The Stories in Images: The Value of the Visual for Narrative Criminology

Abstract

Our aim is to highlight the value in using photographs and visuals for narrative criminology. We do this by showing how people draw from and create visual symbols to communicate personal narratives and by showing how we as researchers can use these images in interviews to elicit richer responses. Specifically, we illustrate the value of images for narrative criminology by telling the story of Chico, a 50-year-old, Hispanic man who has used meth for nearly three decades. In response to his marginalisation, Chico presents himself in two primary ways: as a rebellious, antiauthority menace to outsiders and as a caring, generous friend to insiders. He displays these identities through visual symbols (on his home, property and body) and through his stories and actions. Additionally, we use photographs taken of him and his home during interviews to elicit his personal narratives (i.e. photo-elicitation interviews). We argue that scholars have much to gain by examining the use of images to stimulate interviews and open necessary interdiscursivity of qualitative criminology.

Citation

(2019), "The Stories in Images: The Value of the Visual for Narrative Criminology", Copes, H., Hochstetler, A., Ragland, J., Fleetwood, J., Presser, L., Sandberg, S. and Ugelvik, T. (Ed.) The Emerald Handbook of Narrative Criminology, Emerald Publishing Limited, Leeds, pp. 175-195. https://doi.org/10.1108/978-1-78769-005-920191017