To read this content please select one of the options below:

Weeping Angels: Doctor Who’s (De)Monstrous Feminine

Gender and Contemporary Horror in Television

ISBN: 978-1-78769-104-9, eISBN: 978-1-78769-103-2

Publication date: 13 March 2019

Abstract

This chapter explores the episodes of Doctor Who featuring the Weeping Angels, in order to explore how their femininity impacts their monstrosity. Other (male) monsters in Doctor Who kill the victims outright: Daleks exterminate their victims and Cybermen upgrade (essentially extracting all of their humanity, turning them into mindless robots) their victims. The only reoccurring feminine monsters, the Weeping Angels, do not kill anyone. They don’t take away their humanity; they simply transport them to another time. They live out their entire lives in this new time, unharmed beyond the inconvenience of temporal displacement.

The Weeping Angels could be analysed as a reversal of Barbara Creed’s monstrous feminine (1993); as their femininity makes them more human and more compassionate instead of more monstrous. They also could be thought of in terms of feminist ethics à la Nel Noddings’ feminist approach to care. In this chapter, I will argue that though traditionally villainous women are made monstrous via their femininity; in the case of the Weeping Angels, their femininity gives them a sense of humanity and compassion, thus making them less monstrous.

Keywords

Citation

Lukancic, K. (2019), "Weeping Angels: Doctor Who’s (De)Monstrous Feminine", Gerrard, S., Holland, S. and Shail, R. (Ed.) Gender and Contemporary Horror in Television (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 35-45. https://doi.org/10.1108/978-1-78769-103-220191004

Publisher

:

Emerald Publishing Limited

Copyright © 2019, Khara Lukancic