‘Is This a Chick Thing Now?’ The Feminism of Z Nation between Quality and Trash TV

Abstract

A lot has been written on zombies lately and on the rather conservative US-American TV Show The Walking Dead (AMC, 2010–) in particular. A lot less has been written on the SyFy-Show Z Nation (2014–), although it is a sophisticated feminist take on the zombie lore. Centring around a group of survivors, who escort a human–zombie–cyborg across the US and Mexico, the show not only undermines the patriarchalism of its archetype, but also raises questions of post-humanism by the means of Donna Haraway or Rosi Braidotti. With the help of media-self-reflexive parody and pastiche, the series comments on its extradiegetic world as much as on its own genre and offers a deconstruction of stereotypical (gendered) tropes and conventions. In the following chapter, I use a selective close reading of the text and its representation politics to demonstrate how a feminist deconstruction of zombie-horror can come into being and how an (academic) distinction between Quality and Trash TV can be just as regressive as productive in this process.

Citation

Dannenberg, N. (2019), "‘Is This a Chick Thing Now?’ The Feminism of Z Nation between Quality and Trash TV", Gerrard, S., Holland, S. and Shail, R. (Ed.) Gender and Contemporary Horror in Television (Emerald Studies in Popular Culture and Gender), Emerald Publishing Limited, Leeds, pp. 23-34. https://doi.org/10.1108/978-1-78769-103-220191003