46

Creative economy

, 136

policy

, 135

Creative entrepreneur

, 121

Creative industries

, 120, 136

Creative reputation

, 135, 140–143

composer negotiating value of music

, 137–140

emergence of artrepreneur

, 135–137

perimeters for composition

, 137–138

reputational challenges

, 138–140

Creative values

, 107–110

Creative visions

, 18–19

Creative workers

, 134, 136

Creativity

, 56, 133–134, 141–142

Credibility armor

, 18

Cultural assets

, 5–6, 157–159

framework

, 159–163

Cultural brokers

, 14–15

Cultural economy

, 31

Cultural ecosystems

, 156–157

Cultural engagement

, 52, 72–74, 88

Cultural heritage

, 57–58, 176–177

Cultural industries

, 154

Cultural measurement

, 27

Cultural policy

, 72, 193

Cultural value. See also Value

, 1–3, 26–27, 31, 70, 79–81, 89–90, 134–135, 151–152, 154–156, 184–185, 215

capturing cultural value in complexity

, 106–107

and careers of fine artists

, 121–122

challenges for future

, 5–7

in conflict

, 52, 58–60

contemporary city, problems

, 174–176

cultural assets framework

, 159–163

current developments in field

, 4–5

debates in

, 102–105

disaggregating value

, 29–32

as ecology

, 114–116

failing measures of

, 41–42

life-cycle

, 57–61

literature review

, 52–57, 153–159

lost of armed conflict

, 57–58

mediation

, 80

narrating

, 33–35

overcomes conflict

, 60–61

overcoming separation of conditions and consciousness

, 80

and practice

, 77–79

proxy relationship

, 27–29

as source of strategic identity in urban fabric

, 171–174

theories of practice

, 75–77, 80–81

Cultural Value Project (CVP)

, 2

Cultural Value Scoping Project

, 70

continuities and breaks

, 75

Culture

, 28, 91–92, 172–173

Culture qua culture

, 32

Dematerialisation

, 39–40

Denaturalisation of local traditions

, 175

Department for Culture, Media and Sport (DCMS)

, 56–57

Destruction

, 40–41

‘Destructive’ art

, 39–40

Development Assistance Committee (DAC)

, 57

Development strategies

, 152

Digital accessibility

, 201

Disabled parking

, 194

Discrimination

, 188

Economic

dimension

, 201

values

, 31, 110–111

Economics and Culture (2001)

, 29–30

Economics of Cultural Policy, The (2010)

, 29

Education

, 111–114

Educational value

, 54–55

Edutainment

, 201

Emotional value

, 128–129

Engagement

, 200

Entrepreneurial strategies

, 153

Entrepreneurship

, 5, 120

of artists

, 120–121

Environmental values

, 111–114

Evaluation methods

, 26

Father and Son (F&S)

, 202–203

Financial value

, 128–129

Forgeries

, 14

Gaming

, 201

Gentrification

, 110–111, 175

Gibellina vs. Modica

, 178–179

Group for Large Local Authority Museums (GLLAM)

, 56–57

Guernica (1937)

, 52

Historical–cultural assets

, 158

Hyper-objects

, 40–41, 43

Inclusion. See also Social inclusion

, 185

Inclusive citizenship

, 185

Industrial values

, 110–111

Inequality

, 89–90

Innovation orientation (IO)

, 90

Innovative business models

, 121–122

Institutional values

, 2, 41, 172–173

Instrumental values

, 2, 41, 172–173

Instrumentalism

, 55, 216

‘Interaction with Art Project’

, 95

Intrinsic values

, 2, 41, 172–173

Italian public cultural system

, 199–200

‘Jargon of authenticity’

, 13

Les Lettres Françaises (Téry)

, 52

Low-or Middle-Income Countries (LMICs)

, 57

Market orientation (MO)

, 90

Market-led approach

, 128

Marketing

, 90

Meaning-making

, 102

Memos

, 123

Metaphysical mode of thought

, 28

Methodological individualism

, 70–71

Mi:Wi 3027 drama

, 33–35

Michael Landy (artist)

, 45–46

Mindfulness

, 109

Ministry of Family and Social Policies (MoFSP)

, 186

‘Modern pantheon’ of art

, 17

Mona effect

, 111

Museo Archeologico Nazionale di Napoli (MANN)

, 6–7

Museums

, 56–57

aesthetics

, 12–13

and cultural value

, 199–200

dimensions of accessibility

, 200–201

objectives and results

, 204–209

and video games

, 201–203

Music

, 137

Mutualism

, 91–92

Narrative methods

, 26–27, 122–123

National Archaeological Museum of Naples (MANN)

, 201, 208

Nature

, 92, 93

Networks

, 91–92

New Public Management (NPM)

, 71–72

Non-governmental organisations (NGOs)

, 194

Object-oriented ontology (OOO)

, 3–4, 39–40

accessing art object through

, 42–43

‘Objects and artefacts’

, 161

Officers of artworld

, 18

Official Development Assistance (ODA)

, 57

Open coding

, 123

‘Partnerships and collaborations’

, 162–163

People with disabilities

, 190

Performing arts. See also Art(s)

, 184

cultural value and social inclusion

, 184–185

findings

, 188–193

individual level

, 191–192

method

, 186

social inclusion of people with disabilities

, 185–186

societal level

, 189–191

suggestions

, 192–193

‘Permanent Performance Project: Wall Painting’

, 95

Personal capability

, 114

Physical accessibility

, 200

Physical assets

, 160

Place-based education (PBE)

, 113–114

Placement in artworld context

, 17–18

Politics of aesthetic value

, 52, 58–59

Population and Housing Census (PHC)

, 185

Portfolio career

, 120–121

Power asymmetry

, 91–92

Power discourses

, 17

Practice theory

, 76

Progressive strategies

, 153

Proxies

, 26–27

Proxy relationship

, 27–29

Refugee crisis

, 57

Resilience

, 176–177

Resiliency

, 176–177

Science

, 92–93

Science, technology, engineering and mathematics (STEM)

, 105–106

Sentiment analysis

, 205

Singapore

, 134–135

Social capability

, 114

Social inclusion

, 184–185

of people with disabilities

, 185–186

Social value

, 52, 60

Socially engaged arts practice

, 107

Space of authentication

, 15

unpacking

, 16–19

‘Spaces and places’

, 14, 161–162

Spirit

, 18–19

Statusphere

, 17

STEAM education

, 112–113

Storytelling

, 122–123

Street art

, 47

Structuralism

, 75–76

Sustainability

, 173

Symbolic value

, 31–32

Tag cloud

, 205

Tasmania

, 105, 110–111

Theories of practice

, 75–77, 80–81

Three-part model

, 3

‘Ticking the boxes’

, 27–29

Turkey Grand National Assembly (TGNA)

, 186

Turkish Disability Act

, 185–186

United Nations Educational, Scientific and Cultural Organization (UNESCO)

, 57–58

Universal value

, 52, 58, 61–62

Urban and regional planning

, 153–154

Valuable art

, 12–13

Value

, 13, 26–27, 39–40, 91–92

of arts

, 56–57

co-creation

, 90–91

in fine arts careers

, 127–129

Video games

, 201–203

Visual representations

, 12–13

War artist

, 59

‘Ways of Thinking about Cultural Value’

, 3–4

Western art market

, 17

Young British Artists (YBAs)

, 45

movement

, 129